Under Attack of The Busymen – The Busymen (Swashbuckling Hobo)

under attackJust when you thought it was safe to go back into the psych ward, this sliver of shiny black vinyl arrives out of Brisbane’s sub-tropical humidity, stumbling around like a homeless man in a threadbare coat who's baring his arse for all the world to see.

The Busymen don’t seem to have been living up to their name in recent times because this 10-inch EP is their first release since the “Distort All Levels” album of 2007. Put that down to commitments with other bands or members being detained by the authorities for their own good. They’ve certainly made up for lost time.

Half-covers and half-originals, “Under Attack…” resonates with the brutal thump of a Force 5 hangover after an all-night pub crawl through the seedier haunts of their hometown’s party district of Fortitude Valley. The morning after just doesn’t come any fuzzier than this.

A Monstrous Psychedelic Bubble (Exploding In Your Mind): The Wizards of Oz - Various Artists (Warner)

MonstrousPsychedelicBubbleCan you define psychedelica? Behind punk, it’s probably the most over-used term in the musical genre lexicon. That won’t change with this sprawling two-disc exploration of Australian psych, past and present.

Mixing ‘60s and ‘70s tracks with contemporary ones is an approach that could have gone horribly wrong.The wonder of this is how well the old tracks blend seamlessly with the new. Compilers Gaz Cobain (aka The Amorphous Androgynous) and Brian Dougans have done a splendid job of unearthing lost, forgotten and current nuggets and the mastering is great. It’s the fourth edition in a global series.

Radio Birdman live in 2014: Two perspectives

emmy-manning-wideEmmy Etie photo

The tour is almost over and the verdicts are in following a re-tooling of the line-up with the controversial omission of guitarist Chris Masuak. We present divergent views of the sold-out Australian run of Radio Birdman shows.

Go here to read an appraisal of the Adelaide gig by Robert Brokenmouth and here to read Edwin Garland's read-out on the band's two Melbourne gigs. You can leave comments on both reviews. Photos are by Emmy Etie and Kyleigh Pitcher. 

A Fistful of Desert Blues - Lydia Lunch and Cypress Grove (Rustblade)

fistfulThe cover - taken by Lydia Lunch - shows the ruins of an ancient desert city. Could be Jericho. Whether Jericho is in the Mid-East or the West of the USA makes little difference. We’re dealing with perennial humanity in a perilous place with a mythological backdrop. But, you know, the Israelis and the Palestinians are still killing each other, and as I say, it’s a big thing on a big, operatic stage with no solution and no apparent beginning, never mind end…

… and there are plenty of abandoned towns in Australia… it doesn’t take much, just a bit of intolerance and a bit of ignorance, and idealism for a hopeless, not very sensible cause…

If Footmen Tire You - The Bloody Hollies (Alive Naturalsound)

bloodyholliesjpgIf one of those great, booze-soaked rock and roll weekends like Garage Shock or the Las Vegas Shakedown were still a going concern (correct me if I'm wrong and one of them still is ) the Bloody Hollies would have been one of those bands that came in unheralded, blew everyone away and sold a ton at the merch table. And anyone who picked this album up would have been plenty satisfied 'cos it's 30 minutes of fire-breathin' punk fury.

Disaster Control - The Goodbye Johnnys (self released)

goodbye johnnysThe shadow of the original Saints looms large in most places where people give a toss about punk rock but Switzerland seems the most unlikely. Think Switzerland and banks, cuckoo clocks and expensive chocolate spring to mind before “Nights in Venice” but then you’ve probably never heard of The Goodbye Johnnys.

The Goodbye Johnnys are named after a Gun Club song and hail from Zurich but Petrie Terrace, Brisbane, (circa 1976) is their spiritual home. Their LP sounds a lot like the early Saints with less sonic leakage and a few rough edges filed off.

Blurred Visions - Leeches! (self released)

bllurred visionsHardcore is an odd beast. Visceral energy is its stock-in-trade. All too often it paints itself into a corner and whatever it has to stay is lost in a blur of downstrokes and angry intentions. Then somebody works out that you can play with dynamics and (shock!) melodies.

Perth band Leeches! stand out because they can do both. “Blurred Visions” is compelling, surging punk rock that seethes and burns - but also surprises with its no-nonsense harmonies and skilful playing. It reminds of Massappeal’s more creative stuff or even Off! That’s no faint praise.

Should’ve Stayed Home - The Yard Apes (Off The Hip)

shouldve stayed homeAbout that band name: These guys hail from Ballarat in regional Victoria, Australia. Their touring schedule is unlikely to include the USA after they unwittingly named themselves with a derisive term for African Americans. You Yanks may know the term but it's almost unheard of in Australia. The faux pas is a pity because this album is a cracker.

“Should’ve Stayed Home” is a big step up from the debut record, “Devil’s Road”. It’s fuzzier, dirtier, nastier and more in your face. There’s a foot planted in rock and roll’s nursery (that’d be the 1950s) but they’ve taken it to a new sonic level.

Bailazo – Rolando Bruno (Voodoo Rhythm)

rolando brunoOriginally a member of South American garage band Los Peyotes, Rolando Bruno is now a solo artist in his own right. He’s peddling the weirdest brew of salsa-garage-exotica heard outside of an Buenos Aires coke den.

Los Peyotes were on Dirty Water Records. Rolando dipped his toe in the solo artist water while still with them. Voodoo Rhythm Records is his new home. The label has a habit of signing weird and wonderful one-man bands (case-in-point: its owner Beat-Man) and Bruno is no exception to the rule.