JP Shilo - The I-94 Bar
"Intoxicated Man. Presenting the Songs of Serge Gainsbourg"
Elder Hall, Adelaide
March 14, 2019
Mandy Tzaras photos
Verdict in a nutshell: Brilliant. You shoulda been there. Get the CDs instead.
It's a strange place, Adelaide. A reputation for bizarre and secretive murder blends with a town which happily dozes for most of the year, abruptly jerks to life as summer hits with the subtlety of a jackhammer, and keeps the long-suffering residents on their toes: the steady stream of utter twatheads who emerge from beneath sordid rocks, blinking into the light of the civilised world for the first time; the ubiquitous meth-heads roaming the streets and communing with the sky; the endless and confusing roadworks; endlessly over-running building works; a hospital which doesn't seem to work very well (though it does provide an excellent example of how to make a place unpleasant for the customers with, presumably, the intent of discouraging their attendance for all but the most involuntary admission)...
These are all everyday local wonders, and frankly we should charge admission. The Festival, The Fringe, the stupid car race, the writers week, WOMAD and so on and so on and so on, all serve to ensure large numbers of normal South Australians keep their distance.
LØVE & EVØL - Boris (Third Man Records)
Invisible You - JP Shilo (Ghost Train Records)
Fortuna Horribilis - Vomit of the Universe (The Artist)
ANTI-RAMONES WARNING: NO BORIS SONG UNDER 3.5 MINUTES.
Grayson Haver Currin of Pitchfork comments on the latest alvum from Japan's venerable trio Boris:
“These seven anemic songs find Boris becoming something new yet again - self-satisfied.”
Eric Carr, of the same magazine (ED: Isn't he in KISS?), commented retrospectively on Sonic Youth's LP “EVOL” in 2002:
“EVOL would mark the true departure point of Sonic Youth’s musical evolution - in measured increments, Thurston Moore and Lee Ranaldo began to bring form to the formless, tune to the tuneless, and with the help of Steve Shelley’s drums, they imposed melody and composition on their trademark dissonance. A breathtaking fusion of avant-garde noise (as far as Rock was concerned) and brilliant, propulsive rock... this is where the seeds of greatness were sown.”
I think it's a fair bet that Boris are nodding at Sonic Youth's "EVOL" LP here; in 1992, on their first CD - a 60+minuter comprising only one song, “Absolutego” - they scribbled their influences - including Sonic Youth, a band whose first four records I bought and loved.
Tom Verlaine turns on Television.
The Palais & The Prince of Wales, St Kilda, Melbourne, October 26, 2013
I have a lot time for the All Tomorrows Parties as a festival, it is ultra-cool. Awesome vibe. In fact, my festival going was a dim memory since the late Nineties until the ATP Sydney Cockatoo Island of a few years ago. It a lineup of was The Saints, Rowland S. Howard and Bad Seeds. No brainer really, It was an awesome day. Nor, was it a no brainer to get down to Melbourne for another dose of ATP with a lineup that included Jesus Lizard, Television, Scientists, Breeders and the Roland S Howard tribute Pop Crimes.