mummies - The I-94 Bar

BARFLY TOP TENS: The Barman

cr top ten 2016In no particular order...here's the best of 2016:

"Brujita" - Chris Masuak and The Viveiro Wave Riders
Best rock pop record of 2016 by a long way. Did I mention it’s on I-94 Bar Records and you can buy a copy here?

"Friday Night Heroes" - Leadfinger
The soulful Sydney-via-Wollongong rock and roll band par excellence just keeps getting better.

"Evolution" - Tamam Shud
Damn, if this doesn’t rock I don’t know what does. Veterans from the beginning of time (well, birth of Australian surf-psychedelia) sound dirty and relevant at the same time. They deliver the goods live, too.

"Post Pop Depression" - Iggy Pop
His best album since “New Values”. Big grooves and melodies with a sharp, Germanic essence, it’s proof that Iggy needs another talent to bounce off to deliver his best work.

“Diamond In The Forehead" - Garry Gray and The Sixth Circle
The album was killer and the short run of Sydney shows was just as good. Were you you? One day you might claim to have been. Nice people, to boot.

"Lost Cities" - Ed Kuepper
Ed’s been an underrated treasure since finding his solo feet in the late ‘80s. This adds to the considerable body of work. An album of great songs with understated intensity.

Kylie Pitcher photo

Stop Press: Mummies to play in Melbourne, Adelaide

 Legendary garage rock icons The Mummies are almost certainly going to be making just two Australian appearances.

The Mummies play Max Watts (formerly the Hi Fi Bar) in Melbourne on Wednesday, March 9 with the mighty Mesa Cosa and Midnight Wolfe supporting. Tickets are available here. On March 13 they're billed to appear at Adelaide's Kustom Kulture Show. 

We're told that organisers will put on a Sydney date only if Melbourne doesn't sell - which seems highly unlikely - and there's no thought to playing anywhere else. 

 

Sydney gets a dose of The Mummies

mummiesThe Mummies need no introduction as one of the loudest stupidest most deranged bands on the planet and have been destroying lives, limbs and guitars worldwide since 1989. They’re visiting Melbourne and Adelaide for one week only - and now Sydney gets its chance.

Thursday, March 10 is the date and the venue is Hermanns Bar at Sydney University.

They’ll be joined by Psychotic Turnbuckles and Los Tones.

Tickets won’t last long and went on sale today here. It will sell out.

Why? These bandaged kooks are possibly one of the most legendary Punk/Garage bands on the planet. The Mummies originated the ‘Budget rock sound’ told SUB POP where to get off and now they will blow you a new hole right between those useless eardrums of yours.

The Mummies define what was to be a world-wide revolution of retardo rock and sloped-head slop that erupted in the late '80s and early ’90s, spawning so many bands you can’t even start to name them all.

You can rope in most of the riot girl movement, Beat Man, King Khan, and any of the hundreds of non corporate punk garage combos that are still wrecking guitars worldwide today.

The Mummies announce an Australian gig

mummies

In typically random style, those Kings of Budget Rock, The Mummies, have announced an Australian gig.

The mysterious Californians, who play their shows swathed in bandages, will visit Australia for the first time in 2016, with only one date announced so far: March 9 at Melbourne’s Max Watts. More news as it comes to hand.

 

The Mummies go Down Under

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The Mummies in full flight. Shona Ross photo

The Mummies in Australia? No fucking way! Hard to believe, but true. A hit-and-run visit spanning three states in less than a week (with a stop-off in New Zealand on the way home) admittedly but a tour, nonetheless.

The Mummies were The Shit in garage rock in the late 1980s. Conceived as the ultimate anti-band by Trent Ruane (organ, vocals), Maz Kattuah (bass), Larry Winther (guitar) and Russell Quan (drums), they were a lynchpin of San Francisco’s lo-fi scene. Emerging from their tomb sporadically in the ‘90s and ‘00s, they’re renowned for being the band that gave the then very hip SubPop label the finger when refusal to sign was a death-wish. They have made no-frills Budget Rock an art-form.