Rock and roll's fascination with the doomed is a story well told. From the members of the 27 Club of Janis and Jim to Johnny Thunders, Amy Winehouse and beyond, it's a love affair that's been going on a very long time.
On the other hand, you don't have to die to be an occupant of Rock's Pantheon of Lost Causes. It's much larger than any physical graveyard and my mate Bob Short is a proud tenant.
It's not that "Going Underground" or its makers are going out of their way to sell no copies or that its investor (Bob) wants to finish deeply in the red side of the ledger. Not when there are more guitars to buy.
Even Bob knows that "recouping" is not another word for a re-constructed chicken enclosure. He's also a realist who knows the sweet, abrasive sounds of this collective will never grace the airwaves of a commercial radio station.
I had these two on, over and over, back to back while I was cooking, driving and then again the other night. And then again, and again. There's a cool groove about both; and while I prefer "Afloat" to "Red Church", my tastes ain't yours (thankfully).
"Red Church" is nothing like "Afloat", when each finishes, the start of the next is a bit like getting to the top of a staircase and trying to climb another step which isn't there. A bit startling. Could be dangerous.
The seven songs on "Red Church" all favour Veil's huge voice; and here she must owe a debt of thanks to the very talented guitarist Henry Hugo, the ex-Argentinian New Australian (via Switzerland - and no, he's not a banker or a money lender in his spare time).
Most of Hugo's songs he recorded in Zurich, with overdubs and mixing by Hugo and Dugald Jayes (who adds an air of brash mystery to the proceedings) in Melbourne. Mark Steiner helped by recording Gunnar Motland's drums on a couple of tracks. Lyrics and vocals ... this is where "Red Church" comes to life.
Most people outside of his native Norway would think it’s been a long time between drinks (or other substances) for Hank von Hell, The Artist Formerly Known as Hank von Helvete of death-punters Turbonegro.
Lifestyle issues twice rendered him an ex-member of his old band and he finally pulled the pin on them in 2010. A second spell in rehab (via a conversion to Scientology) put him back on his feet. Since then, he’s been a radio host, starred in a film, written an autobiography, appeared as a judge on Norwegian Idol, married a model and fatheried a daughter. All of which proves that fact is stranger than fiction when you consider Hank kick-started his career singing about having an erection..
Hank had a number-one hit in Norway as a solo artist in 2009 and fronted the post-Turbonegro supergroup Doctor Midnight and the Mercy Cult for a time. He’s now back on the boards in his own right with the release of “Egomania”, a record that might be a concept album themed loosely on the pitfalls of performing.