There’s no chance of mistaking this for a prog rock epic or a pompous concept album. None of its songe figire on the "Bohemian Rhapsody" soundtrack. Eyes Ninety play unadorned, garage rock and roll. Two guitars, bass and drums. Tight when it has to be, looser and ragged when they feel like it. Which is quite a bit.
Music is so often a product of its geography and Eyes Ninety are from Brisbane. Now, lots of people talk about the Brisbane underground scene - and most of them are from Brisbane. If you don’t come from there, you should visit more often.
For all the constraints of being an Australian capital city, Brisbane rock and roll doesn’t do too badly with its music. There’s a supportive local radio station (4ZZZ), functioning record labels (Swashbuckling Hobo being one) and a reasonable range of venues. What’s more, the bands in Brisbane don’t feel obliged to stick to any formula.
Cue, Eyes Ninety. For a so-called garage band, they sure mix it up. They get all broody and (dare say) post-punk on “Iceberg Syndrome” while “Laminated Beams” is hooky, edgy and fast. “Another Dimension” hangs off a meandering lead guitar line. “Spinning” is discordant, unnerving and equally catchy. “Lost Sunnies” packs a wallop. And that’s just side one.