- Details
- By Robert Brokenmouth
- Hits: 13024
Well, there are a lot of crappy rock books. This is brilliant, however.
We could start with the book’s blurb:
“‘The One & Only’ is a roller-coaster ride through one of rock’s wildest, most unpredictable careers. Granted full access to the reclusive Perrett and everyone who matters in his story, Antonia unflinchingly traces his path from privileged childhood to drug dealer; from musical obscurity to decadent rock icon submerged in narcotic slumbers in an antique-filled mansion... before the dream spectacularly fell apart. The story of The Only Ones became an industry by-word for how not to succeed in the record business; yet the music, along with the allure of Perrett’s mysterious persona, has endured… Despite the casualties that careen through these pages, including Johnny Thunders and Sid Vicious - Perrett played with both - this is ultimately a story of redemption and rebirth.”
And, frankly, that lot should be reasons sufficient for any self-respecting rock’n’roller to pick this one up, pay at the counter, and scurry home, nose and eyes down. Apart from that, if you own the Johnny Thunders’ album, "So Alone", but no Only Ones, you have a little Perrett in your collection.
- Details
- By The Barman
- Hits: 8712
After nearly 40 years in the music industry, you can excuse Steve Kilbey for forgetting a few things. The lack of detail is the only real quibble with what’s one of the best Oz music reads of the last few years.
I approached this book with mixed feelings. Kilbey has a reputation for being a bit of a narcissist. The Church’s music is hit or miss for me - which is to say I left them alone after their first two albums, dipped back in at “Starfish” and walked away after the stodgy “Gold Afternoon Fix”, with only occasional revisits. So this was a book to be read from a position of not having much skin in the game.
Then I got sucked into the whole melodramatic, up-and-own, self-destructive and ultimately self-redeeming saga, and warmed to Kilbey’s flawed and fallible ways. I consumed “Something Quite Perculiar” in a couple of satisfying gulps.
- Details
- By The Barman
- Hits: 9101
You can’t half tell the folks at Unbelievably Bad zine are Hard-Ons fans. So is anyone with a modicum of taste. So this edition of UB should sell its arse off. It’s wall-to-wall Hard-Ons. More Hard-Ons, in fact, than the US Navy on shore leave after six months at sea.
- Details
- By The Barman
- Hits: 11128
Call me biased and armed with far too much hindsight for my own good, but for a brief time in the late ‘60s and early ‘70s, Detroit was the lesser-known but undeniable epicentre of genuine rock and roll. The music industry, as it was, might have had its moneyed roots deeply planted on America’s East and West Coasts, but the real action was occurring deep in the US Midwest.
Sure, there was Motown and its over-ground success that eventually shifted to L.A. to mutate and die but we’re talking a parallel universe here that was populated by a different cast of characters plying a blue-collar strain of music. It’s an eternal truism that musical scenes never last. The Motor City’s rock and roll had its moment but succumbed to fashion, drugs, shifting attention spans – whatever factors play to your own historical biases – and has never recovered.
- Details
- By The Barman
- Hits: 8003
There’s barely been time for a dog’s fart to clear since the last issue hit the post box so hopefully that’s a sign of life in the Unbelievably Bad camp.
- Details
- By Shaun C. Duncan with interjections from Robert Brokenmouth
- Hits: 243
Boris in full flight (with Merzbow lurking far left).
"The Molly Fet Circuit Catches Boris at the Adelaide Festival"
Hindley Street Music Hall, Adelaide
Thursday, February 26, 2026
By Shaun C. Duncan
(with photos and intrusions by Robert Brokenmouth)
It must have been satisfying to curate an arts festival back in the bad old days when luvvies held the whip hand, when they could simply TELL the great unwashed what was good - and damn them if they didn’t agree.
Indeed, the fact that no-one showed up to see your revisionist production of “A Doll’s House”, performed by an all-female troupe of Inuit puppeteers was proof of its worth because we all know the plebs are ignorant slobs anyway.
Better yet, if the proles complained that you’re wasting taxpayers money, then you could dine out for weeks on your coveted status of being “controversial” because we all know the point of ART is to offend the sensibilities of those footing the bill for it.
[Brokenmouth interjects: my understanding was that in the earlier years of the Festival (and Fringe) the events were usually packed ... but, by the mid-80s there was definitely a "here come the Festival 'controversies'" ritual - controversies over things which wouldn't be controversial without 'The Agoniser' telling us they were controversial.]
[Shaun continues]:
I’m sure it was a good grift while it lasted, but the Global Financial Crisis of 2008 and the era of austerity changed all that: bums on seats became the order of the day and the festivals have been forced to cast their nets a little wider – not TOO wide, mind you – in search of people who will actually PAY for culture, and in this day and age there’s virtually one demographic left: middle-aged record snobs.
- Details
- By Robert Brokenmouth
- Hits: 237
The Tiger Lillies
Adelaide Festival
Her Majesty's Theatre, Adelaide
Thursday, March 5, 2026
Promoting their current album “Serenade from the Sewer”, British punk trio The Tiger Lillies come to Adelaide courtesy of the Adelaide Festival. It's a delight to see such a high quality act play in such a lovely setting (the revamped Maj is wonderful in the theatre part, but boy, is the downstairs section kinda shit and unwelcome-y or what?).
