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Gas - feedtime (In The Red)

gas feedtimefeedtime have come together to release their first album since 1996’s "Billy". A lot has happened in the last 21 years, so what can we expect from the original lineup of Rick, Al and Tom who have been playing sporadically since reforming in 2011?

It starts off well. “Any good thing” opens with a fantastic, sliding bass line before kicking off with pounding drums and a frenetically distorted guitar. My first thought when hearing Rick’s vocals was that of GG Allin’s voice towards the end of his life. The gravel has turned into a metallic growl.

And the pace continues well into “Thought”, before slowing down into "Box n Burn". Both strong tracks with a powerful sound. However, the issues start to arise with "Skilled Enuf". While the musicianship on the track is strong, the writing is quite simple and unengaging, “Skilled enough, to play one chord. Skilled enough to play one note” might be a true description of the band’s minimalist arrangements, but it is unengaging.

Made in Hawaii - Jeff Dahl (Iwannabeahoople Records)

made in hawaiiHere’s news for those who thought Jeff Dahl had put his guitar in a rack and drawn an end to his prolific punk-glam career. He’s back with a new album - and it sounds like he never went away.

Dahl had been laying low with protracted health issues since pulling up tent pegs at his Arizona desert digs and moving back to his own (and his wife’s) childhood home of the Hawaiian Islands. Prior to slipping off the public radar eight years ago, Dahl was a force of rock and roll nature, turning out a string of abrasive, hard-rocking records and publishing one of the world’s greatest magazines, Sonic Iguana.

Naked Radio - Pink Fairies (Gonzo Multimedia)

naked radioThat some of the Pink Fairies are around today to make an album, two decades after their last and four after their heyday, is something of a miracle. Surprise Number Two is that it’s good.

If you’ve read Rich Deakin’s meticulous book about the band’s travails, “Keep It Together”, you’ll know that The Pinks were never people to shy away from the Rock and Roll Lifestyle. Taking care of business was never the band’s forte, which makes a new record’s appearance even more unlikely. Their last LP, “Kill ‘Em and Eat ‘Em” didn’t set any houses on fire and smelt like a once great band on its last legs.

Johnny Casino re-emerges with new album

time and time jcHe’s been out of sight but not out of mind since quitting Australia for love and moving to Spain, but Johnny Casino has been busy. On March 1 he notched up a birthday and launched a new album, “Time and Time Again” on LP and CD.

The album was recorded in Sydney and Melbourne, Australia, Gandia and Els Poblets, Spain and was mixed in Spain and London, England, starting its life more than four years ago.

Instead of condensing the recording sessions into days or weeks at a time, Johnny was more content to simply only record when the moment or the feel of each song was right. That’s why the record was recorded in five different cities in three different countries.

The star-studded crew playing on the album includes Carrie Phillis (Boobytraps), Adam Pringle, Stew Cunningham (Leadfinger), Jodi Phillis (The Clouds) and Warren Hall (The Drones, Datura4, The Volcanics) as well as Spaniards Julain Marco, Isidro Rubio and Actor Ochoa.

The blurb says: “ ‘Time and time again’ is equal parts dangerous rock´n´roll, homespun rich melodies and sweeping cinematic views and was recorded with a roving cast of Johnny's musical brothers and sisters.In Johnny's words,” No reason to doubt it, but listen for yourself (and buy) at Bandcamp.

 

No Fool's Gold to be seen as Datura4 debuts in Sydney

datura4 factory floor

The term “jam band” first flashed across my radar in a small bar in Ann Arbor, Michigan, in the early ‘00s. It was in a pub called The Eight Ball, underneath the much more famous Blind Pig. I was lucky enough to be sharing a drink with Scott Morgan. (Ooops. I dropped a name.)

“Who’s playing upstairs tonight?”

“Some jam band.”

“A what…?”

Say goodbye? Hunnas have still got it

mark seymourMark Seymour of Hunters and Collectors.   Mandy Tzaras photo

Hunters and Collectors at the Clipsal 500 in Adelaide? Dunno about you but we started the year behind and so far we’re still behind. So we didn’t think we’d be able to go to this, and planned accordingly to see Fear and Loathing at the Metro instead.

It’s a nightmare place to navigate, is Adelaide. Circling the city are roadworks (which take four times longer to do than in Syd or Melb) and go-slower signs everywhere which result in funding for local government. This week’s big car race this week has caused 40 percent of the public transport and cars to divert, thus clogging up the rest of the roads; Festival and Fringe are cluttering up the place with doofus tourists in daggy clothing and "duh" expressions...

I know people who only visit the city between April and November because they can't stand it and are fed up with struggling through the traffic. A lot of "normal" businesses lose money because of it. And all, one suspects, to sell alcohol.

Ray Hanson’s Whores of Babylon: Sonic outlaws, empire of dirt, glitter and perforated electric souls

thee hypnotics hansonRay Hanson used to play guyitar for Thee Hypnotics, who destroyed audiences in their home of the UK before they begat The Jim Jones Revue. His current band is Ray 'Sonic' Hanson's Whores of Babylon. What are they like? You'll hear for yourself, soon enough.

Here's a word picture.

Think: Geordie Pleathur jamming in the midnight hours to Sonic Ray while thinking of Nick Marsh, lost loved ones, and nursing a broken hand.

Now read on...

feedtime poised to release first album in 20 years and here's a taste

 

 

Much-loved Sydney blues-punks feedtime are releasing their first new album in 20 years on March 24. "Gas" will be on In The Red and "Any Good Thing" is the preview track. Pre-orders are happening here.

Against the backdrop of the burgeoning inner city music scene, feedtime was formed in 1979. Taking notes from the incendiary live shows of X and Rose Tattoo, feedtime set about creating their own interpretation of the events unfolding before them, a blues-noise that was equal parts abstract minimalism and working class roots-rock. Post-punk, yet right in the thick of it; miles ahead of the pack and not many seemed to notice.

The Glory Days of Aussie Pub Rock Vol 1 - Various Artists (Festival)

glory days“What's he doing reviewing THAT?”

Only people of a certain age will “get” this review. The term "Guilty Pleasure" will not be used at any point.

Admit it, punk. If you grew up in Australia in the 1970s and ‘80s (OK, you were might have been underage and still growing up, but you could sneak into licensed premises) and lived anywhere outside of Melbourne and Sydney’s inner-city regions, a dose of Pub Rock was unavoidable. A way of life, even.

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