This review could start with a pithy line about Melbourne cornering the Australian market for bluesy, ballsy female vocalists but it won’t - even if it might just be true. Let’s just say that Fiona Lee Maynard and her band, The Holy Men, face stiff competition in their home city, but manage to be at the head of the pack.
You might know the singer’s name from fronting In Vivo, the outfit whose ranks included Dave Thomas (Bored!) about 15 years ago. She was also in the more mainstream powerpoppy Have A Nice Day. The Holy Men are a lot more “street level”. Think of an Antipodean Johnette Napolitano with an Aussie pub-honed band behind her.
Harry Howard and The NDE at The Facory Floor. Lyndal Irons photo
Many years ago when Sydney was full of thriving, original music venues, Friday night for me was always a combination of either playing gigs or checking out new bands.
There was never a shortage. I grabbed my copy of "On the Street" on the Wednesday, eased into my chair and sat there with my red pen. After reading the odd review, I would scrawl and circle names of bands to see in the “What’s On.”
Every now then I would get to the Lansdowne, Evening Star, Hopetoun and many others and be happy with just finding a new band. Well, times change. Nothing remains the same. Seeing a new band is a rare night out these days.
Firstly, a big thumbs-up to compiler David Laing who is very much responsible for bringing us old bastards the best Australian ‘70s and ‘80s sounds that need to be re-issued (think “Do the Pop!” compilations, the Hitmen and Screaming Tribesmen reissues.)
Laingers (as we call him) has moved HQ from the “indie” Shock Records to the multinational Warner Music and has already unleashed cool comps of ‘60s Aussie garage (“Down Under Nuggets”) and 70s Aussie hard rock/ blues (“Boogie”). Now we have this fine collection of ‘70s Melbourne treats.