You want me to write a year in reflection? Well, where and how to start? I will bang on these keys and most likely bang on in my usual stoic warm way.
Mind you, I rarely write about music these days. I look back and reflect on the shit I once wrote and it seems all so naïve, sycophantic almost. But here’s a try and since it’s not the 10 best gigs, nor the 10 best recordings, I have license to mix it up.
Best thing that happened – helping out with the band bookings at MoshPit, a small unpretentious little bar down the south end of King St which now fits 120 people. Yes, it’s small, and don’t go there if you feel paranoid or claustrophobic as you’ll probably hate it. But, in the vein of CBGB’s in NYC, Frenches which was on Oxford Street (Darlinghurst) the Old Bar in Melbourne, and its local counterpart Midnight Special in Enmore, this place oozes fun.
Where else can you put on your favourite bands and liken it to your best ever lounge-room party. There’s a whole range of yummy booze, great staff, the co-owners Pat n Wax, + two sound people who know what they’re doing within limitations. Nunchukka Superfly, Thee Evil Twin, Face Command, White Knuckle Fever and Los Monaros are just some of the great local acts that graced there in 2019. We was lucky and their goodwill was priceless. Sydney needs venues like these so in my unbiased best, please support.
Best things I listened to – newish stuff from Pallet, Small Town Incident, White Knuckle Fever, Sounds Like Winter, Syntax Error, Joseph Leonard, Wreckless Enterprise Recordings volume 1 and 2 – compilations featuring Dirty Slutz, Babymachine, Leftards, Minor Surgery, Space Bozzies, Bitchcraft, Piss to Eme.
Action; 1980 Three Tracks - The Knots (Rave-Up)
For those of you who aren't familiar with the name, Joey Pinter, he is like an angrier, tough as leather, hard as nails, punk rock Billy Gibbons. Or if Johnny Thunders was still alive and vital and never lost his mojo. Roughly, he's the American equivalent to Spencer P. Jones-in that he is also a formidable and prolific singer/songwriter in his own right, who is best known for having played soulful, emotionally charged, white lightning guitar in beloved cult bands.
I first discovered Pinter's legendary American punk gangs, the Waldos and the Knots, back when I was 20-years-old and pin-balling back and forth between Boston, Hollywood, and New York City. I was a pencil thin scarecrow, would-be vocalist, back then, trying to forge my own dangerous glam rock band ala Smack, Hanoi Rocks, and Dogs D'Amour, but I never had the money or social skills, to keep a band together for long.
You might have read our recent rave about the latest “Shake Yer Popboomerang” compilation. It was recently launched in Melbourne and Brisbane. Now it’s Sydney’s turn.
Ups and Downs (pictured above), Halfway and The Arial Maps will do the honours at Marrickville Bowling Club on February 29. Tickets are on sale here.
"Shake Yer Popboomerang 3" is the latest in a series of compilation albums released on the Popboomerang Records label to document and celebrate the finest melodic pop, jangle, folk and rock music in the Australian scene. The label was founded by Scott Thurling in 2002 and has released more than 80 recordings.