Four against the world: 20 years of RUST
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- By Ed Garland
- Hits: 516
Garry Campbell in full flight.
WORDS: Ed Garland
PHOTOS: Jules
I am the first to admit I got it wrong about Sydney band RUST.
You these hear stupid comments around the scene (by those who claim to be “in the know“) that RUST is a right-wing Oi band. As time’s gone on, the penny has slowly dropped.
First, I watched the band put in a blistering set at The Metro in Sydney support of Stiff Little Fingers and they impressed me .
A couple of years later, pre-Covid, I caught them at Time and Tide in Dee Why in one wild punk night. They struck me as a solid Oi cross-over punk band, but maybe but not my thing.
Can't control youself? Grab this classic re-issue
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- By The Barman
- Hits: 515
Legendary Australian drummer James Baker is gone but won’t be forgotten. The debut single by the co-founder of The Victims, The Scientists, Hoodoo Gurus, Beasts of Bourbon and Dubrovniks is being posthumously honoured by a re-issue of his debut single.
Cheersquad Records & Tapes is re-pressing the James Baker Experience’s "I Can't Control Myself" b/w "Born To Be Punched" 45 in all its shambolic glory on its 40th anniversary.
It features a pounding cover of The Troggs' "I Can't Control Myself" because James was the world's biggest Troggs fan, and would occasionally venture out from behind his drums (handing his sticks to Brad Shepherd) to sing it for an encore in his Hoodoo Gurus days.
The B side is the New York Dolls-inspired original "Born To Be Punched" which was recorded not long after James and the Gurus parted ways. It features a young Tex Perkins on bass and James' mate from the Scientists and later the Dubrovniks, Rod Radalj, as well as Tex's mate Stu Spasm on guitars.
The first ever release on Red Eye Records, it features brilliant cover art from label founder John Foy. Cheersquad's edition will be released on October 7 in five coloured variants - 100 of copies of each – and you can find the full details and place a pre-order here.
"Black Milk" to celebrate fallen friends and kicking against the pricks
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- By The Barman
- Hits: 1295
The Beasts aren't the Beasts of Bourbon. but they both share members and a sense of fierce perversity.
So when The Beasts play their show to mark 35 years since their immediate forebears, the Beasts of Bourbon, birthed the "Black Milk" album at The Forum in Melbourne on September 12, expect it to hit emotional heights and to venture into unchartered territory.
The sun is setting over Sydney and on the line is Tex Perkins, singer for both bands and, with Kim Salmon (guitar) and Boris Sujdovic (bass), a survivor of the original line-up of the Beasts of Bourbon.
Neverland Ranch Davidians are a cult worth joining
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- By The Barman
- Hits: 2078
Shout It On The Mountain – Neverland Ranch Davidians (Heavy Medication Records)
Any band with a name that fucks with the memories of cult leaders Michael Jackson and David Koresh in equal measures has to have something going for it. Snappy nomenclature is one thing, but this Los Angeles outfit also has substance to back it up.
Neverland Ranch Davidians trade in scuzzy punk rock intertwined with funk and greasy R ‘n’ B. “Shout It On The Mountain” is their second long-player and it’s on Polish label Heavy Medication, a refuge for acts like The Primevals, Streetwalkin' Cheetahs, The Meatbeaters and Pat Todd.
Jump Head-first into this riotous and righteous collection of rock and roll stories
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- By The Barman
- Hits: 1293
Headonism
By Peter Head with MJ Cornwall
(BookPOD)
The history of Australian rock and roll is chockablock with yarns about people who had their shot at The Big Prize. Adelaide-born Peter Head (nee Beagley) gave it a better shake than most, rising to prominence as pianist for prog rockers Headband, touring his bum off and playing in a pre-AC/DC band with some bloke named Bon Scott.
This is a man who rubbed shoulders with everyone from Elton John to John Mayall, John Farnham to the Rolling Stones. Adelaide-raised, Head did what a lot of Aussies did in the‘60s and followed his nose to work as a muso in England...only to suffer the same fate as many, if not most, of his peers and have it rubbed in Pommy squalor.
In the ‘80s Head transplanted himself to Sydney and became a fixture in the piano bars of Kings Cross. It was probably a natural progression for a bloke who kicked off his career as a 13-year-old backing bump-and-grind dancers in seedy Hindley Street bars. Along the way, he directed stage shows, toured nationally with the likes of Robyn Archer, carved out a regular place on the bill of the Adelaide Festival, filled in as backing pianist for “Here’s Humphrey”.
The Gin Palace soars before Swaggerland puts iceing on the collaborative cake
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- By John Ventoura
- Hits: 2903
Happy Hour at The Gin Palace.
The Gin Palace
+ Swaggerland
Factory Floor, Marrickville
Saturday 9 August 2025
On a wet and miserable Sydney winter night, a cosy Factory Floor welcomed around 50 punters to share an intimate musical experience. It was the long awaited gig to launch The Gin Palace’s online single “Petrichor” and album material from Bronwyn Eather’s latest project Swaggerland 24.
First up The Gin Palace: A super group of players, with a pedigree drawn from, among others, Crow, Glide, and Copperline, they are a six-piece band and welcomed us with a short set of songs from upcoming album, “The Year of the Dog”. As it turns out, it was a set that was almost too big for this little stage, as The Gin Palace powered through an effortless and positive set of numbers with their unique, euphoric sound.
Mind blown by a singular talent
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- By Ed Garland
- Hits: 2824
Keep Moving – Xani (Live At Fight Night Records)
It’s been a month since I saw Xani at The Recital Hall in Sydney, in support of John Cale. Those in attendance that I’ve spoken to were blown away by the lone figure on stage with her Irish jig footwork and extraordinary violin playing.
That night Xani produced a vast array of sounds from that tiny instrument. Of course, in a studio with multi-track recording, an artist doesn’t need the same level of complexity, timing and, in Xani’s case, looping. I suspect the songs in a studio setting came first and looping is a means of reproducing a wild tapestry of sounds when playing live.
The Crisps are screaming for your love
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- By The Barman
- Hits: 1282
Sydney via Berlin band The Crisps have a new video single. “Scream For My Love” is the song and it’s available on
Other band members are Graham “Hoody” Hood (The Johnnys), Dave Thomas (Doomfoxx) and Chris Nacard (Orange County).
The Crisps have undertaken Australian tours in the last couple of years on the back of a self-titled mini-album of revived material from their original existence in the early 2000s. Expect a new album before the end of 2025 once Stu Crisp has finished a European tour with Van Ruin and an Australian run with Chris Masuak’s Dog Soldier.
Russell Pilling mixed “Scream For My Love” and the video is by Charlie Wilson.
The Handsomest Man In Rock and Roll returns to the record racks
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- By The Barman
- Hits: 1718
Back On Broadway EP – Handsome Dick Manitoba (Heavy Medication/Ghost Highway/Take The City)
He’s back and as bombastic and brash as ever. Handsome Dick Manitoba and the band he made his name with, The Dictators, are irrevocably divorced, but The King of Men punches on with this four-song vinyl EP, comprising two new studio tracks and a brace recorded on the road.
In case you didn’t know, Manitoba’s been doing a bit of touring in the USA and Europe with his own bands after the big split and something of a slow motion fall from grace away from the stage. If you’re not familiar with the story, the title track “Back On Broadway” spells it all out:
- Revenge is a dish best served on top of a valve amp
- Chris Masuak's Dog Soldier announces Australian tour
- Punching above its weight and it's a knock-out
- One Short story you won't be able to put down
- Never Mind The Lyrics, Here's the Alice Cooper Band
- Flood warning: Kuepper and White deliver a masterwork
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