Legendary garage rock icons The Mummies are almost certainly going to be making just two Australian appearances.
The Mummies play Max Watts (formerly the Hi Fi Bar) in Melbourne on Wednesday, March 9 with the mighty Mesa Cosa and Midnight Wolfe supporting. Tickets are available here. On March 13 they're billed to appear at Adelaide's Kustom Kulture Show.
We're told that organisers will put on a Sydney date only if Melbourne doesn't sell - which seems highly unlikely - and there's no thought to playing anywhere else.
For overseas readers: Cold Chisel created a bubbling, intense hard-rock scene in ythe 1970s and greatly influenced the Australian music industry.
They came before Radio Birdman. And they started in Adelaide.
To be precise, quite often at the Largs Pier Hotel. Which, if you look at a map, you will discover nestling in Largs Bay, to the north-west of Port Adelaide which, back in the early-mid ‘70s, was not quite as foul as Port Melbourne, but none-the-less, decent people didn’t go there. A local joke goes that over there you can hear the largs baying, but … as I said, decent people don’t go there…
Cold Chisel had a rough-as-guts image, and played rock akin to punk before punk, used feedback where it was effective, and were huge all around the country in the '70s and '80s. It would be interesting to see what might have happened had the Hitmen been this successful at Chisel’s expense… but that is to tempt the cobra called Fate.
In typically random style, those Kings of Budget Rock, The Mummies, have announced an Australian gig.
The mysterious Californians, who play their shows swathed in bandages, will visit Australia for the first time in 2016, with only one date announced so far: March 9 at Melbourne’s Max Watts. More news as it comes to hand.
It’s that time of year again, when that fat prick comes scrambling down the chimney armed with a sawn-off and robs you off all your money so’s he can spend it on whores and drugs.
How fair is the world? That’s what I was going to spend it on.
This being the I-94 Barr site, where rock is from Detroit, synths are for Germans and the volume is at 11, you will all have friends who love rock’n’roll. So the bookstores around the world are ready for you this Krimbo, usually armed with tomes the size of one of Mose’s tablets on That Notorious Stone or That Bland Beatle or worse, Someone Who Was Someone Maybe Once (and Just Can’t Get Over It) Volume 3.
Recently I saw Lilith Lane perform as part of the Murder Ballads evening in Melbourne; there were many performers, but Lane was one of a handful who impressed. She’s sharp, smart and has a terrific voice.
"Pilgrim" was Recorded live at Sónica, Madrid, Spain, in October 2012 and released in 2013, It is a rather wonderful live recording, and shows off the great control and power of Lillith's voice; what I like about her is that she’s so natural and approachable with her gift.
The guitarist, (one "Pedro") is damn groovy. It’s a kind of oddly Spanish-flavoured blues '50s rock thing, but you don’t really pay that much attention once Lilith starts singing. You’ll be dancing in a graceful, bopping way.
His old band-mates might be attracting attention on tour as Dictators NYC but ex-Dictator Andy Shernoff isn’t letting the grass grow under his feet. He’s been recording, producing and playing solo with a couple of formidable EPs under his belt recently, which you can buy here. This week bought into the streaming debate with a lengthy online rant – plus a new song.
Says Shernoff: “I’ve been a professional musician and songwriter for over 40 years. I live and breathe music. I also own thousands of albums and CD’s … but they sit in my closet because…I prefer to STREAM MUSIC!!!!
Melbourne's Burn In Hell has a hell of a rep on the live circuit, both in Australia and overseas: it’s easy to see why. "Monkey Bones" (uhm, 2014) is world-class rock’n’roll which jangles your fillings and fills your jangles.
The Black Tambourines are from Cornwall in England. This is one of a series of short reviews of discs which should have been reviewed upon release but, for a number of unfortunate reasons (including at least one huge horrifying house-move) was not reviewed in what public servants like to call "a timely manner". This is the band's fourth full-length album.
The Black Tambourines. By god they’re good. Big, bastard, scratchy, messed-up, four-dollar bourbon, filled-ashtray rock’n’roll. I damn wish they were playing at my local, but folk used to say that about AC/DC and (the admittedly godawful) INXS and such musicians are now no longer lesser mortals like you and I, but ROCK-GODS.
The re-tooled line-up of The Dictators is touring Europe right now - on the back of a new single. Now billed as Dictators NYC, the band’s “Supply and Demand” b/w “Kick Out The Jams” is available as a limited edition 45 or download.
The new line-up formed five years ago without founding Dictators member Andy Shernoff and is Handsome Dick Manitoba (vocals), Ross “The Boss” Friedman (guitar), J.P. “Thunderbolt” Patterson (drums) and Dean Rispler (bass.) It’s the first studio recording by any form of the band in 15 years.
The A side was written by Handsome Dick Manitoba, Ross The Boss and Jake Manitoba and is backed by a live take on the MC5 nugget, recorded in San Francisco. You can order the digital download here and the seven-inch from label Striped Music here. And while on the subject of all things Dictators, an expanded edition of “Go Girl Crazy!” is in the wings. More info on that soon.