virtual unreality

In no particular order...

Garry Gray & The Sixth Circle:
The former Sacred Cowboys frontman's "Diamond in the Forehead" was one of the stand out albums of the year. Great songs, big unhinged guitars, fantastic vocals and solid rhythm section behind it. You could be forgiven for thinking that their show at the Factory Floor would be sell out, but no. Barely 50 people witnessed one of the gigs of the year. Supports Leadfinger were fabulous (they always are) and the Chickenstones put on the best show I've seen from them.

Leadfinger’s "Friday Night Heroes":
Stew and the boys were back with their fifth and best to date album in "Friday Night Heroes". Great songs for grown ups, plus two excellent guitarists and a top notch rhythm section. The album was backed up with some fantastic shows. Probably Sydney's best rock band at the moment and it makes me wonder what things would have been like in another era when people actually bought and went out to see this stuff. One of the albums of the year.

Jim Dickson’s "Coelum Verses":
The year's most unexpected debut? Yep. This is not what I would have expected from the New Christs and Birdman bassist. It took a few listens before I really got into and then the penny dropped – one man's journey through a life of listening to and playing music. Anyone who's had a beer with Jim knows that he has an encyclopaedic knowledge of music and is a hell of a nice guy too. After each listen, this record was becoming less surprising and more enjoyable. Great songs, great band, great production. Can we have a live show please Jim?

Iggy Pop’s "Post Pop Depression":
Over the last 25 years or so, Iggy's records have been patchy at best. This one was recorded with a small band with production responsibilities handed over to Josh Homme. Stripped back, tight and brooding, it looks backwards and forwards. It's the sum of where he's been and may be where he intends to go. For mine, his best since the Berlin albums he did with Bowie. Compelling. Iggy's not done yet.