new christs

Lovegrinder The Album – Lovegrinder (self released)

There’s a popular theory - perpetuated by a few fans of Junkie Rock from Australia’s southern state's capital city – that the so-called salad days of Sydney underground rock and roll were a farrago based on an overdose of second-rate Radio Birdman copyists. 

Call it a typically defensive Sydney response but while the "Detroit" handle became a tag of convenience, most of the Harbour City’s bands of the 1980s/early ‘90s had tenuous musical links to the Birdmen. There was a handful of short-lived clones, but for the vast majority it was the energy and undeniable fuck-you-we’ll-do-what-we-want attitude of the Radios that were the hand-me-downs, and not their unique, impossible to replicate mutated musical mix.

Which brings us to Lovegrinder, yet another in the long line of Sydney bands that never progressed higher than the lower support rungs of the very crowded local live scene ladder. Not that there’s any great shame in that. For many, headlining the Tivoli or Selina’s wasn’t the goal because they had no interest in being on the rosters of the omnipotent Dirty Pool, Nuclear or Harbour booking agencies. Playing music was more about knocking around with their mates, consuming beers (or something illicit) and having a good time.

Crawling Back To You – Stu & The Connections (Crankinhaus Records)

There’s a lot of ground covered on this mini-album (digital only) from Stu Wilson and his all-star collective The Connections. The drummer with Lime Spiders, New Christs, The Crisps, Loose Pills, Leadfinger, Aberration and Chris Masuak & Dog Soldier, Stu contributes lead vocals, keyboards harmonica, drums and percussion..

Looking at his c.v., you might have certain expectations. Leave your preconceptions at the door. This is a cohesive collection of  seven songs that cajole and captivate rather than assault. 

1. Do The Pop! Festival, October 2022 - Port Campbell, VIC.
One of the best rock n roll experiences I’ve had since the glory days of the Big Day Out in early-to-mid-1990s. A good sized, easy going crowd, all (mostly) attending for two good reasons: beer and rock 'n' roll. An exceptional line-up featuring a range of established and up-and-coming bands. Big thanks to Mick Simpson of Grindhouse and friends for organising what will go down as one the great inaugural festival events. No question this is my Number One pick for 2022. 

2. Howlin’ Threads EP "Of The Sea"(Meinshaft Records)
It was great to self-release this 4 x track EP featuring contributions from a wicked array of Australian rock n roll legends, including Penny Ikinger (Wet Taxis) on vocals, Deniz Tek (Radio Birdman) and Kent Steedman (Celibate Rifles) on lead guitar, James McCann (Harpoon) on slide and harmonica, and Brent Williams (New Christs) on keys. I’ll be forever grateful for the opportunity to work with all these amazing people. For those keen to own one, a few Deniz Tek autographed copies are available here.

MARVELLOUS MUSICAL MOMENTS OF 2022 AND MORE MUSINGS:

Firstly, thanks to The Barman and I-94 Bar contributors Keith Claringbold, Dylan Webster, Matty Ryan and Edwin Garland who included my shows with my band in NSW and Melbourne in their Top Tens for 2022. That is so cool and greatly appreciated! Thanks to everyone who came to these shows! It was fabulous to see so many “old” friends there!

Thanks to the musicians who played in my band – Tim McCormack on bass, Jason McGann on drums, Julian Held on guitar, Sam Billinghurst-Walsh on guitar and Ryan Oliver on keyboards. They are worthy of the attention they have been getting.

In fact, thanks to all the musicians who performed live on the indie rock circuit in 2022. These are not easy times for many musicians, and it’s been fantastic to see so many artists back in action on stage, in the post lockdown world. Often, I cross paths with them when they attend other people’s gigs as well. It’s a wonderful thing to behold - intrepid rock’n’roll soldiers leading the charge to bring live music back into the forefront of our hearts and minds! 

Thanks to all the punters who have been supporting live gigs. Thanks to the music journalists for reviewing our shows and new releases and to the radio presenters who have been playing our music. Thanks to the venues and the promoters, with a special thanks to The Barman for his tireless efforts to keep our rock scene alive and well.

