The Aints Play The Saints (73-78) national tour in November led by Ed Kuepper and an all-star band is selling out all over so new shows have been announced.
The gig at Melbourne's Caravan Music Club has joined Sydney's The Factory Theatre as a pre-tour sell-out. Limited tickets remain for the other Melbourne show (November 18 at the Corner Hotel) and all other shows in Perth, Brisbane and the Gold Coast.
Due to demand, Sunday, November 26 has been set aside for a performance at Aussie World on the Sunshine Coast and tickets are on sale via aussieworld.com
In no particular order...here's the best of 2016:
"Brujita" - Chris Masuak and The Viveiro Wave Riders
Best rock pop record of 2016 by a long way. Did I mention it’s on I-94 Bar Records and you can buy a copy here?
"Friday Night Heroes" - Leadfinger
The soulful Sydney-via-Wollongong rock and roll band par excellence just keeps getting better.
"Evolution" - Tamam Shud
Damn, if this doesn’t rock I don’t know what does. Veterans from the beginning of time (well, birth of Australian surf-psychedelia) sound dirty and relevant at the same time. They deliver the goods live, too.
"Post Pop Depression" - Iggy Pop
His best album since “New Values”. Big grooves and melodies with a sharp, Germanic essence, it’s proof that Iggy needs another talent to bounce off to deliver his best work.
“Diamond In The Forehead" - Garry Gray and The Sixth Circle
The album was killer and the short run of Sydney shows was just as good. Were you you? One day you might claim to have been. Nice people, to boot.
"Lost Cities" - Ed Kuepper
Ed’s been an underrated treasure since finding his solo feet in the late ‘80s. This adds to the considerable body of work. An album of great songs with understated intensity.
Kylie Pitcher photo
Bob Dylan once said: “I should have never been successful: I was a fluke” In other words: Music that I write and perform, historically speaking, has never had mass appeal, he explained.
I have to agree with that; art that is intelligent, at times challenging and thoughtful does not generally have mass appeal (with a few exceptions.) KISS, One Direction and The Eagles have all sold mega tonnes of albums. delivered in massive crates (along with packs of Cornflakes) to mega stores, and still play sold-out arenas.
Meanwhile, artists like Ed Kuepper are down the road performing in small clubs, releasing music on their own labels and playing in intimate settings to refined music geeks and fans who like to think about their music.
It was tiny clubs where you could go to see Coltrane, Mingus or, on another level, Dave Van Ronk. It is perfect that we can see Ed in these venues.
The Camelot Lounge is quite a special place. It is a decent live venue in Sydney. So much care and thought has placed into this venue, which also includes the downstairs Django Bar.
It’s like a well-manicured museum - right down to the camel obsession and the food announcements that mimic RSL clubland bingo calls.
“No 67 your pizza ready and that rhymes with heaven” is quaint, and annoying at the same time: that said the booze is a good price. Places like this are truly a godsend.
Legendary trailblazing guitarist Ed Kuepper has extended his run of "solo and by request" shows by to some of Australia's lesser-visited musical corners.
The tour, in support of Ed's "Return Of The Mail-Order Bridegroom" album of acoustic reinterpretations of songs from his career, takes in hometown Brisbane, as well as Adelaide and the Gold Coast, but also detours to Darwin in the NT, Cairns in Far North Queensland and Margaret River in WA.
Reviews of the shows so far have been gloowing. Expect the usual Saints and Laughing Clowns classics (provided the crowd ask for them) but also a wide range of surprises.
The King of Reinvention, Ed Kuepper, is at it again. The ex-Saints and sometime Laughing Clowns guitarist recorded his first truly solo album in the mid-‘90s – just himself myself and a couple of acoustic guitars.
Ed Kuepper returns with part 2 of his "Lost Cities" album Australian tour, performing solo and in duo mode across select dates in Darwin, Newcastle, Sydney, Katoomba and Melbourne.
The duo shows see Kuepper reunite with his old sparring partner Mark Dawson – a collaborator most notably on the celebrated “Today Wonder” and ARIA winning “Honey Steels Gold” albums – between them featuring two of Ed’s most recognisable tracks in “Everything I’ve Got” and “The Way I Made You Feel”. Mark will join Ed for shows in Sydney, Melbourne and Belgrave.
Ex-Saints and Laughing Clowns trailblazer Ed Kuepper's 50th (!) album “Lost Cities” is on its way and available for pre-order.
“Lost Cities'' will be released on December 20 on CD only and we reckon it would be the ideal Xmas gift. You can place your order with Ed's own Prince Melon Records webmaster James Last here.
Copies purchased before the official release date will be personally signed by Ed and cover artist Judi Dransfield Kuepper.
The album features nine new songs recorded in August following the successful Nostalgia for the New Australian mini-tour by Ed. Titles are ''Pavane'', ''Friends with the Leader'', "Free passage to Mars'' ''[It's] Never too Late'', ''The Ruins'', ''Fever Dream'', ''What can I leave you'', ''Some said....'' ''Queen of the Vale [that's V.A.L.E]''.
