
- Details
- By Robert Brokenmouth
- Hits: 8251

The Gov, Adelaide, Friday, September 6, 2013
So hi de ho to the Gov once more, the Crystal Ballroom of the modern age. Well, no, not really but we can pretend.
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- By Robert Brokenmouth
- Hits: 5746
The Metropolitan Hotel, Adelaide, September 22, 2013
There is a likelihood I will offend during this review. If I do, I apologise in advance, to the bands and to I94bar, and to The Dark Lord Barman. Particularly as I am going to delve into that dreadful area of 'journo advising a band how to improve'.
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- By Robert Brokenmouth
- Hits: 15433
3D Radio, Adelaide, October 27, 2013
There was always only one gig for me in Adelaide this week, and it wasn't a gig. We were lucky enough to be among the few watching Grong Grong play live to air on 3D Radio last night.
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- By Edwin Garland
- Hits: 7447
Tom Verlaine turns on Television.
The Palais & The Prince of Wales, St Kilda, Melbourne, October 26, 2013
I have a lot time for the All Tomorrows Parties as a festival, it is ultra-cool. Awesome vibe. In fact, my festival going was a dim memory since the late Nineties until the ATP Sydney Cockatoo Island of a few years ago. It a lineup of was The Saints, Rowland S. Howard and Bad Seeds. No brainer really, It was an awesome day. Nor, was it a no brainer to get down to Melbourne for another dose of ATP with a lineup that included Jesus Lizard, Television, Scientists, Breeders and the Roland S Howard tribute Pop Crimes.
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- By The Barman
- Hits: 8600

Enmore Theatre, Wednesday, October 30, 2013
Restraint is not often a by-word around these parts but let’s at least try to keep some perspective. A visit to Australia by Television seemed unlikely, if not an absurd proposition, just a few years ago. The band was scarcely active, Richard Lloyd having had long flown the coop, and Tom Verlaine had let a label issue two mothballed solo records that were barely promoted. It seemed if the TV hadn’t been turned off it was in storage and in danger of being forgotten.
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- By Robert Brokenmouth
- Hits: 5413

The Metropolitan Hotel, Adelaide - September 27, 2013
Tonight was a passionate night of balance, power, and space. Each group told us stories, ran films in our heads.
The streets are empty. Empty as in, it's Tuesday night. Except it's Friday night. Where is everyone?
Just the previous night, the suburbs decanted some 10,000 to land like a torrent of ants in Adelaide's great dome of the popular people's front to see Rihanna, who is, I am told, a superstar. From overseas.
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- By The Barman
- Hits: 7190
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Annandale Hotel - August 1, 2006
If you don't like slobbering, breathless gushes, leave now. OK? I've already copped a broadside from someone about one review of a gig this week - and the fucker wasn't even at the show - but here goes...
What an in-fucking-credibly amazing show. Just about the best thing I've seen this year. The Stooges beats it (although that was surreal an experience I'm still not sure it happened). Soulful, rocking, energetic and dynamic. Perfectly paced and a testimony to a band at the peak of its considerable powers. Cruisey and light at the get go, it shaped as a righteously loud and grooving way to ease us all through a Tuesday night.
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- By Robert Brokenmouth
- Hits: 7341

Wheatsheaf Hotel, Thebarton, Australia - June 22 and 23, 2013
My dad used to say that nothing was free. There's always a catch. There's a reason that nice man on the street is giving away Bibles, Robert.
He was right, of course. Those free music magazines you pick up for the what's on this weekend guide, the reviews of pub food, new beers and pricey wine, they make their living from the adverts. Stop putting in the stuff that the people with money to spend want to see and they'll stop bending at the creaky knees to pick it up. And the advertisers start to wonder why they're paying four or five hundred bucks a week. Self-evident, yeah? You don't change a money-making formula unless you can make more.
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- By Edwin Garland
- Hits: 8208
"A Complete Unknown"
Directed by James Mangold
Screenplay by James Mangold and Jay Cocks
New York City was Ground Zero for many of the significant 20th Century cultural upheavals, notable events and musical movements that exploded over the course of a few decades.
The late '40s brought on The Beat Generation of William Burroughs and Gregory Corso. The smoky jazz clubs spawned Dizzy Gillespie, Miles Davis, Charlie Parker and later John Coltrane who were smashing down the walls down and redefining music, in particular jazz.
A bit over two decades later, Max's Kansas City and CBGB gave rise to Patti Smith, Blondie, Ramones and Television, off the back of The Factory scene with the Velvet Underground.
It was late 1950's that birthed a folk movement in small coffee shops in and around New York City's East Village, with characters like Rambling Jack Elliott and Pete Seeger. Accoustic folk music, with its roots with The Carter Family and acoustic blues from the cottonfields and The Dustbowl, took root with intellectuals and hip kids from inner-city university campuses. The songs became anthems for the labour movement and civil rights activists - In particular the music of Woody Guthrie.
The USA was exploding with a new sense of wildness and free thinking embodied in new art movements. It was also a time when classic older bluesman like Son House and John lee Hooker, ignored and working hand-to-mouth shit jobs, were discovered by a new hip, young and white audience.
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Artifacts and reviews from days gone by.
