waldos - The I-94 Bar
Max’s Kansas City was one of the legendary New York City scenes of the 1970s, home to Andy Warhol’s crew and a musical stamping ground for the Velvet Underground, Heartbreakers, Iggy & the Stooges and countless others.
It’s the club where Iggy met David Bowie and had his career fortunes revived, Debbie Harry waited on tables, Patti Smith went star-spotting and the Lou Reed era Velvets played their final shows.
Former Max’s promoter Peter Crowley is hosting a 50th anniversary round of shows from June 4-8 and the line-ups feature some of the best that what’s left of the old-school NYC underground scene.
There are few survivors from when New York City’s rock and roll world revolved around a few seedy nightspots in a now unrecognisably gentrified district called The Lower East Side who are still musically active. Joey Pinter is one of them, making spirited, raw guitar music on their own terms, and this is his debut solo album.
Transplanted to Los Angeles and now living in Chicago, Pinter is best known as Walter Lure’s guitar foil in his killer post-Heartbreakers outfit, The Waldos. These guys should have been huge but labels kept their distance and Walter had a career in stockbroking that clipped their touring wings. Their solitary album, "Rent Party", was recently re-issued and kicks arse.
Pinter played in a host of other NYC bands, most notably with Max’s Kansas City regulars The Knots whose solitary 45 “Heartbreaker” b/w “Action” is highly collectable. So he has lots of form.
I ain't owned that beautiful Nina Antonia book about Johnny Thunders for years-poor people can't have nice things - ya always have to sell it all to eat and smoke. "Everything is in the pawnshop", you dig? But all those swanky Heartbreakers photographs are etched forever in my mind.