new order

In no special order:

1. The Damned at The Triffid, Brisbane, March 15
A school night: Wednesday. The Mesmerisers go on at 7.30pm to a packed house. We carve, the crowd makes us feel like they are there to see us. The Damned 's tour manager remarks that he has never encountered a support band being granted a bottle of Gordon's gin as part of their drink rider: another milestone ticked.

The Damned play for two-and-a-half hours - brilliantly. They are a big hit with the audience - and with Captain Sensible back in the band, they could hardly miss.

2. Perfect Match
Now I do know where she comes from: Banyo. I’ve got a Date with a Banyo girl, tonight.

3. Died Pretty, Radio Birdman and The Mesmerisers at The Tivoli Theatre, Brisbane, June 23
The crowd have all turned up early and turn on to us straight away. Died Pretty get better every time I see them. They always were a fantastic band.

4. Perfect Purchase
My Zoom H5 portable recording device does everything i wanted it to.

5. Gap Farmers Markets, Brisbane, June 25
Andrew Ross and Co sure know how to put on a festival . We go on before dusk. I wear my sunglasses for half the set. Michael again chooses the right shirt for the occasion.

He's the drummer chap in Joy Division and now New Order. Morris has written about how he got there, but with a rather rueful (and lucky for us, gently comic) look back at what a twat he once was. Cleverly written, sensibly contrite and a bit ashamed of himself, this is corking stuff. Even if you weren't interested in his music, in fact.

However, we're also in modern myth territory. That means the tragic suicide of frontman Ian Curtis; a death which seemed to grip the nation's rather maudlin youth and media of the day to such an extent that death of The Ruts' frontman, Malcolm Owen a couple of months later, was completely eclipsed; surely both were equally as tragic. 

But no, the Joy Division wave, which was only just rearing up, hit the UK quite hard. 

Caveman Logic – The Limit (Svart Records)

Trust me on this if you haven’t heard the evidence first-hand: Sonny Vincent’s music punches harder than just about anyone else in the same space.

When those histories of New York punk are written, he and his late-’70s band Testors are never mentioned. Testors didn’t play well with others, in the “industry” sense, and never climbed off the lower rungs of the Max’s-CBGB ladder. History gets written by the few and it’s the way that Vincent has kept the torch of dirty, street-level, rock and roll burning since that really deserves credit.

For 40 years, Sonny’s been punk rock’s ultimate networker, working with members of The Damned, the Stooges, MC5, the Velvet Underground, The Replacements, Dead Boys and too many more to count, always with a vision that’s equal parts visceral power and lingering melody.