iggy and the stooges - The I-94 Bar
Plenty of people won’t “get” this record. That’s the inherent risk when you move forward and don’t stay comfortably treading water in one swimming pool.
It’s the second solo album for James Williamson (third if you count the live one with The Careless Hearts) and “Behind The Shade” doesn’t kiss-off his substantial Iggy & The Stooges legacy. More pointedly, it reinforces that Williamson is no one-trick pony.
Of course you should know James for inventing one of the most brutal guitar styles ever. Iggy himself paid him a back-handed compliment by saying that his former collaborator filled every possible space in their band’s soundscape. He did say it was to the point of claustrophobia, or words to that effect.
The debut album from ex-Iggy and the Stooges guitarist James Williamson and his new band, The Pink Hearts, comes out on June 22 and we’ll have a review live in about a week.
“Behind the Shade” by James Williamson and The Pink Hearts will be on Williamson’s own Leopard Lady Records and is a diverse but powerful effort, with Frank Meyer (Streetwalkin’ Cheetahs) and Petra Haden (That Dog) sharing lead vocals.
Haden was one of the feature vocalists on Williamson’s album of previously unreleased studio versions of Stooges songs, “Re-Licked”. She also contributed violin to “The Departed” on the final Stooges album. “Ready To Die”.
On “Behind The Shade”, Williamson supplies all of the riffs, guitar parts and most of the bass. The album also includes a host of accompanists.
They include Michael Urbano (Smash Mouth, Bourgeois Tagg, Todd Rundgren, John Hiatt) on percussion, Gregg Foreman, Hervé Salters, Paul Roessler, Nick Hart, and Audrey Vera on keyboards and piano, Jason Carmer on bass, Don Rooke on lap steel, Geoff Yeaton and Tony Peebles on saxophone and Steffen Kuehn on trumpet.
Click Read More for a video teaser and the tracklist.
Last weekend was marked by sad news that the founder of French label Skydog Records MARC ZERMATI had passed away.
Zermati is owed a huge debut by fans of the Stooges, in particular. He kept the memory of the Stooges alive for decades, releasing the live "Metallic KO" album and other material when nobody lse seemingly cared. He was the promoter of France's first punk rock festival and a driver of underground culture. We thought it was timely to extract this 20-year-old interview he gave to KEN SHIMAMOTO.