Been on a Humble Pie trip for a bit around the I-94 Bar and it struck me that the less pastoral and more excessive they became, the better those guys got. This Mississippi-via-Memphis trio Dirty Streets is coming from the same place and despite their album's misnomer of a title (there's no sign of rolling fields and English countryside here) they purvey a fine line in swaggering rock.
alive - The I-94 Bar
If one of those great, booze-soaked rock and roll weekends like Garage Shock or the Las Vegas Shakedown were still a going concern (correct me if I'm wrong and one of them still is ) the Bloody Hollies would have been one of those bands that came in unheralded, blew everyone away and sold a ton at the merch table. And anyone who picked this album up would have been plenty satisfied 'cos it's 30 minutes of fire-breathin' punk fury.
Radio Moscow’s “thing” is pretty easy to get your head around: Meandering but economical psychedelic guitar jams wrapped around bluesy vocals. Loud and comparatively clean with a dash of funk in the bottom end.
You wouldn’t know it from the cover but “Rat On!” (1971) is a more polished production effort than Swamp Dogg’s debut from a year earlier, “Total Destruction To Your Mind”. Recorded at legendary studio Muscle Shoals, that’s where the conformity ends. “Rat On!” finds Swamp right in the pocket with a muscular rhythm section and a subversive feel.
We three ladies - my daughter, sister and I - got into town, parked in the nearby parklands and hurried to the Cathedral Hotel. There was no sign of religion in the Cathedral, so we sculled a wine each and hurried across the park through the crowds to the Oval.
What was it like? It was six hours on my feet. Occasional whiffs of dope smoke. Beer spilled over me from all sides and from above. The odd three, four or five angry altercations, quickly stifled before the bouncers could arrive.
There’s probably a complicated and entertaining backstory to the career re-birth of Jerry Williams Jr, prolific soul music producer and player also known as Swamp Dogg, but the bare bones are fairly evident. In his seventh decade and after years of relative obscurity, this former flatmate of Jerry Wexler and co-writer with Gary “U.S.” Bonds has hooked up with Alive Natural Sound and opened a floodgate of re-issues - of his own work and artists he’s produced or managed - and the results are pretty cool.
The On and Ons Glenn Morris and Jon Roberts with guest guitarist Murray Cook . Shona Ross photo
At the risk of stating the bleeding obvious, this was a night of three contrasting but not dissimilar bands when The Smart Folk, Loose Pills and The On and Ons weaved their guitar pop web over Marrickville Bowling Club. It was also the album launch for The On and Ons' wonderful CD "Welcome Aboard".
These sorts of night are infrequent in Sydney these days. Ones where the bands on the bill complement each other and the venue doesn't turn people off, so they turn out in good numbers.
You’re here to read a live music review? Hang in there. There's a bit of preaching to go through, first...
Singers who even vaguely sound like Robert Plant shit me to tears but a large length of slack can be cut for The Bloody Hollies. A swag of catchy, brittle-edged songs, aggressive, the-blues-do-the-pogo playing and a large serving of irreverence get these Greater New Yorkers (now San Diegans) over the line.
You think you know me? I pick up the CD. Dumb band name. Dumb pun band name. Is there anything worse? God, I hope they are not whacky – or worse; zany. Pun band names often lead to zany. The scourge of Rock and Roll. I could always save the next 40 minutes of my life and just throw the thing away unplayed. The Barman said I could do that. Let me take a closer look.