Sometime I-94 Bar scribe Ken Shimamoto has birthed a new band online. Brokegrove Lads is a psychedelic improv rock group with musicians from Fort Worth and Albuquerque and their first release is a single, composed in tribute to late Deviants vocalist, writer and Pink Fairies alumnus Mick Farren.
One of Australian underground music’s most special, enduring and well-travelled talents Penny Ikinger will play shows in Perth and Fremantle for the first time in May, en route to Japan to record with Deniz Tek.
There's not much more information than what's on the poster but onetime Stooge Jimmy Recca (now living in L.A.) is playing a show in Arlington, Virginia. If you want to know about Mr Recca and his Stooges history, you could do no better than reading this interview by Ken Shimamoto originally penned for Easy Action Records.
The New Christs have a long history running through possibly the most convoluted list of line-up changes any band has endured and still retained a moniker. This has meant new albums have held a certain fear factor. What will they sound like this time? Can anything they do compare to the towering peak of “Distemper”? Let’s face it. If that’s your five-star album, you have a lot to live up to.
“Songs Radio Birdman may not have taught us but probably reminded us were pretty damn cool...” - Bob Short's History of Rock and Roll Episode 5.
Adelaide has a history of swaggering, scrunching rock and roll bands who manage to spit out one single or EP and vanish into the backwater. Acid Drops and Die Dancing Bears, for example. Few are lucky enough to release an LP and get away with it like, say, The Primevils and the Exploding White Mice.
No one really sounds quite like Suzie Stapleton. Being an original artist, that is a supreme compliment. Suzie also really takes risks with her music - and that is another compliment.
He was a fixture on the Aussie live circuit until recently and Bluebottle Kiss main-man Jamie Hutchings is returning to the fray with a new album and band, Infinity Broke.
"There is a lot of junk on the radio, take a look if you don’t know,” Ed Kuepper declares on the opening track of “The Return of The Mail Order Bridegroom”. The mood is reflective and stripped-back with the acoustic chords ringing in an underpinning soundscape.
Ed’s solo career over the last 30 years has been prolific, emerging from the dust and legacy of arguably one of the world’s great proto-punks bands, The Saints, who were way too cool and intelligent for Old Blighty, and continuing with the magnificent direction that that he took his music with Laughing Clowns.
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