A Crowd Pleasing Extravaganza – Moot (Outtaspace Records)

It's a point hat has been made here before: Moot comes from the New South Wales Mid North Coast region and you’d struggle to think of a place with a more tenuous claim to being a spawning ground for punk rock.

Neat farms sit on rich alluvial land, squeezed between eucalyptus-lined mountain ridges and coastal towns that cling steadfastly to beaches or river inlets. The populace seems past or approaching retirement age. It’s a region devoid of (visible) dole queues or massive social dislocation – at least on the surface.

_{Jon Schofield leading The Grooveyard through a set with (fron left to right) Ian Little,  Richard Lawson and Bob Wackley.} 

A little piece of Australian underground rock and roll history was rescued from relative obscurity in April when the modestly-proportioned back catalogue (one 45 and an EP) of 1980s Sydney band The Grooveyard was re-issued digitally.

Grooveyard played ‘60s-influenced power pop in and around Sydney in the 1980s. Their recorded legacy kicked off with their Chris Masuak-produced “Avalanche of Love” single in 1984 and ending with the posthumous 12-inch “Grooveyard" EP in 1989. 

The Grooveyard was something of a supergroup. At various times, its ranks included future Paul Kelly and Messengers, Chinless Elite and Hell To Pay member Jon Schofield, Lime Spiders drummer Richard Lawson, ex-Razar member and future Screaming Tribesmen Bob Wackley, Geoff Rhoe (ex-Minuteman), Ian Little (Bambalams) and Sean Maguire (ex-Minuteman).

Premonition K – Kilbey Kennedy (Foghorn Records)
I came not to praise Prog Rock but to bury it. You know, throw on a “Pink Floyd” T-shirt with a handwritten “I Hate” appended to the front of the band name, just like it’s the King’s Road in London, circa 1976.

The claws were out and the poison pen primed with ink. It was time to snarl about pomposity and pretentiousness, declare a fatwah on all hippies and kick out some serious wordplay jams . This War Against The Jive is relentless, and Emerson, Lake and Palmer truly do suck dogs’ balls.

_{The classic early Saints line-up with reformation participants, drummer Ivor Hay and guitarist Ed Kuepper at front, and Chris Bailey at the rear.}

The Saints reformation has turned ugly with the Estate of late frontman Chris Bailey going public with a condemnation.

In a tersely-worded media statement released overnight, Chris Bailey’s Family and Estate questioned the decision to reform The Saints with Mark Arm from Mudhoney replacing the late singer who passed away two years ago.

“Neither the late singer’s family, nor the Chris Bailey Estate, were informed or consulted, on this decision,” the statement said. “We are surprised that Mark Arm agreed to do this without consultation.”

The statement said the Estate owns “The Saints” name and its primary objective is “to honour Chris Bailey’s memory and the Saints significant legacy with integrity”.

Here's news to make it This Perfect Day or send you down a One Way Street...

The Saints are reforming with Mudhoney's Mark Arm up front for a six-date Australian tour in November.
 
Arm, founding Saints members guitarist Ed Kuepper and drummer Ivor Hay will be joined by bassist Peter Oxley of Sunnyboys and former The Birthday Party/Bad Seeds member Mick Harvey on guitar.

The dates will be in celebration of a vinyl box set release of the 1977 classic debut album "(I’m) Stranded" on In The Red. The sets will be largely drawn from it, "Eternally Yours" (1978) and "Prehistoric Sounds" (1978). 

Wed Nov 13 Hindly St. Music Hall, Adelaide, SA
Fri Nov 15 Theatre Royal, Castlemaine, VIC
Sat Nov 16 Northcote Theatre, Melbourne, VIC
Wed Nov 20 Freo Social, Fremantle, WA
Fri Nov 22 Enmore Theatre, Sydney, NSW
Sat Nov 23 Princess Theatre, Brisbane QLD SOLD OUT
SUN Nov 24 Princess Theatre, Brisbane QLD 
Tickets via feelpresents.com

“Heavy Lifting” – which is being marketed as the first MC5 studio album in 53 years – is out on October 18.

Led by late founding member Wayne Kramer (pictured right) and recorded with iconic producer Bob Ezrin (Lou Reed, Alice Cooper, KISS), the album features original Five drummer, also late Dennis “Machine Gun” Thompson, on two tracks along with special guests including Slash, Tom Morello, William DuVall (Alice in Chains), Vernon Reid (Living Colour), Don Was, and Tim McIlrath (Rise Against).

"Heavy Lifting" will be on LP and CD with a bonus disc of live tracks by MC50, the band Kramer fronted on a world tour to showcase MC5 songs for the 50th anniversary.

earMUSIC will release the album a  day prior to the MC5’s induction into 2024’s Rock & Roll Hall Of Fame.

Crawling Back To You – Stu & The Connections (Crankinhaus Records)

There’s a lot of ground covered on this mini-album (digital only) from Stu Wilson and his all-star collective The Connections. The drummer with Lime Spiders, New Christs, The Crisps, Loose Pills, Leadfinger, Aberration and Chris Masuak & Dog Soldier, Stu contributes lead vocals, keyboards harmonica, drums and percussion..

Looking at his c.v., you might have certain expectations. Leave your preconceptions at the door. This is a cohesive collection of  seven songs that cajole and captivate rather than assault. 

Say It - New Toys (13^th Street Records)

The years 1979-82 were stellar for power-pop, with many pundits looking back with a great deal of affection for bands such as The Knack, the Romantics, Nick Lowe, Greg Kihn, Dwight Twilley and so on. All giants of the genre, with lesser-known acts such as the Shoes, the Records, 20/20 and The Beat also holding their place amongst power pop fans.

Yet there was one band from New York City on par with any of them: New Toys.

New Toys released one album of stupendous, melodic power pop called “Say It” in 1982. Long out of print, it was recently re-issued by 13^th Street Records with all songs restored, remixed, and remastered from the original multi-track tapes.

_{Barney "Boogie" Williams on keys and Danny Hadley on guitar and vocals.}

The Animals and Friends
The Gov, Adelaide
May 28 2024

Expectations are a bugger of a thing.

We don't know we have them until we find ourselves hung-up by our own preconceived ideas.

Take Chain. The blues band. They're gritty, muscular, and utterly themselves. 

Yes, I've been watching a few recent live things on YouTube, prompted by a Melbourne chum who went to see them a week or so ago. He was blown away.