ed kuepper

_{Ed Kuepper. Photo by Richard Sharman of Blackshadow Photography.} 

Posted October 29, 2008:  If the thought of re-convening the classic mid-'70s Saints line-up presents more problems than formulating a lasting Middle Eastern peace plan, the organisers of the All Tomorrow's Parties festival series must be among international diplomacy's canniest operators.

The improbable becomes reality in January 2009 when ATP establishes an Australian beachhead, with Nick Cave and the Bad Seeds curating and the Saints a feature act.

Yes, you read right. The Saints. Not any old Saints or even The Aints. The Kuepper-Bailey Saints, fercrissake, will be part of a varied and eclectic line-up over three locations and four days.

The forever prolific Ed Kuepper is celebrating 45 years as a recording artist with three retrospective releases spanning a large chunk of his post-Saints musical output.

“Ed Kuepper - Singles ’86 ‘ ’96” will compile every solo A side from that period on vinyl and CDs, the latter format featuring a bonus disc of B sides and obscurities. Surprisingly, it’s Kuepper’s first collection of 45s and CD singles.

“Golden Days // When Giants Walked the Earth” will be a vinyl collection of Kuepper’s immediate post-Saints band, Laughing Clowns, who pushed the boundaries not just of conventional music but of the post-punk world. The classic “Eternally Yours” is included, as are the equally worthy “Everything That Flies”, “Holy Joe” and more.  

“The Aints! Live at The Bowlo” will be a vinyl version of the 2018 show by Kuepper’s Saints-inspired The Aints!only previously available in digital format.

Saints co-founder and leader of the Laughing Clowns and The Aints!, Ed Kuepper, is teaming with Jim White, the brilliant drummer of renowned instrumentalists Dirty Three and revered '80s-90s post-punks Venom P Stinger, for an Australian tour in May, June and July.

The pair will reprise classics from Kuepper's stellar 45-year career in a multi-state tour that includes a stop-off at the Sydney Opera House.

The shows will coincide with a trio of retrospective releasesfrom Kuepper covering his solo years, Laughing Clowns and The Aints! All titles will be released in limited amounts, on coloured vinyl, and with select CD issues also.

Ed Kuepper and Jim White
MAY
25 - Castlemaine, Bridge Hotel
26 - Melbourne Rising, Comedy Theatre
28 - Meeniyan Town Hall
29 - Macedon Hotel
JUNE
4 - Cairns, Tanks Arts Centre
5 - Sunshine Coast, Imperial Hotel
6 - Gold Coast, Miami Marketta
10 - Newcastle, Lizottes
11 - Wyong The Arthouse
12 - Blue Mountains Theatre
13 - Sydney Opera Houuse Studio (matinee and evening shows)
6 - Eltham Hotel (SOLD OUT)
17 - Brisbane, Triffid
24 - Canberra, The Street
27 - Adelaide, The Gov
JULY
3 - Fremantle Social Club
All shows on-sale now via edkuepper.com

_{Anna White photo}

Two of the hardest working men in Australian show business, Ed Kuepper and Jim White, return for a short series of duo shows this summer.

Kuepper has just completed a run of residency shows with his new instrumental project Asteroid Ekosystem and drummer White is taking a brief pause from international touring with Bill Callahan, Xylouris White and Marisa Anderson.

The pair will continue their journey of exploration via Kuepper’s extensive catalogue and a studio release by the pair looms in 2023.  Acoustic troubadour Darren Cross will open all shows which are on sale now via feelpresents.com

ED KUEPPER & JIM WHITE
FEBRUARY 2023
Thu Feb 2 Murwillumbah, The Regent
Fri Feb 3 Coffs Harbour, The Jetty
Sat Feb 4 Brisbane, The Outpost
Wed Feb 8 Sydney, The Great Club
Thu Feb 9 Cronulla, Brass Monkey
Fri Feb 10 Melbourne, Brunswick Ballroom

Ex-Saints and Laughing Clowns trailblazer Ed Kuepper's 50th (!) album “Lost Cities” is on its way and available for pre-order.

“Lost Cities'' will be released on December 20 on CD only and we reckon it would be the ideal Xmas gift. You can place your order with Ed's own Prince Melon Records webmaster James Last here.

Copies purchased before the official release date will be personally signed by Ed and cover artist Judi Dransfield Kuepper.

The album features nine new songs recorded in August following the successful Nostalgia for the New Australian mini-tour by Ed. Titles are ''Pavane'', ''Friends with the Leader'', "Free passage to Mars'' ''[It's] Never too Late'', ''The Ruins'', ''Fever Dream'', ''What can I leave you'', ''Some said....'' ''Queen of the Vale [that's V.A.L.E]''.

