It's 13 years since he passed from cancer but the reputation of Lobby Loyde is not diminishing. We live in crazy times but one of the sane things occurring right now is that the trailblazing Australian guitarist, bandleader and producer is finally getting his dues outside his homeland.
As leader of the Coloured Balls, Loyde set a benchmark in Australia for innovative hard rock. The "Ball Power" and "Heavy Metal Kid" albums, both released in 1974, are all-time classics. As a player in The Aztecs, Rose Tattoo and solo, the earlier Wild Cherries and Purple Hearts,
Loyde blew up more amplifiers and sent more people deaf than anyone who followed. As a producer in the 1980's, he was a force behind albums for the Sunnyboys, Painters and Dockers, Machinations and X.
Re-issues of his Coloured Balls albums and Lobby's solo work on the Aztec label re-lit the spotlight in Australia in the '90s. Just Add Water Records is deep into a program of vinyl re-issues, out of Berkeley, California.
They've done a killer job on three singles and an LP re-issue of "The First Supper Last Or Scenes We Didn't Get To See".
We decided to track down label owner JASON DUNCAN and ask him about Just Add Water's mission to re-visit the music of Lobby Loyde, and a select bunch of other similarly-minded rock and roll outsiders.
Home, James And Don’t Spare the Horse Power - Anytime James (self released)
The dictionary defines “raunch” as “energetic earthiness; vulgarity”, and the second album from Anytime James has it in bucketloads.
Anytime Who? Read on.
Anytime James is an outfit of musicians from the Far North Coast of New South Wales, assembled and led by former Asteroid B612 guitarist Michael Gibbons. At the risk of (more) accusations of hype, let's toss caution to the metaphorical breeze and say Anytime James might be the best band you've never heard of. Here's why.
Pyongyang Kaengsaeng! - The Dry Retch (Stalingrad)
The UK owes the world an enduring apology for afflicting it with insipid shit like Robbie Williams, but there are signs of redemption if you look hard. You’ll find it seeping out of the cracks in footpaths in big cities outside London, where high-energy outsider bands like The Hip Priests (Nottingham) and Black Bombers (Birmingham) hold the line. From one such dark fissure in Liverpool comes The Dry Retch.
You’ll know the back-story if you saw our recent review of their Stooges-obsessed “A Kick in the Gulags” EP. “Pyongyang Kaengsaeng!” (allegedly Korean for “really shitty car” - would Little Rocket Man lie?) is their latest album - and it was launched on the undercard of a 2020 Brian James Q and A in Nottingham, no less. If tender balladry is your thing, look away, now.