hollywood

It’s might be a truism that Kevin K is rock and roll’s best-kept secret. If you’re a regular here you’ll no doubt be sick of hearing it (and I’m sick of writing it.) But I have to say it again: Kevin K is rock and roll’s best-kept secret. So if you’re in the dark, just go with the flow and get acquainted. Trust me, it'll all be for the best.

_{David Roach (centre) and Junkyard.}

Consider yourself lucky if you still have access to Vive Le Rock magazine from Merry Olde. They still write about real rock ‘n’ roll! That mag might write about the Cult, the Damned, Psychedelic Furs, or the Jesus & Mary Chain. They still put The Clash right there on the cover! Ya know?

I’m still livin’ in the’80s. I was mostly into like, Prince, Duran Duran, David Bowie, and Adam Ant, but I hung around with like the stoner heavy metal dudes who liked Ozzyand Dio and shit. Think “Beavis N Butthead”. That shit was real.

I miss newsstands and comic book and record stores, print media. I still don’t carry an iPhone. Where I live. Amazon killed all the book stores and the free press is dead in my country. Daniel Hale, Craig Murray, Chelsea Manning, Julian Assange, Edward Snowden, John Kiriakou, Col. Ann Wright, Ray McGovern...all the real whistleblowers are slandered, hounded, tortured or kidnapped. Seymour Hersh is blacklisted. Max Blumenthal gets harassed. Amy Goodman sadly works for billionaires now and helps sell pro war narratives. Abby Martin, Ben Norton, Jeremy Scahill, John Pilger, and Glenn Greenwald get ignored. Color me depressed.

By the time me and a flamehaired stripper with a sports car arrived in Hollywood, to look for the pot of gold at the end of the Rainbow Bar And Grill, it was mostly all over.

We were snorting up the last hours of sequins and vulgarity, mascara and laughter before the bad trip buzzkill of Cobain. We were squinting in the last blinding, big sprays of Aqua Net and final drunken caterwauls at Thursday night cattle calls, where a rogues' gallery of various whiskey sodden, speed freaky, Stars From Mars and Seaweed Eaters and Raw Flowers and Glamour Punks and Dawg Mafia and Queeny Blast Pop diehard, teased haired, Motley-Babies played their hopeless gutter-punk defiantly, even while Seattle was exploding into the mainstream.

It was the sad, last gasps of a cool and androgynous underground scene, as grunge and gangsta-rap and capitalist lifestyle unreality-tv programming were coming into vogue and all the faded  spandex stars of the strip had mostly got rich and sold-out, died, or gone straight.