Saints and Laughing Clowns elder statesman Ed Kuepper is backing an extensive re-issue campaign of his solo back catalogue with a series of Australian shows under the moniker, “The Exploding World of Ed Kuepper".

Kuepper will be joined by the all;-star band of Mark Dawson on drums, ex-Sunnyboys bassist Peter Oxley,  pianist Alister Spence and brass maestro Eamon Dilworth for a run through seven states and territories. 

The Exploding Universe will tackle the best of “Electrical Storm” and “Honey Steel’s Gold”, the iconic Kuepper solo records being re-issued in re-mastered form in all formats right now by Remote Control label. All shows are fully seated and on sale now.

Four decades after the release of his first record, the iconic Australian classic ''(I'm) Stranded'' by The Saints, Ed Kuepper returns with an album that may well be considered a high point in his lengthy and uncompromising career.

Recorded over three days in August at Gasworks Studio, Brisbane ''Lost Cities'' is Kuepper's 50th release (excluding compilations) and is on his own Prince Melon Records label. It is Ed’s first entirely solo and electric release, a format Herr Kuepper likes to refer to as Solo Orchestral.

To those who witnessed Ed Kuepper’s live shows last year in which he first aired this new crop of songs, we were set afloat in a dimly-set world and intimate setting. 

Ed was sitting on his throne; his approach was self-absorbed, ambient and ethereal, yet focused. With the odd Scotch on the rocks being downed, Kuepper was in fine form.

_{The Aints in full flight: Peter Oxley, Paul Larsen and Ed Kuepper, with Alastair Spence obscrured. Mandy Tzaras photo.}

You knew something special was up in Adelaide tonight because as you approached The Gov, heading determinedly back to the carpark was a small group of lone pushing-toward-pensioner men, each clutching the same record: “The Aints Live at The Sarah Sands 1991”. There can’t be too many left of this, they only made 300; get yours at the gig; two LPs, $50.

Now then.

Ever hear of Reid Fleming, World’s Toughest Milkman? Good. Now you have. 

The first comic came out, it must’ve been 30 years ago. I had a T-shirt, gave it to Bob, who has cherished that damn thing for about 25 years now. I did my heart good to see Bob bouncing around tonight in that tattered t-shirt. “I thought I told you to SHUT UP!” Fleming bellows from the shirt. It perfectly matches the night.

By the time you read this, Ed Kuepper and his new favourite band The Aints will be ensconced in Phil Punch’s Sydney studio, recording their new album.

“The Church of Simultaneous Existence” was previewed on the recent runs of Aints shows across Australia, and will consist mostly of old songs intended for a fourth album by the early (definitive) version of the Kuepper-Bailey Saints.

The Aints lineup is Peter Oxley (bass), Paul Larsen (drums) and Alister Spence (keys) with Kuepper on vocals and guitar, backed by a three-piece horn section. The photo at right of Peter Oxley in the studio yesteday is courtesy of Feelpresents. 

Last Friday night at Sydney's Marrickville Bowling Club, The Aints played a bracket of the album songs in their entirety. They backed up that blistering show with an appearance the following night at the Gumball festival in the Hunter Valley..

Did we say recording “a new album” (singular)? The Aints are also recording a new Ed Kuepper album - with strings.

It’s the same “electric trio” configuration that appeared with Ed and the Nonsemble Strings at Leftys Old Time Musical Hall in Brisbane in December 2017.

No release dates have been announced for either album but mixing sessions have been scheduled, so watch this space.

“Second Winter” feels almost like a concept album. Those are familiar with Kuepper’s work since his solo debut of “Electrical Storm” of 1985 will find it all like a passage between the past and the shadows of previous melodies and phrases. It's rather haunting.

Even the cover of the record has captured the ambience of the front of his first solo album (also made with long term collaborator, drummer Mark Dawson.) This shot shows four identified figures leaving an entrance of a stone building.

Alternative title: "He Gets by With Some Help From His Friends".

Producer-guitarist Bruce "Cub" Callaway assembled a stellar cast for this, his 2013 return to recording after a lay-off, and it shows.

John Hoey (Died Pretty), Warwick Gilbert (Radio Birdman), Paul Larsen (Celibate Rifles), Clyde Bramley (Hoodoo Gurus) and Julie Mostyn Gilbert (Flaming Hands) all played roles. Lesser-knowns Ian Johnson, Louis Callaway and Harry Rothenfluh also contributed drums.

It wouldn’t feel normal in Australia if it wasn’t raining Ed Kuepper shows. Already announced as the Melbourne headliners for this year’s Reclink Community Cup at Melbourne’s Victoria Park on June 24, Kuepper's new favourite band The Aints! are playing an additional show at Geelong’s Barwon Club Hotel the night before.