There is a lot of guff written about The Tiger Lillies, and since this is my first time seeing them, I'm going to add to it.
But first, if you've not seen them before, go. You simply must see them.
If you have seen them before, go again. Also, buy a handful of tickets, give them to friends, relatives, strangers. And go again and again.
Because: they're extremely good at what they do, they're involving, moving, entertaining, and super-real. Context: this talented mad bastard, Martyn Jacques, has been doing The Tiger Lillies with several equally talented mad bastards, So think - are you ready?
- Details
- By The Barman
- Hits: 2727
“Black Milk 35th Anniversary”
The Beasts
with guests Rob Younger, Hellen Rose, Richie Weed & John Schofield
+ The Johnnys
+ Richie Weed and The Strays
+ Unsound
The Factory Theatre, Marrickvile, NSW
Friday, December 12, 2025
Words & Pictures: THE BARMAN
When the definitive mainstream version of the history of Australian rock and roll finally is penned, the Beasts of Bourbon are unlikely to get their dues. History is written by the victors and its telling needs to be simplistic if it’s to have the desired effect of "moving units".
I once shopped a manuscript of a Radio Birdman member (no, not Chris) to a bunch of publishers to be told by one of the biggies that they saw no market for it because the band’s fans couldn’t read.
Despite dancing with a broad audience in the early ‘90s, the Beasts of Bourbon narrative is just too convoluted, edgy and unconventional to suit straight publishers. Not that this need be a deterrent to enlightened ones.
First responders with a serve of old time Oz punk? Fuck The Neighbours finds its feet in The MoshPit
- Details
- By Geoffrey Datson
- Hits: 1322
Fuck The Neighbours leader Simon Chainsaw.
Fuck The Neighbours
+ The Molly Fet Circuit
MoshPit Bar, St Peters, NSW
WORDS: Geoffrey Datson
IMAGES: The Barman
There was some confusion, so I’m arriving at the bright Saturday afternoon gig late.
Into the long dark venue.
It seemed there’d been some mishap?
A first responder with a head torch on is stumbling through debris, where the stage used to be.
- The Big D gets his Soft 'n' Sexy Sound on at The Gov
- Phoenix rising at Lazy Thinking and guess who's the Belle of the ball
- The Gin Palace soars before Swaggerland puts iceing on the collaborative cake
- Tick Tick Boom! Swedish royalty puts the rock back into midweek Sydney
- A night with a legend and an emergent star
- John Cale remains very much in the present
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The Living Eye
Michael Plater
Sydney Tour
MAR
19 - Sapphos Books, Cafe, and Bar, Glebe (7pm)
+ Trappist Afterland + Geoff Towner
20 - Butcher's Brew Bar, Dulwich Hill
+ Matt Malone & The Holy Spirits
21 - Gasoline Pony, Marrickville
w/ Dave Favours & The Roadside Ashes (single launch)
+ Matt Malone & The Holy Spirits
22 – Moshpit, St Peters (4pm)
+ bleedingintoradio + Matt Malone & The Holy Spirits
I-94 Bar presents
"Lost In Marrickvile"
The On & Ons + Jupiter 5
+ The Frequent Flyers
185 Bar, Marrickville
- Mar 20
I-94 Bar presents
Sacred Cowboys
"In The Manifesto" Album Launches
+ ZZG
Smiths Alternative, Canberra, ACT
- Apr 17
Tickets
+ Belle Phoenix
+ Peter Ross & The Sapphire
Marrickville Bowling Club, NSW
- Apr 18
Tickets
On The Loose Presents
Guitar Wolf Australian Tour
MAR
14 - Perth, Seasonal Brewing Co.
15 - Fremantle, The Buffalo Club
all WA shows with Aborted Tortoise
18 - Gold Coast, Vinnie's Dive Bar
w/ supports TBC
19 - Nambour, The Ramp
w/ supports TBC
20 - Brisbane, Season Three
w/ Future Shocks & Evil Dick Industries
21 - Sydney, Factory Fusebox
w/ supports TBC
22 - Wollongong, La La La's
w/ Itchy & the Nits
25 - Bendigo, Trash Cult
w/ supports TBC
26 - Castlemaine, Bridge Hotel
w/ The Freedom Wave
27 - Melbourne, The Tote
w/ Alien Nosejob & Cujo
28 - Frankston, Singing Bird
w/ Split System & DJ Centipede & The Worms
29 - Balnarring, Social Club
w/ Cry Cyclops
Tickets
“Surreal Science”
Music of the Scientists
&
Kim Salmon
and The Surrealists
APR
10 – The Corner, Melbourne
Tickets
11 – Oxford Art Factory, Sydney
Tickets
18 – Rosemount Hotel, Perth, WA
Tickets
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01 March 2026
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28 February 2026
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25 February 2026