ed clayton-jones

Jackdaw - Edward Clayton-Jones (self released) 

I've been looking forward to hearing “Jackdaw” for a while, but I must confess I didn't expect it to be this damn good. The last thing I said to Ed was, “Well, look, you know me. If I don't like it or I think it's bad, I'll tell you I can't review it. I'd rather have the friendship.” He understood. 

Bad reviews, pfft, they're mostly just juveniles showing off how clever they are, and I've got better things to do with my time. Also, I'm not clever. Years ago, the New Musical Express and Melody Maker used to hire such clever types and, while they could sometimes be amusing, they would often miss brilliance in preference to their own self-swagger (for example, XTCcopped endless daft reviews which completely missed how fucking sharp, funny and evocative they were). So to “Jackdaw”.

Fake is Forever - The Wreckery (Golden Robot)

Yes, I've heard the Beatles’ new old song. 

No, I didn't know what to expect, and as it turned out I enjoyed it. Loved the piano and John's voice. Naturally, not their best work, and tinged with (insert emotion here) the loss of two of the band's four corners.

Yes, the Internettery is awash with characters pissing on it, for the most part dissing it for not being a light cheery pop song, or not like “the Stones” - whoever they are.

Strange how one expectation can trigger a predictable response, isn't it? “The Beatles song” is certainly aimed more-or-less in the direction the band would have taken, I think, had not that cowardly spit Mark Chapman decided he so much resembled Holden Caulfield that he could get attention LIKE THIS. Disappointed with real life - as so many of us are - Mark Chapman was a weasel who seemed to have been looking for a hook on which to hang his identity/ notoriety hat. I suspect he enjoys being known for that one dreadful, stupid thing.

_{Lax Charisma photo}

Alexa Clayton-Jones and I went out to see Nick Cave and the Bad Seeds last night at Sydney's voluminous and brand new International Convention Centre.

It blows my mind that for a few weeks in 1984, I played in the Bad Seeds, and I’m remembering bouncing around Europe in an old GMC wagon and some of the more colourful venues we played.

Top Ten Time in Ten Town! Four gigs – five albums – one book – by Garry Gray 

The buzz.
Garry Gray is winging his way in like a true angel to deliver his Top Ten Commandments for the I-94 Bar for 2023 – formerly of Sacred Cowboys, Negatives and Garry Gray & The Sixth Circle – and recently with Ed Clayton – Jones – without G.G. there would be no Chainsaw President ….

’The truth is I never left you, All through my wild days, My mad existence, I kept my promise, So keep your distance.’’ – now read on!

MARVELLOUS MUSICAL MOMENTS OF 2022 AND MORE MUSINGS:

Firstly, thanks to The Barman and I-94 Bar contributors Keith Claringbold, Dylan Webster, Matty Ryan and Edwin Garland who included my shows with my band in NSW and Melbourne in their Top Tens for 2022. That is so cool and greatly appreciated! Thanks to everyone who came to these shows! It was fabulous to see so many “old” friends there!

Thanks to the musicians who played in my band – Tim McCormack on bass, Jason McGann on drums, Julian Held on guitar, Sam Billinghurst-Walsh on guitar and Ryan Oliver on keyboards. They are worthy of the attention they have been getting.

In fact, thanks to all the musicians who performed live on the indie rock circuit in 2022. These are not easy times for many musicians, and it’s been fantastic to see so many artists back in action on stage, in the post lockdown world. Often, I cross paths with them when they attend other people’s gigs as well. It’s a wonderful thing to behold - intrepid rock’n’roll soldiers leading the charge to bring live music back into the forefront of our hearts and minds! 

Thanks to all the punters who have been supporting live gigs. Thanks to the music journalists for reviewing our shows and new releases and to the radio presenters who have been playing our music. Thanks to the venues and the promoters, with a special thanks to The Barman for his tireless efforts to keep our rock scene alive and well.