touched - The I-94 Bar

Lax Charisma of The Nice Folk on life as a musical underground outlaw

nice-folk-backA few weeks ago at the Factory Floor in Sydney, I caught The Nice Folk supporting Harry Howard and The NDE and The Holy Soul. 

The Nice Folk (for me) were a cross beyween early Captain Beefheart Magic Band and Pere Ubu. I wrote that they could "pull out a slow, sleazy blues song and switch to early Beasts of Bourbon-like sloppy and swampy excursions". What really struck me that night, however, was that they captured a spirit of an Australian music scene from a long time ago.

In the ’80s, pre-Nirvana, pre-Ratcat. pre-corporate festivals - and the boozed up smashed bogans with Southern Cross tatts thinking they are cool one day of the year going to the Big Day Out - there were bands like The Nice Folk. These bands knew they were never going to capture a place in the commercial charts. They were truly underground.

This let to music that was free from attempting to be accessible. It was about the band and music first and not getting them “Suck-cess”. Bands like the Laughing Clowns, Lubricated Goat, Box The Jesuit and the early Wet Taxis. Which is why I really liked The Nice Folk. They had a similar attitude and devotion to their music.

Touched – The Nice Folk (self released)

touched cover“Touched” LP is this six-piece Wollongong band’s second full studio album release in eight years. Their last long player (“Devil at My Door”) passed by the Bar without dropping in for a beer, so I’m not up-to-speed with everything that’s occurred along the way.

The thing I know is that there’s a marked difference between “Touched” and the early “Guide To Sedation & Isolation” EP, so let’s focus on that.