Mark E. Smith - Barry Douglas photo
Seeing a band three nights in a row rather reminded me of when I used to see interstate bands like the Laughing Clowns play the Tivoli in Adelaide; how I afforded it I cannot really recall, but I never had enough to buy any drinks…
The Thursday night would usually be fairly sparse, the Friday a bigger crowd, and the Saturday the joint would be full to bursting. The Thursday and Friday I could usually dance without biffing into people, the Saturday night it would be too crowded up the front, which I spose is is why I think that anyone dancing extravagantly at a packed front of the stage is just rude (as it forces other folk away). Call me Mr Polite, then, go on.
Never was an LP title more prophetic: “The Wonderful and Frightening World of The Fall” was the band’s seventh album, released in 1984. Thirty years ago, The Fall looked like being about to “cross over” but … nope, after numerous minor hits, Mark E. Smith and his band has never had one in the Top 10. Perhaps that’s partly Mark’s idiosyncratic approach to recording, singing in a manner which either causes confusion or a swift twiddle of the knob.
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- By Robert Brokenmouth
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There are very few bands that could get away as a warm-up for The Fall. The last Australian tour I saw, it was Dave Graney. That worked, as he has the chalk on the boards, credibility and of a similar vintage. He has cynicism but it comes from a different place.
I missed tonight’s opening band. I heard they were good. The main support is Gold Class who assembled on stage with The Metro almost half-full.
The band is polite. They are pedestrian and they are safe. I am sure they have very good record collections. Suppose the fault lies with promoters. This band really would be ideal openers for Coldplay or New Order; certainly with the right audience they would excel. I would like to check them out again. I’m just not convinced about them at this stage.
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- By Edwin Garland
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It’s late in Adelaide, I got work tomorrow, and I didn’t expect to be writing this. So why am I?
When you’ve seen a band who so effortlessly lifts your spirits, who convince you that you matter, and that they give a damn for the people they’ve come several thousand miles to entertain; when you see that band put out truckloads of energy, effervescence, fizz and smarts, fronted by one of those extraordinary showmen who make it all look so damn easy you want to form your own band … yeah, well, I owe them.
Who?
The BellRays.
Never heard a song before tonight.
Mainstream entertainment world don’t know they exist. Across the road from The Gov is the Adelaide Entertainment Centre, lighting up the sky with a multicoloured display and one of those shifting electronic billboards advertising Neil Diamond, Elton John and Mrs Brown’s Boy and that Russell excrescence.
That’s where The BellRays should be playing. I once saw James Brown there. The BellRays may not be the same thing, but pound for pound they’re just as entertaining, and a damn sight more intimate and friendly.
Pic by Rick De Pizzol
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- By Robert Brokenmouth
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I missed the first band, but I’ve heard good things. I did catch The Pro Tools.
Led by the extraordinary Pete Howlett, ThePpro Tools hammer at you - they’re a lot of noisy, in-your-face fun; coupled with Howlett’s almost Dolls-esque behaviour.
“No-one flicks his hair with such elegant contempt as Johnny Thunders,” remarked fellow audience member Nazz Nassari tonight, in response to my observation that Howlett’s perfectly timed angry slash at his hair toward the end of their set expressed an eloquent contempt). I never saw Thunders, but Howlett has a sort of compressed loathing of his instrument, despite his dexterity and talent, as if somehow the instrument simply cannot do what Howlett wants it to. Therein lies part of the public persona/reality of the man.
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- By Robert Brokenmouth
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Jill Stokesberry photo
If I was to choose a Sydney venue for the launch of Anne McCue’s remarkable album Blue Sky Thinking, it would be the Django Bar.
I was aware of the venue upstairs, Camelot, as one of the better bars in Sydney’s inner-west for the last few years The Django bar is downstairs and it is everything Django. Django sculptures Django oil paintings, Django drawings - such a Django Rhineheart vibe.
I was so early for a gig (7.15pm) and already it is packed; I knew was a sell-out but this was so startling. Even at that time I was able find a seat way at the back of the venue with mid-‘70s Tom Waits footage on a large screen, blaring across the room. There seems to be big expectations for this show.
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- By Edwin Garland
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It was with great interest to learn that Girlschool were doing a tour of the U.S.A. Evidently, they haven't toured the U.S.A. in over 20 years. When I discovered that they were playing a date in Kansas City, I decided to go.
Girlschool are touring with Crucified Barbara from Sweden. There were also two other acts as support.
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- By Tom Couch
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Well, Boris in Adelaide on Sunday night were brilliant. Who are they?
Boris have been around since 1992, put out their first CD ‘single’ in ‘96, and have released 23 more LPs of their own songs (including three this year, and two last year) and 12 collaborative LPs, not including three collections of rarities and live material. They’re not huge in their home country of Japan, or indeed anywhere else, really. But those who know them cannot get enough and are total addicts.
I first heard them in 1996, when a mate, Paul, came back from Japan with “Absolutego”, put the bastard on and left it playing. After 45 minutes, and my third “Paul, which track is this..?” I got the same answer: “Oh, still the first one.” I demanded to see the disc. The song went for over an hour, and was (and is) fabulous. Lots of changes, altered states, tempo alterations…the lot. It’s like a long LP which keeps returning to its central theme which, not speaking Japanese, I have no idea of whatsoever. But you keep returning to it.
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- By Robert Brokenmouth
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Speak to Austin natives and not all will have heard of Roky Erickson – not your average man-in-the-street at any rate - but by having a few decent conversation with various Austin locals, commonalities begin to emerge. Everyone will have either seen a UFO first-hand or have a close friend or relative that has, including a 40-acre behemoth that buzzed the ranch of one, G.W.Bush, just a few years ago.
Austinites love Beer, UFOs, Barbeques, Guns and…..MUSIC. Just as Sydney is the home of the world’s best Detroit music, Austin then, is the Global Capital of Psychedelia – thanks to seminal legends the Thirteenth Floor Elevators!
Enter Psych Fest, an ostensibly alternative/independent festival that debuted in 2008, and was reportedly instigated to some degree by local psychedelic outfit, the Black Angels. Held over three days, it has since grown to accommodate even more local talent, as well as swelling to include many top-notch overseas acts. This year’s line-up reads like a who’s who of altered consciousness – Tame Impala, Jesus and Mary Chain and Primal Scream were three of the previous evenings’ acts.
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- By Steve Abrahall
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Hugo Race makes a point
Adelaide's Wheatsheaf Hotel (aka the Wheaty) is one of those modernised, forgotten pubs with pricey but excellent wines and beers. Local families bring their kids and they run amuck.
There is a beer garden, but few people smoke (which I can’t understand). Coffee and hot chocolates are available at the bar. There are no pokies and no ATM (you withdraw at the bar). They have exhibitions of art, photography, hairdressing and whisky tasting.
The back room (where bands play) is essentially a newish tin shed with a ceiling, lights, formica tables and period chairs, and everyone squashes in somehow.
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- By Robert Brokenmouth
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More Articles …
- Leadfinger with Soberphobia, the C-Bombs, The Toss, Drunky Blunders and Ben Gel & the Boneyard Saints in Adelaide
- Javier Escovedo, BP Fallon & Churchwood at SXSW
- Sunnyboys with the Riptides and New Christs in Sydney
- Blow The Bloody Doors Off in Adelaide
- The Pop Group live in Adelaide
- The Who’s Tommy at the Adelaide Fringe Festival
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