mark roxburgh - The I-94 Bar

Get Cooped up with a bunch of underground rock stars

joeys coop portraitEmmy Etie photo.

It will be an all-supergroup affair when the eminently well-credentialed Joeys Coop (pictured) launch their debut album in Sydney on April 8 with help from an all-star supporting cast.

The On and Ons (featuring ex-Hoodoo Gurus, Screaming Tribesmen, Kings of the Sun and Stems members) and Cub Calloway and The Revolutionaries (featuring ex-New Christs, Saints and Died Pretty members) will join them at The Factory Floor in Marrickville.

“Service Station Flowers” is the forthcoming album on CD on the Citadellabel.

Joeys Coop was formed by Mark Roxburgh (ex-Decline of the Reptiles) who co-wrote the album with bandmate and Died Pretty guitarist Brett Myers. It will be the first record with Myers credits in almost 10 years and the band includes past and present members of The Barbarellas, The Visitors, Deniz Tek Group and Loose Pills. You can score tickets here

Original 7” Tracks /Demos LP - ME 262/Trans 262 (Buttercup Records)

me 262Most serious musicians would have an aneurysm if someone wanted to release recordings from their callow youth. They’ll tell you they’ve been hidden in a sock drawer for 40 years for good reason, and that demo recordings are just that. 

Of course, people with OCD, completists and the truly curious and/or obsessed - and any or all of these descriptors could apply to most of us - vehemently disagree. This release from the amazing Buttercup Records label in Melbourne satisfies our shared jones. 

Service Station Flowers - Joeys Coop (Citadel Records)

service station flowersIt’s tempting to do as the marketing does and label Joeys Coop’s “Service Station Flowers” as an outlet for Died Pretty guitarist Brett Myers. His distinctive sound is all over this album, like sunscreen and a rash-shirt on a redhead in summer, but this really is a record that’s more than just a billboard with all-star billing for one.

Singer Mark Roxburgh conceived Joeys Coop a couple of years ago, after the implosion of the reformed Decline of the Reptiles, and his vision was simple: He wanted to play with people whose work he’d long admired and to find an outlet for his own songs (something that Decline clearly was not.)