who - The I-94 Bar

Bob Short's Complete History of Rock and Roll Episode 15

You want more Bob Short? He's back with Episode 15 of The Complete History of Rock and Roll. It's entitled "More of the Same Old Same." What does that mean? You'll have to listen to find out. Tracklist after the MORE button. 

Mr Cocking's Descent - Green Circles (Off The Hip)

cockingtonIt's easy to rave about things being unjust and how universally lauded a band would be if the world was different. Green Circles not only struggle with the fact they're domiciled in Adelaide, a remote and near geographically featureless Australian city that makes Sydney look like a happening musical town, they're existing 40 years too late.

The Who’s Tommy at the Adelaide Fringe Festival

tommy adelaide festival banner

Tommy is, of course, that double LP rock opera what the ‘Oo done, back in 1969.

Pete Townsend was a powerhouse of creativity and, since he didn’t own an opera company or a film company, we can say he made a pretty impressive stab at both over the four sides of vinyl back in the day. Streets ahead of the competition by a forward-looking rock band, Tommy rebooted the Who back into the limelight…and you know the rest, I’m sure.

There’s been an opera version, a musical adaptation, a film, and there’s been several reissues, including a Super Deluxe Edition. And now…this…extraordinary, louche, beautiful, moving interpretation of a record which is well and truly in I-94 Bar reader terrain.

Who? - The Heck (Dirty Water)

who the heckYou might ask who they are, but after you wrap your ears around this debut album from The Heck, chances are your next question will be: “Where can I get more?”

The Heck hail from the northern reaches of the Netherlands and are the new garage rock outfit for singer-guitarist Henri Soulman (Sensational Second Cousins, the Miracle Men and De Keefmen) Soulman references the Sonics and The Reigning Sound as his big influences but there’s a lot more going on under the hood.

The Heck are a trio and we all know that such a configuration puts a sharp focus on the rhythm section. The fluid, warm bass-work of René Katerbarg and effervescent drumming of Erik Berends are right up to the job. Katerbarg fills any holes in the road while Berends drives the songs from just behind the beat.