Leadfinger on the road: Twin guitars assault Adelaide, locals pretend it isn’t happening
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- By Robert Brokenmouth
- Hits: 6345
Leadfinger rocks out. Adelaide slumbers. Mandy Tzaras photo.
It’s going to take a while to recover from this weekend. Each of the bands above play very different rock from each other, and were all well-suited in the line-up. Curiously, at each gig I was reminded of the late Darby Crash.
Friday night gigs are always a bit weird as so many of today’s musicians have day jobs. So, for example, they finish a week’s work and, instead of coming home to a beer or four and a chewie, people have to hurry home, put their gear together, get their stage concentration going and head out the door.
So a Friday night gig has all the makings of tired people fucking up and so on; for myself, I have work the following day, so I have to curtail the popping of champagne corks (cue: mock-chorus of “aaww” followed by a hail of empties).
Some Buttons Should Never Be Pushed - The Secret Buttons (TSB Records)
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- By The Barman
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The Secret Buttons are an outgrowth of The New Invincibles, a Perth band now in the veteran class with 10 years under its collective belt. Like the Invincibles, The Secret Buttons deal in ’60s derived rock and roll via the garage, and this is their debut EP.
It’s often said three-pieces are the perfect configuration for rock and roll because they leave lots of spaces for individuals to do their own thing. The Secret Buttons revel in the trio format. Drummer Dave Rockwell is the common thread between both bands and while The New Invincibles have keyboards, more of a pop bent and a broader aural palette, The Buttons play it straight and mostly go for the throat.
Ex-Sacred Cowboys leader heads for Sydney
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- By The Barman
- Hits: 5307
One of Australian rock roll’s few truly dangerous frontmen, Garry Gray (ex-Sacred Cowboys), is making a rare Sydney appearance with his crack band The Sixth Circle on November 18, presented by the I-94 Bar.
Garry Gray and The Sixth Circle are playing The Factory Floor in Marrickville with soulful rock soldiers Leadinger and street-level Northern Beaches rockers Chickenstones.
Melbourne-based Gray is a true survivor and legend of the Australian underground music scene. As crazed, chainsaw-wielding frontman for the Sacred Cowboys, he and his bandmates left a legacy of five studio albums and trademark singles, “Nothing Grows In Texas” and “Hell Sucks”.
Blasted by Molly Meldrum on Countdown as the worst band he’d seen in five years, Sacred Cowboys wore the insult as a badge of honour. They disrupted and devastated Australian audiences in the ‘80s and late ’90s with line-ups that included members of Beasts of Bourbon, The Models, Wet Taxis , Paul Kelly and The Dots and JAB.
Acoustic Menopause - Honest John Plain (Action Recordz)
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- By The Barman
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This is a simple and simply beguiling record, pared back rather than pared to the bone and impregnated with pop smarts. If the Johnny Cash take-off on the cover art didn't tell you already, it doesn't take itself too seriously either.
If you didn’t twig already, Honest John Plain is one of the survivors of the UK punk scene, recruited into the first line-up of the band that became The Boys way back in 1975. In-between re-appearances by The Boys, Plain has been surfacing in his own bands ever since.
Burning Sound Vol 1 - Punch Me Hard – Various Artists (Burning Sounds Records)
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- By Ronald Brown
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With a band on it called Guitar Fucker, it has to be a winner. “Punch Me Hard” is a compilation CD from Burning Sound in Switzerland and it’s 15 tracks of garage and punk rock, with touches of swampy blues rock ’n’ roll, that fucking burns.
What a vibrant and rocking scene those Swiss fuckers have going on over there…it must be those very liberal ways of living? This CD reminds me of listen to Kev Lobotomi on PBS Radio in Melbourne or being at a Fred Negro gig. It’s interesting, diverse and who knows what’s coming next.
Our shout! Why The Fleshtones and Peter Zaremba still drink for free after all these years...
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- By The Barman
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Meet Keith Streng, Ken Fox, Peter Zaremba and Bill Milhizer. Jacopo Benessi photo.
Here’s another plea for justice and a call for long overdue respect. Add another name to the list of bands whose “failure” (such a harsh word when applied without context) to break into the mainstream is not just unfathomable but criminal. Ladies and gentlemen, I speak of The Fleshtones, stars of stage and screen and bearers of a vibrant new record, “The Band Drinks For Free”, on Yep Roc.
