Tote Hotel, Collingwood, VIC
Saturday, September 10, 2022
Hello Barflies. Some things don’t change. There's |still nothing finer in old Melbourne town than The Tote Hotel, Collingwood, packed full of like-minded punters with a single purpose of getting their rocks off. And let me say that this Saturday night was no exception.
X were exceptional. I mean, they were just so “on” and tight. And so fucking dirty sounding. Steve Lucas just ripping his guitar. Man. he hits those strings hard. What a sound! I was literally two metres away from the great man.
X were celebrating the 40th anniversary of the classic album, “X-Aspirations”, playing the whole album in running order. How good it was. “Suck Suck” just busted out of the house sound system. Which is where I found Steve wrestling with earlier in the night when I dropped by to pay my pre-gig respects. He and soundie Dazza were in a state, trying to figure out said system. Thank fuck they got it sorted. Onya Dazza .
Kim Volkman (bass) was flashing the coolest pair of shoes I've seen in many a good year. Simon The Drummer was playing his third gig with X and second with Kim. He bashed and crashed through, locking in with Kim as a rhythm section that sounded like they’d been playing together for years.
The night before the Woy Woy storm: Penny Ikinger at Marrickville Bowling Club.
After 150 days, the rain stopped. There was sunshine and it was a Sydney long weekend. Not sure how many built arks and were still floating along while I was driving north on the Pacific Highway to the coastal town of Woy Woy this sunny Sunday afternoon - on a tankful of $2.30 a litre petrol with just enough change to buy a chocolate milk.
The Link and Pin Café at Woy Woy has evolved into the coolest gig - and who would thought the birthplace of Spike Millikan would be a new home away from home for veterans of the Sydney Trade Union Club and Hopetoun Hotel?
And why not? It’s a 90-minute trip by train, road or by ferry across water. It is an adventure that many Sydneysiders are taking to see that anyone from local metal bands, to alternative darlings to Chad Morgan. The venue even launched the new line-up of the Hard-Ons. There is a vibe here and it’s run by hardcore music fans.
feedtime's Rick Johnson.
Marrickville Bowling Club, Sydney
Friday May 20, 2022
Having never seen either bands live back in the day, this was going to be an extra special night. The original gig was postponed from June 2021 and then January due to COVID and tonight it was going ahead. I have been a huge fan of feedtime for many years, owning their self titled album, “Shovel” and “Cooper S”, along with a couple of singles from back in the 80s.
It is not often that either band play gigs (Examplehead have a few coming up and are worth checking out) so this was a rare opportunity to see both bands.
Patti Smith and her Band
Tulsa, OK U.S.A.
Friday 6 May 2022
Patti Smith and her band were booked to play Cain's Ballroom as part of the Bob Dylan Center Grand Opening Celebration here in Tulsa, Oklahoma.
After visiting the Bob Dylan Center earlier in the day, she posted on Instagram that she'd be "Raising Cain at Cain's".
I saw The Patti Smith Group at Cain's back in 1978. It remains one of the greatest concerts that I've ever experienced.
"Execution Days, A Celebration of the Life and Music of Spencer P. Jones"
The Escape Committee
+ Adalita, Penny Ikinger, Sly Faulkner, Phil Gionfrido, Digger & The Pussycats,
The Pink Tiles, Claire Birchall, James McCann, Jules Sheldon, Foggy Notion,
Henry Hugo, The Last Gasp Horns
The Tote, Collingwood, Melbourne
Saturday 9 April, 2022
Photos by Michael Barry
Before we start, a disclaimer: I am a close personal friend of Patrick Emery, the author of "Execution Days: The Life and Times of Spencer P. Jones” and organiser of this gig. So therefore all objectivity is likely to be thrown out the window.
Patrick and I first saw the Beasts of Bourbon in a relatively small venue, Le Rox, in the city of Adelaide in early 1992. After the first few bars of the opening song, "Chase the Dragon", singer Tex Perkins kicked over the mic stand, the band abruptly stopped playing and Tex stormed off the stage headed towards the mixing desk. We were standing roughly in that area as he came charging in our direction and I was genuinely in fear that he was about to wreak some savagery upon us as part of the collateral damage of castigating the sound guy.
The Meanies. Nick Ramage photo.
Cull - The Band
Thursday, 14 April 2022
You can't fault this sort of gig. First, it was one of those where folks you'd not seen in ages (I hadn't seen Nick in something like 25 years, for example0 and it was the eve of the first day where we can mostly ditch masks, QR codes and “social” distancing.Needless to say, most of us ain't 22 anymore so a lot of us were increasingly (and occasionally entertainingly - like the chap who tried to set up his own circular mosh pit) quite successfully drunk.
On the stage were three bands which instantly grab your attention, hold it despite your need to go for a wee or get more Coopers Pale, and keep you hanging on till the end of their set.