kbd - The I-94 Bar
Once upon a time, in the relatively genteel state of Virginia, there was a self-destructive punk rock band called The Candy Snatchers. Named after a trashy crime flick, they spilt beer and bled all over American stages before their guitarist prematurely shuffled off this mortal coil a decade ago, and they promptly fell apart.
L.A.-based The Ringleaders have Larry May of The Candy Snatchers on vocals and for that reason, among others, you need to pay attention.
The rest of the band – Hans Molnar (the Hellbenders) on guitar with Tim Bender (Death by Stereo) on drums and Mark Ho (Hollywood Hate) on bass – are similarly well-credentialed. Fully cranked, they sound like they’re heading to Hell in a Honda while out of their heads on glue.
Loathing, Self And Others – Moot (self released)
They’re from Mid Coast New South Wales (that's be north of Newcastle) and this seven-song CD is as old school protopunk as you’re going to find in those parts - or almost anywhere else these days. Moot don’t tell it like it is as much as speak it as it should be. In other words, their language is straight-up, rocking and simple.
Record Collector Scum call this sound KBD (“Killed By Death”) after the ‘80s bootleg series of the same name that documented the burgeoning American punk scene. Most of it was uncompromising, politically charged and energetic, but with a sense of musicality. Moot has it nailed but they pack their punch in a variety of stylistic gloves and add a decent whack of Aussie sarcasm for good measure.
This Newport, Kentucky, band lived its first life deep in the American Midwest from 1983-87 and has reformed sporadically since. One of the “Killed By Death” outfits - so-called because a series of bootlegs using that title gave them and scores of others fleeting fame outside their own backyards - they’ve issued this three-tracker CD single as a precursor to a retrospective album.
On the strength of “Resuscitation” they could just as easily make it all-new material. This stuff burns like a clear-headed version of the Heartbreakers, although without the same swing. The licks make it obvious where guitarist Donny “Tex” Watson is coming from, even if his feet are planted on the ground, rather than skidding all over the stage like the late Johnny Genzales.