1. THE MUNKS and THE STALLERS @THE MOSH PIT, SYDNEY
Opening act The Stallers pumped out a high-energy set , a mix of obscure garage covers and originals. Loved it , good guys , great players led by head gunslinger DARREN FALCONSTEIN who plays in many other bands like BAHNE SUPER-FLEX.  All the way from Ulladulla  THE MUNKS pumped out the Raw ROCKNROLL, a sense of humour , showmanship and quality playing. Probably my favourite Semi - local band I've seen in a long time. 

2. The JOHNNYS, @THE OLD BOATSHED, MANLY
I saw THE JOHNNYS  many times in the ‘80s, one time at Selinas supporting the HOODOO GURUS and THE JOHNNYS blew them away. It's  ow 2024 , 40 years later. SPENCER, unfortunately, isn't there but HOODY, SLIM and BILLY still blasting the stuff that hooked me as a teenager. 

3. The DAMNED @ENMORE THEATRE, SYDNEY
Some bands get old and bitter, these guys don't. The more I listen to THE DAMNED the more I appreciate and love them.  Punk, Goth, Pop - call them what you want, I call them  awesome. RAT SCABIES was a highlight,  I didn't realise how good a drummer he was.....possibly second only to CLEM BURKE.

2024 TOP TEN-ish

GIG OF THE YEAR- Just one? No.

VICTORIA + DAVE MCCORMACK AND THE POLAROIDS at the Golden Barley, Sydney.
I’d never heard nor seen either band before and both were rather excellent.

POP CRIMES: JP SHILO, HARRY HOWARD, KIM SALMON, HUGO RACE, LYDIA LUNCH, TEX PERKINS, MICK HARVEY  AND MANY MORE- Factory Theatre, Sydney
Those songs, played by these artists.

Tributes are flowing for much-loved Happy Hate Me Nots and former New Christs and Someloves member Christian Houllemare who has passed away.

A long-time Australian resident, the French-born bassist was found at his home in Sydney’s inner-west over the weekend.

_{Van Ruin: Andy Newman, Big Al Creed, Stui Wilson and Phil Van Rooyen.}

Van Ruin -  the high-energy Sydney outfit whose pedigree includes past and current membership of the New Christs, Lime Spiders, The Visitors, East Coast Low, Panadolls, Aberration, Chickenstones, Chris Masual’s Dog Soldier and Deniz Tek Group - are embarking on a French tour in September.

What’s more, it will be on the back of a debut full-length album, “Trauma Magnet”, on Aussie label Crankinhaus Records.

Trauma Magnet – Van Ruin (Crankinhaus Records)

It has been an explosive 12 months for Van Ruin, a band formed in Sydney only a year ago that almost immediately began recording their first mini album. Band leader Phil Van Rooyen had a batch of deeply personal songs he had written about his years of counselling substance abuse in the underbelly of the city's Northern Beaches.

Phil threw himself into a flurry of  writing and recording, working with his decades-long mate and Al Creed, of local legendary bands like Dr Fruitworld and Panadolls,as well as the New Christs.

Enter Stuart Wilson (Lime Spiders, New Christs, Chris Masuak’s Dog Soldier and The Crisps)on drums. There were a couple of the raggedy, under-rehearsed gigs that were hanging by a thread at times, and as thrilling as they were they did not capture the brutal darkness and brilliance of what would the debut EP,  “Jails, Death and Institutions”.

Their legacy was just two LPs and a stack of singles but Fixed Up’s punky and soulful garage rock touched people in their native France and all the way around to the other side of the world in Australia.

A lot’s been made about the Sydney-Detroit connection, mainly through Radio Birdman and its now fading local musical legacy. The irrefutable fact was that Birdman and its associated influences ruled the Sydney roost in the early 1980s. As true as that was, you can make a strong case for the affinity between Australia and France being almost as important, once the Sydney underground scene started to diversify and expand. 

The Franco-Ausstralian link was made when John Needham, chief of seminal Sydney label Citadel Records, started dealing with the likes of Sonics Records in France. Suddenly, there was a pipeline for Australian bands to have their music heard on the Continent - meaning outside the UK where the perpetually jaded music press briefly adopted Aussie arty pop, junkie rock and the swamp sound for a time.