the birthday party - The I-94 Bar
You have to admire record labels like Buttercup who dig up decades-old sounds from Australia’s music underground, chuck a new coat of paint on those mouldy old tapes and offer them up for a cash consideration to nerdy record collectors who crave those obscure Australian sounds.
A cynical person would file this Melbourne combo under “'80s Smack Rock”…and of course I’m a cynical bastard. But, hey, being inspired by The Birthday Party or the Bad Seeds isn’t a bad thing. Those groups wrote their own rule books and went where no bands has been before them and if you’re going to be inspired by somebody it may as well be by the greats.
I’m sure Buick KBT shared cups of tea with The Wreckery, The Moodists and The Sacred Cowboys. They certainly shared stages with Venom P.Stinger, Go-Betweens, X , The Laughing Clowns and Dead Kennedys.
Jasmine Hirst photo.
Lydia Lunch doesn’t particularly care whether people are offended by her art.
From her beginnings in New York no wave outfit, Teenage Jesus and the Jerks, to her spoken-word performances, to her collaborations with Rowland S Howard in Shotgun Wedding, Swans’ Michael Gira, Sonic Youth’s Kim Gordon and Thurston Moore, Bob Quine (Richard and the Hell and the Voidoids), right through to her more recent profane expositions on the United States under Donald Trump, Lunch’s self-defined brief has been deliberately and avowedly confrontationalist.
In her own words, Lunch is a conceptualist, exploring concepts that highlight the exploitation and marginalisation of the individual in contemporary society, the typically patriarchal and oppressive discourse wielded by institutions of power.
If you can’t stand the heat in Lunch’s artistic kitchen, go find yourself a fast-food media joint and starve on the processed, intellectually bankrupt crud that masquerades as entertainment.
In May 2018 Lunch returns to Australia with her Retrovirus concept, trawling across her 40-year career with the aid of Bob Bert (Sonic Youth, Chrome Cranks), Weasel Walter (The Flying Luttenbachers) and Algis Kizys (Swans). I spoke to Lydia Lunch in her sometime home town of New York City.
The reason these two sit together here is that there is a similarity.
Ever since Nick’s "Boatman’s Call" made it acceptable, musicians have been coming out of the woodwork with quiet, intense music. Some are, naturally, better than others. Some remain lost, lost without knowing why, but because they don’t share the same creative origin (or ‘muse’) which sparks Nick.
Still others are compared to Nick when they share only a few of his influences - but produce something which people think they recognise as being in Nick’s … carpark. Think Mark Steiner, Nikki Sudden, Henry Hugo, David Creese, Hugo Race, Michael Plater, … hell, think Louis Tillett, Mick Harvey even.
Yet, if you take the time to listen to these folk, you discover how completely different they are. And, more often than you’d know if you believed the critics… sometimes they’re a lot better.