It's such an obvious idea that it's a wonder no-one issued this before. Thumbs up to Aztec for giving Wollongong's finest "the treatment" with a lavish double CD set covering all their early singles and EPs, along with their self-titled debut LP and the "Daddy Long Legs" CD single. It coincides with the band's reformation and return to bursts of gigging so it's all the more timely.
The portents were good. A reformed band, firing live and determined not to be a heritage act. Old burned bridges rebuilt. New songs. Reunited with the producer of their best-sounding work and taking the time to make sure they hit the mark in the studio. And they did. Make no mistake. This is Tumbleweed's best moment since 1995's "Galactanphonic" and it might even eclipse it.
Even though it's nothing like sleepy London Town there's still not more a lot more to do in financially-strapped Greece these days than sing in a rock and roll band. Even the olive trees are out of work. Bazooka hails from that place (Greece, not London) and plays a rumbling, surly brand of lo-fi rock and roll that sits perfectly in the formidable Slovenly Music stable.
It's like you'd never know there's some sort of golden age of music going on in Australia right now.
Compiler Geoff Ginsberg of Real O Mind Records nails it in the opening words of the liner notes when he observes that rock and roll is music for old people, made by old people. Not only is no-one appearing on this collection of 20 songs aged under 40, some have offspring who have been on the planet for longer than three decades. The clattering of canes and rattling of Zimmer frames never sounded so good.
It would be a pity if this release only hit the spot with Died Pretty fans and underground rock geek/collector scum historians because it’s deserving of better than that. The End was the first substantive band for Died Pretty guitarist Brett Myers and a handful of these songs (“Just Skin”, “This Reason”, “Through My Heart” and “Lost”) were later recorded by the latter group.
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