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- Written by: Edwin Garland
- Hits: 7577
Since, I was recently taken back by Suzie Stapleton’s compelling performance at the Bitter Sweet Kicks album launch Prince in St Kilda on Anzac Day, I did some searching. I found Suzie’s hypnotic and dark EP, “Obadi Diablo”, and it’s been on heavy airplay for more than two weeks. I contacted Ms Stapleton and requested a copy of her self-released debut EP of a few years back. Again, I was not to be disappointed.
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- Written by: The Barman
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Melbourne’s Bitter Sweet Kicks believe in the ethos of hitting hard and fast and then moving on. Each of their three releases to date has been a seven-track affair, long on dirty, high energy rock and roll and short on indulgences.
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- Written by: The Barman
- Hits: 7821

Their influences couldn’t be more obvious if they’d stamped the words: ‘AC/DC’, ‘Dictators’ and ‘Joan Jett’ on their heads with a branding iron. If you like this hard rock outfit from Arizona, the good news is that there are two more recent albums with which to assault your senses.
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- Written by: The Barman
- Hits: 5977
It’s been a long time since Garry Gray strode stages in Australia with a de-toothed chainsaw swinging at hip level as he fronted the psychodramatic Sacred Cowboys, so it’s reassuring to hear his menacing tones emanating from a studio again. This four-track EP is a taster to an album and measures up to expectations nicely.
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- Written by: The Barman
- Hits: 6463

Never underestimate rock and roll’s ability to look inwards, and backwards, to re-heat its own bones in an attempt to sound new. Cue Lonesome Shack, who hail, geographically if not spiritually, from the flanellete shirt and trucker cap American frontier of its North-West.
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- Written by: The Barman
- Hits: 9153
It seems a lifetime ago when the two great outposts of Sydney rock and roll were its northern and southern beaches. They were feeder tributaries to the inner-city and spawned bands like the Celibate Rifles and the Trilobites, to name just a couple.
The venues that were their spawning grounds have long closed down, the bands willing to play their own music thin on the ground. Only a hardy few are still willing to take a risk and make the swim up-stream.
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