Fifteen years after it was recorded, this superb piece of Nomads ramalama sees the light of day as a split single with psychedelic collective Donovan’s Brain.
Recorded in Montana while they were sweeping through the nooks and crannies of North America, Sweden’s finest manage to lay waste to this rippling instrumental (written by studio owner and Brain ringmaster Ron Sanchez) like it was one of their own. This is desert driving music, simple as that. A big, fat fuzz bassline and tumbleweed guitars from the severely underrated pairing of Hans Ostlnd and Nick Vahlberg - supplemented by Sanchez and bandmate Richard Teece - make this something special.
Donovan’s Brain plays a whole different ball-game to the Nomads but the flipside keeps up the pyrotechnics levels. “Bread Man” is a Sanchez vocal-led heavy psych rocker fleshed out by Deniz Tek lead guitar. It’s over too soon. “Snow in Miami” eschews vocals and goes for a roughed up surf sound. It dates from 1998 with then-Brain guitarist Richard in place, adding some tasty skronk.
1/4 - The Nomads
- Donovan's Brain
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Chuck Trend photo
For the first time in their 21-year existence, Memphis garage rock legends The Oblivians are touring Australia.
As well as the Golden Plains Festival near Meredith in Victoria, The Oblivians will play headline dates at Newtown Social Club in Sydney (March 4), Brisbane Hotel in Hobart (March 5), Barwon Club in Geelong (March 9), Wooly Mammoth in Brisbane (March 14) and a special three-night residency at Melbourne's iconic The Tote on March 11, 12 and 13.
The battle-lines used to be clearly drawn between Sydney and Melbourne. Sydney was the home of high-energy guitar rock in its many variants, many of them Motor City-derived, while Melbourne spawned an artier, darker strain of music with one foot squarely planted in territory that became known as junkie rock.
These days Sydney’s musical crown is less faded than displaced. Melbourne is in the ascendancy. Its thriving music scene retains an artiness but it rocks as well. The place still does darkness better than most but its palette seems broader. Its tentacles seem to spread further than any other scene in Australia.
Norwegian-American Mark Steiner has visited Melbourne and gulped hard on water drawn from its musical well. He did an Australian tour a few years back but the influences were obviously already in place. There’s a Bad Seeds/Rowland S Howard/Wreckery streak several kilometres wide running right down the back of his bluesy music, but it’s marked by poise rather than self pity.