i-94 bar records - The I-94 Bar
Raw garage rock ’n’ roll in the Australian pub rock tradition, with an obvious nod to ‘70s hard rock and the “Pebbles” collection. A record made distinctive by the classic Aussie twin-guitar attack. Those were my first thoughts on this CD from a band made up of members of Psychotic Turnbuckles, Sheik the Shayk and Buffalo Revisited.
It was recorded in Zen Studios, the capital city of Sydney’s inner-western Garageland region, by Geoffrey Lee over seven years, and what hit me straight away is that none of the live intensity has been lost. It captures a raw and live garage/pub band warts, belching and all…I can see a bloke over there who once drunkenly spilt beer on me and that other idiot that pushed me over in the mosh pit. And then I’m lifted up by another and patted on the back…
The new release on I-94 Bar Records is the debut album for Sydney garage supergroup 69BC. The self-titled CD by this shadowy, primal quintet is 20 years in the making and it's 17 tracks of raw and raucous Rock Action.
Staggering from the smouldering ruins of a Pismo Beach after party, a handful of survivors retreated into the bowels of innumerable rehearsal rooms two decades ago. They have finally emerged to claim their revenge in the new Millennium. This band may have links to the likes of the Psychotic Turnbuckles and Sheek the Shayk. 69BC is Rok Bolder (vocals), Vince Cuscuna (guitar, backing vocals), Dave Wong (guitar), Adam Silverwright (bass, backing vocals), Nix (drums).
The CD releases on October 19 and pre-orders are open now at the link below. It will also be available as a download.
It’s difficult to believe that Chris Masuak is only in the second half of his 50’s when you examine his output. It’s been a diverse and solid career, spanning almost four decades.
He was in his late teens when he joined Radio Birdman. He was half of the sound of the “twin-guitar attack” that assaulted Sydney with its array of proto-punk influences, to forever stake Birdman a claim as one of the most influential bands the city has produced.
Then there were the post-Birdman bands. The Hitmen never had the songs, in my opinion, but they always delivered as a live act. Masuak’s guitar playing was the stand-out. Chris was still in his early 20’s and still forging his own style. It lay somewhere between the technical brilliance of Mountain and the pop-rock sensibility of The Dictators.