Modern Rural - Marsden Williams (Marsden Williams); Mythologies - Michael Plater (Reverb Worship); Far From Grace - Tim Hudspith and Goldentone (Dead Letter Records)
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- By Robert Brokenmouth
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Each of these requires repeat listening, possibly with a bottle of red, one or two glasses and (in my case) a hanky.
A couple of weeks ago we went out in Adelaide to see these folks play the Hades Hula Hut, and the next night The Metro. Both Marsden and Tim rather rashly pressed their offerings into my paw, not knowing that I am trying desperately to cut down on my reviews.
Seeing them all play, of course... yeah, and here I am, listening to Marsden's little cassette on my little boombox in my cold little room. So this will be a quick overview...
ABC goes bananas for The Aints!
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- By The Barman
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Here’s a sight you thought you’d never see: That’s Saints guitarist Ed Kuepper with B1 and B2 of kids TV show "Bananas in Pyjamas". Confused? Besides the fact that Ed is a Queenslander (and don't all Queenslander love bananas?), all three of the above are now labelmates on ABC Records, who announced today that they’ll be putting out the new studio opus for Kuepper’s current band The Aints!, the grandly titled “Church of Simultaneous Existence”.
Tek-ing time-out to give China some Detroit rock
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You thought Donald Trump and Kim Jong-Un were breaking new ground in geopolitics? Deniz Tek and solo band are undertaking a quick-fire tour of China this week.
The seven-date tour includes a Shanghai screening of "Descent Into the Maelstrom". The shows are being organised with the assistance of Shanghai-based Round Eye, a band comprised of US expats who have previously played Chinese gigs with M.O.T.O. and Paul Collins Beat. .
Flying into the Hands of Strangers by Jeltje Fanoy (Collective Effort Press); Unusual Work 22 edited by Pi 0; The Greenwood Faun by Nina Antonia (Egaeus Press)
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- By Robert Brokenmouth
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Bloody hell, Barman. I do one review of one poetry book and the bastard sends me these.
Now, I don't know how many of you enjoy poetry. Perhaps you consider it in the same memorable way that Lydia Lunch does, calling it 'poohetry'...
Anyway, despite much derision over the years, apparently appreciation of same is on the rise in the USA (I'm not sure whether to whoop or despair) and I'm here to tell you that, first, a poem or two at bedtime or on the bus (anywhere you find yourself titting about purposelessly on the internet or playing those squally games everyone seems to have on their bloody phones) will find your mood altered, your synapses snapping and you will either feel alive or disgusted. A comparison might be buying a 7" single at random ... or a compilation CD.
Second, modern poetry has a mostly deservedly bad name, but so do all forms of music. There are some utterly dreadful folk out there both unable to hold a choon or entertain to compensate. Ditto poets, really. So, if you ain't familiar with the patter of words on the page, think of poetry as another form of underground.
Friends to gather on Sunday to remember Exploding White Mice bassist Andy MacQueen
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Family and friends are invited to celebrate the life of Exploding White Mice and ProTools bassist Andy MacQueen at the Governor Hindmarsh Hotel in Adelaide this Sunday from 4pm. Andy passed away suddenly earlier this month.
In lieu of flowers, Andy's family has requested that a donation be made to the Survivors and Mates Support Network .
Radio Birdman saddles up to coincide with documentary DVD release
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- By The Barman
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Radio Birdman is playing a limited number of Australian East Coast shows over two weekends this September/October, before heading off for a 22 date tour of Europe.
The Australian run will coincide with the release of "Descent into the Maelstrom”, the Jonathan Sequeira-produced documentary dealing with the band's rise and demise in the late 70's and later re-emergence.
The documentary has received great attention at various film festivals in London, Glasgow, Norway, Amsterdam and Detroit and is now scheduled for local release on DVD with bonus content this September.
It will be available at the band's shows, online and via discerning retail outlets.
Supports on this tour will include Adalita (Melbourne), Brisbane's Hits (Brisbane and Sydney) and all shows will feature special guests from Spain Los Chicos.
RADIO BIRDMAN
AUSTRALIAN TOUR 2018
SEPT
27 - Croxton Bandroom, Melbourne
+ Adalita + Los Chicos
28 - The Triffid, Brisbane
+ Hits + Los Chicos
30 - The Gov, Adelaide
+ Los Chicos + The Sunday Reeds
OCT
6 - Manning Bar, Sydney
+ Hits + Los Chicos + DJ Frank Cotterell
Tickets for all shows are on sale from Wednesday. June from Oztix.
The Island Years - Ultravox! (Caroline International/Island)
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- By Robert Brokenmouth
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It's rated five bottles. What's so good about Ultravox!?
Really simple. First, great songs, unique construction and clever use of synths; second, powerful, heady stuff. Pretty much essential. My favourite is the middle LP, but I have always loved the other two.
You could argue that, given that the band was riddled with elements of what would become electronica and dance, but with dub reggae, glam and funk also welded into place, Ultravox! offered a step forward, beyond punk, yet before punk had even happened.
They're not just a fucking important band, but they're a damn fine band.
There are box sets and there are box sets. If you don't have anything by Ultravox!, or, if you like, you found the “Vienna”-era band a tad gooey on the nerves, this set brings their first three LPs together plus an extras disc.
Pink Flag, Chairs Missing and 154 - Wire (pinkflag)
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- By Robert Brokenmouth
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Certainly the deluxe edition re-issues are part of their time. Can't help that.
You know what they say of the younger fans of Green Day, on the occasion of their first listen to The Clash? "Golly, they sound just like Green Day!" ...
One of the weirder things is revisiting old men's records and realising that their leaps forward 40-odd years ago did the spade-work for mega-selling buttonhead bands by the hundred. I mean, come on. The late '80s and mid-'90s Britpop thing owes a huge debt to Wire.
What is astonishing here, apart from the vibrant inyerfaceness of the pre-"Pink Flag" demos (recorded between May and August 1977), is that, like The Buzzcocks and The Clash, or Siouxsie and the Banshees around this time, how broadly creative Wire were over such a short space of time. Like The Clash and the Banshees, Wire were part of the punk burst, but didn't rely on its DNA.
Appeal launched as Spencer P Jones fights on
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Spencer with The Escape Committee. Richard Sharman photo.
An emergency GoFundMe account has been opened for legendary Australian guitarist and songwriter Spencer P Jones as he continues his fight against terminal liver cancer.
Spencer's longtime partner Angie has had to take a cut in her working hours in her day job to care for Spencer and the couple are finding it hard to make ends meet. Donations can be made here. More info in our story here.
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