Four decades after the release of his first record, the iconic Australian classic ''(I'm) Stranded'' by The Saints, Ed Kuepper returns with an album that may well be considered a high point in his lengthy and uncompromising career.
Recorded over three days in August at Gasworks Studio, Brisbane ''Lost Cities'' is Kuepper's 50th release (excluding compilations) and is on his own Prince Melon Records label. It is Ed’s first entirely solo and electric release, a format Herr Kuepper likes to refer to as Solo Orchestral.
To those who witnessed Ed Kuepper’s live shows last year in which he first aired this new crop of songs, we were set afloat in a dimly-set world and intimate setting.
Ed was sitting on his throne; his approach was self-absorbed, ambient and ethereal, yet focused. With the odd Scotch on the rocks being downed, Kuepper was in fine form.
The Aints in full flight: Peter Oxley, Paul Larsen and Ed Kuepper, with Alastair Spence obscrured. Mandy Tzaras photo.
You knew something special was up in Adelaide tonight because as you approached The Gov, heading determinedly back to the carpark was a small group of lone pushing-toward-pensioner men, each clutching the same record: “The Aints Live at The Sarah Sands 1991”. There can’t be too many left of this, they only made 300; get yours at the gig; two LPs, $50.
Ever hear of Reid Fleming, World’s Toughest Milkman? Good. Now you have.
The first comic came out, it must’ve been 30 years ago. I had a T-shirt, gave it to Bob, who has cherished that damn thing for about 25 years now. I did my heart good to see Bob bouncing around tonight in that tattered t-shirt. “I thought I told you to SHUT UP!” Fleming bellows from the shirt. It perfectly matches the night.
“Second Winter” feels almost like a concept album. Those are familiar with Kuepper’s work since his solo debut of “Electrical Storm” of 1985 will find it all like a passage between the past and the shadows of previous melodies and phrases. It's rather haunting.
Even the cover of the record has captured the ambience of the front of his first solo album (also made with long term collaborator, drummer Mark Dawson.) This shot shows four identified figures leaving an entrance of a stone building.
For more than 40 years, Ed Kuepper has been creating music. Over that time, he's claimed a place as one of the most progressive and critically acclaimed singer-songwriters and guitar players to emerge from Australia.
Ed has been (mostly) in the shadows of the mainstream and has always forged his own path.
No-one sounds like Ed Kuepper.
I was about 12 when “I’m Stranded” blared from my television set. With a mouthfull of Milo and with my school bag thrown on the sofa, I raced over and turned the volume up of the old National 18-inch colour “telly”. I was blown away by the sound and the image. It was the afternoon show ABC ‘s Flashez that I recall and an interview followed with people who seemed like street urchins. It was explosive. These blokes – The Saints - were the real deal.
Enmore Theatre, Wednesday, October 30, 2013
Restraint is not often a by-word around these parts but let’s at least try to keep some perspective. A visit to Australia by Television seemed unlikely, if not an absurd proposition, just a few years ago. The band was scarcely active, Richard Lloyd having had long flown the coop, and Tom Verlaine had let a label issue two mothballed solo records that were barely promoted. It seemed if the TV hadn’t been turned off it was in storage and in danger of being forgotten.
"There is a lot of junk on the radio, take a look if you don’t know,” Ed Kuepper declares on the opening track of “The Return of The Mail Order Bridegroom”. The mood is reflective and stripped-back with the acoustic chords ringing in an underpinning soundscape.
Ed’s solo career over the last 30 years has been prolific, emerging from the dust and legacy of arguably one of the world’s great proto-punks bands, The Saints, who were way too cool and intelligent for Old Blighty, and continuing with the magnificent direction that that he took his music with Laughing Clowns.
The Saints (without Ed Kuepper, if you had to ask) will play three intimate, exclusive Australian shows at Melbourne’s Gasometer Hotel in October. Chris Bailey will be joined by early ‘80s drummer-turned-journalist, Iain Shedden, Pat Bourke on bass and You Am I’s Davey Lane on guitar.
Hitler’s reaction to the news is above. The dates are below and as the venue is quite intimate, bookings are recommended.
Wednesday 5 October – The Gasometer Hotel, Melbourne (18+)
Thursday 6 October – The Gasometer Hotel, Melbourne (18+)
Friday 7 October – The Gasometer Hotel, Melbourne (18+)
For the better part of 2013-14, Ed Kuepper toured Australia performing his crowd-pleasing 'By Request' show in city centres and regional towns, culminating in a sold-out performance at the City Recital Hall for Sydney Festival with the Sydney Chamber Orchestra.
For his first tour of 2015, Kuepper will defy industry pre-conceptions by performing a set of largely new and as-yet-unrecorded material.
Dubbed the "Nostalgia For The New Tour", the run will include a three-week-mid-week residency in Brisbane, Sydney and Melbourne with spin-off weekend shows in regional areas.
The new material is being workshopped with the intention of recording a new album of all new studio material before the end of the year. Fear not, diehard Saints/Laughing Clowns fans: with each show being upwards of two-hours long and without a support, the sets will include back-catalogue gems.