Joining Kuepper in The Aints! are Sunnyboys bassist Peter Oxley, Paul Larsen (drummer for both The Celibate Rifles and The New Christs) plus solo jazz performers Alister Spence (keyboards), Eamon Dilworth (trumpet) and an additional brass section. Tickets for The Aints! play The Saints with special guests Ausmuteants are on-sale here.

For more than 40 years, Ed Kuepper has been creating music. Over that time, he's claimed a place as one of the most progressive and critically acclaimed singer-songwriters and guitar players to emerge from Australia.

Ed has been (mostly) in the shadows of the mainstream and has always forged his own path.

No-one sounds like Ed Kuepper.

I was about 12 when “I’m Stranded” blared from my television set. With a mouthfull of Milo and with my school bag thrown on the sofa, I raced over and turned the volume up of the old National 18-inch colour “telly”. I was blown away by the sound and the image.  It was the afternoon show ABC ‘s Flashez that I recall and an interview followed with people who seemed like street urchins. It was explosive.   These blokes – The Saints - were the real deal.

Enmore Theatre, Wednesday, October 30, 2013

Restraint is not often a by-word around these parts but let’s at least try to keep some perspective. A visit to Australia by Television seemed unlikely, if not an absurd proposition, just a few years ago. The band was scarcely active, Richard Lloyd having had long flown the coop, and Tom Verlaine had let a label issue two mothballed solo records that were barely promoted. It seemed if the TV hadn’t been turned off it was in storage and in danger of being forgotten.

Johnny Thunders and the Heartbreakers famously played “rent parties” at the turn of the ‘70s when they’d finished living in the UK and were back home in New York City.

What proportion of the proceeds from their sporadic gigs went towards keeping a roof over their heads was purely speculative. There were other activities to feed and audience members used to throw loaded syringes onto the stage.

Things were a world removed at the Manning Bar in Sydney on Friday night, where the audience threw two bouquets of flowers at Ed Kuepper.

We’re drawing a very long bow here, I know. This was the first leg of a modest two-city run (the next one in Melbourne on March 23) by Ed’s band The Aints. Chances are, the most popular drug in the room was Lipitor. The objective here is not to pay the rent – shit, Ed Kuepper now has a Brisbane park named after him so he can always live on a bench there - but to fund new recordings.

If that’s not exciting news, you’re in the wrong bar.

No need to apologise for liking the nostalgic side of The Aints! That’d be the part represented by the segment of their live show, comprising the songs of the Kuepper Saints from their first three studio albums. This live document - culled from their 2018 Australian gigs - showcases the songs in all their sweaty, over-driven glory.

While a bracket of the “new” Saints songs would have been equally welcome from the studio album "The Church of Simultaneous Existence", there’s no complaining about this collection. Ten tunes, classics mostly, and all breathing fire.

Have you heard that the people at Warner Bros are working on a re-make of the Road Runner cartoon? Hollywood has unfailingly screwed up the legacy of almost every other iconic TV show with a lame makeover, so why the hell not?

Rock and roll has its own history of reinvention and Australia’s master of the art is onetime Saint, Ed Kuepper.

Kuepper’s enduring career has been through more twists and turns than Wile E. Coyote navigating a cliff-side road on an ACME corporation-sponsored suicide mission, but unlike the bird-seeking missile of cartoon fame, he usually delivers his payload with unerring accuracy.

So make no mistake:  “The Church of Simultaneous Existence” is a controlled demolition that’s worthy of comparisons to his most seminal work.

_{Richard Sharman photo.}

The label "Elder Statesman" doesn’t do Ed Kuepper justice. His career started in 1973 and spans the Saints, Laughing Clowns, The Aints! and scores of bands bearing his own name. His solo work explores a wide range of musical styles, including punk (whatever that is), folk, rock, blues, and jazz. 

His landmark solo records, "Electrical Storm” (notably his first) and "Honey Steel's Gold" (his break-out effort) were recently re-mastered and re-issued. Sounds like a good excuse for an Australian tour, not to mention an interview at the hands of Robert Brokenmouth. Here’s how it played out. 

_{Chris Bailey by Bruce Tindale.}

I first met Chris Bailey in early 1977 when I was given the assignment of interviewing The Saints, who had recently arrived from Brisbane, and were staying in a semi-derelict block of flats on Berry Street, North Sydney. The last time I saw Chris was a few years ago when he was playing an acoustic set in a small venue in Draguinan, in the south of France. In between there were hundreds of shows, thousands of drinks and millions of memories.

Others will write about his legacy as a pioneering musician and the lasting influence on subsequent generations. However, today I just wanted to remember two of the times spent together.

In 1977, The Saints had arrived in Sydney after EMI Australia had been instructed by Head Office in London to sign and record them on the strength of their self-released single, “I’m Stranded”. Next door to flats was the office of their recently acquired managers, Together Management, who had been brought in as part of the upsurge in interest from EMI.