The Official Biography lists it as Album Number 21 (including live releases) and says the band is in its 40th year, but let’s dispense with the figures and deal only in facts. The first one is: If you’re not listening to The Fleshtones, you’re a loser. The second is: It’s never too late to shed your loser status.
The Fleshtones emerged from a basement in New York City’s Queens borough and onto a stage at CBGB in 1976. Largely written out of histories of the Lower East Side scene despite being fixtures at places like CBs, Max’s Kansas City, The Pyramid, Danceteria and Club 57, they went through a trailer-load of trials and tribulations (labels going broke, line-ups in flux, drugs and drink) to “almost make it” in spectacular style.
Chewing Out Your Rhythm On My Bubble Gum - Juliette Seizure & The Tremor-Dolls (Off The Hip)
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- By Ronald Brown
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Hey Ho, Let’s Go! The original members of the Ramones are dead but their sound lives on in thousands of bands all over the world. It’s said that their greatest gift to music was when the Ramones played in your town because at least one band started after they left. I’m pretty sure that Juliette Seizure & The Tremor-Dolls are way too young to have seen The Ramones live, but they sure have listened to their records.
“Chewing Out Your Rhythm On My Bubble Gum” is full of classic Ramones driven riffs, aided by the smokey vocals of Shannon Cannon, Lauren and Zoe. It rocks and rolls, swaggers and pops with wonderful playing and well-crafted songs that just have you grooving from the first track until the last. It’s a winner, this album.
The Monkeywrench to hit Australia
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- By The Barman
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Supergroup The Monkeywrench are touring Australian shores for the first time.
Co-founded in 1991 by Mudhoney's Mark Arm and Steve Turner with Tim Kerr (guitarist for the Big Boys and Poison 13), The Monkeywrench was intended to be a one-album band. With additional members Tom Price (U-Men, Gas Huffer) and Australian Martin Bland (Lubricated Goat) they ended up recording three LPs: “Clean As A Broken Dick Dog” (1992), “Electric Children” (2000) & “Gabriel’s Horn” (2008).
Earlier this year, the band reunited to play ATP Festival in the UK plus shows in Seattle and London. With another performance at Sound on Sound Festival in Austin this November, the band decided to add Australia to their schedule.
With another reformation unlikely in the foreseeable future this could be the only time to see these legendary players on the one stage together as The Monkeywrench.
THE MONKEYWRENCH (USA)
AUSTRALIAN TOUR 2016
THURS 17TH NOV
CROWN & ANCHOR, ADELAIDE
Tix via Moshtix
FRI 18TH NOV
THE TOTE, MELBOURNE
Tix via venue website
SAT 19TH NOV
RIVER ROCKS, GEELONG
WED 23RD NOV
BRISBANE HOTEL, HOBART
Tix via Oztix
THURS 24TH NOV
THE BASEMENT, CANBERRA
Tix via Oztix
FRI 25TH NOV
NEWTOWN SOCIAL CLUB, SYDNEY
Tickets via venue website
I Want, Need, Love You: Garage-Beat Nuggets From The Festival Vaults - Various Artists (Playback Records)
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- By The Barman
- Hits: 5356
A vinyl fanatic you may be, but owning most of these 26 tracks in their original format would set you back almost as much as a down-payment on a modest piece of real estate in the over-heated Sydney property market. So put aside your collector scum aspirations and focus on the merits of this formidable collection of ‘60s gems on CD instead.
Australia’s garage and beat history is under-appreciated - despite the best efforts of labels like Raven and others of dubious legal standing - so new imprint Playback is a welcome market entrant. “I Want, Need, Love You” focuses on the output of The 5, Toni McCann, The Black Diamonds and The Pogs, spanning the period 1965-68, with about half the tracks new to CD. As many as possible have been sourced from the original masters.
- Ex-Cramp Kid Congo back with new album
- Landfill - Undead Apes (Mere Noise)
- Surprise, Surprise EP - Dee Rangers (Sucker’s Choice Records)
- Scary Eyes b/w Grave Yard - Love Cans (Burning Sound/Sacred Hood Records)
- Just a bunch of Heroes getting the Lead out on a Friday night
- Somewhere Else - Rummage (Cannery Records)
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