Let’s resist the cliched temptation to wax lyrical about something something mysterious in the water content in Perth, Australia, producing peerless pop-rock music. It’s been done to death and Swan Lager was more likely the culprit.
The Stanleys (or the two principals) hail from that most isolated of state capital cities but make music that could have come from anywhere on the globe where there’s a love of harmonies, big guitars and sharp hooks.
Here’s a band that, for once, has done things the other way round. Meaning, they’ve played hundreds of shows since 2011 but have only released their debut album now. This is not the done thing in these times of manufactured pop and inspid TV talent shows.
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- By The Barman
- Hits: 5180
Sounding every bit like a band born out of time, The Favourites have released their debut album - 40 years after they expired.
Throw your mind back to 1977-79 (pretend, if you weren’t born) and think about the music de jour in the UK. Punk? Ska? New Wave? It sure wasn’t Power Pop. What was around used the descriptor New Wave and was at the mercy of the notoriously fickle UK music media. So-called provincial bands (not based in London) had their work cut out.
The Favourites grew out of two Nottingham bands, the DTs and Plummet Airlines, the latter signed to Stiff Records. Their two-and-a-bit-year existence was peppered by recording sessions and live work, and they shared stages with Squeeze, The Rich Kids and The Only Ones.
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- By The Barman
- Hits: 4610
Here’s the thing with pop music - at least for me and probably for many of you, too. First impressions count for a lot; I'm impatient. And the initial take-out from a spin of “Electric Trails From Nowhere” was how grown up the music sounded.
For two reasons. As the bio says, “Electric Trails” is the output of a 30-year songwriting partnership between Ian Freeman and Jeff Baker, the Melbourne-via-Perth principal members of The Golden Rail. The other factor is that The Golden Rail sounds like none of the music that passes for “contemporary pop” in 2017.
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- By The Barman
- Hits: 6619
Young Melbourne Indie band Big League have released their first album, “I Thought Thunderbolt”. What the fuck that title means is anybody’s guess, but it doesn’t matter when the music speaks for itself.
The follow-up to “The Dandy Hub” EP is a joy; good pop songs, fuzz guitars and trong song-writing. It’s sure to get airplay on enlightened Melbourne community radio stations like PBS and Triple R.
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- By Ronald Brown
- Hits: 4971
These boys come outta the blocks right at your face and do their best to tear it off. So you’re dancing like a middle-aged dickhead in the living room (or I am, anyway), loving the sharp, smart changes, the handclaps, the groove, the bounce and bluster.
Given the band and the song this website is named for (it's not Pinky and Perky, nor New Order, nor The Smiths. Give up..?) it’s almost a no-brainer that you’d probably enjoy “The Sonic Race” EP.
In fact, I’d say this: if you’d never heard Birdman, MC5, Stooges, Dictators or the Dolls … or anyone like them, and you heard The Sonic Race… you would go out and buy an instrument and learn how to play it, and drag people in until you could all go out and play like demons and lay waste the countryside.
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- By Robert Brokenmouth
- Hits: 4822
McCubbin & Kay had me before the LP was half-way through Side A. Such a deeply romantic, real record, the songs are so well-constructed, so relaxed in their delivery that you just fall into that trap anyway, also you end up applying the words to your own life… And it gets better… you know how some LPs absolutely nail an emotion, or a period you went through?
No?
Well, you haven’t lived much, is all I can say. I mean, you don’t have to play this one at 1am … though that would be a perfect time, and I will be doing just that fairly shortly. Mind you, pretty much anytime is perfect for "Where Once There Was a Fire".
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- By Robert Brokenmouth
- Hits: 5107
This is rated seven bottles. These fuckers (a reformed Sydney band from the '80s) have no right being this good.
Blue Oyster Cult? Yeah!
MC5? Yeah!!
Iggy? OH SHIT YEAH!
Well, that’s my job done then. That’ll be $500 bucks in used tenners in a brown paper bag.
[silence]
[crickets chirping]
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- By Robert Brokenmouth
- Hits: 4965
The second release from Melbourne's The Heartache State - the band formed by Southpaw's Justin Garner and much-travelled Nick Barker - has been something to look forward to for a long time. The good news is that there’s no disappointment to be found on "Last Of The Buffalo".
The first self-titled album was a couple of years back and a fine thing it was too, but this time The Heartache State has lifted it a few notches with 10 tracks of hard, swaggering Aussie pub rock.
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- By Geoff Cahir
- Hits: 3130
Drone and fuzz are the base ingredients in this psychedelic stew from Sydney four-piece Gridning Eyes. The sound is thunderous and heavy in the mid-range, with no compromise to melody. Delicate harmonies are in short supply.
Grinding Eyes have been around for three years and have two singles on prodigious boutique Brisbane label Tym Records. This is their long player debut (on CD through Off The Hip) and it’s an exacting but rewarding trip
Recorded by Owen Pengilis (Straight Arrows), and mixed (in France) and mastered (in Detroit) by sonic wizard Jim Diamond, these are nine songs of dark, relentless assault.
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- By The Barman
- Hits: 7555
More Articles …
- Libertatia - The Deadvikings (Savage Magic Records)
- Seizure Salad - Juliette Seizure & The Tremor Dolls (Off The Hip)
- Pleasure Maps - Sand Pebbles (Kasumen Records)
- Spit You Out Like Revenue - Dr Bombay (self released)
- Dislocation - The Primevals (Triple Wide)
- Eyes Ninety - Eyes Ninety (Swashbuckling Hobo)
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Artifacts and reviews from days gone by.
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