ME 262 - The I-94 Bar
It’s a bill to have fans of lysergic acid punk or Sydney-via-Detroit Funhouse jams reaching into the cupboard for their leather jackets and Cuban heeled boots, when the Green Spiders pair with the long, lost ME-262 for one gig only at Marrickville Bowling Club on September 28.
The Green Spiders come from the DNA of the Lime Spiders, Adolphus and The Most – all staples of the Strawberry Hills-Sydney Trade Union Club circuit in Sydney in the early ‘80s. They play the songs of the Lime Spiders that Green Spiders members penned.
Lime Spiders members Ged Corben (guitar), Tony Bambach (bass) and Tom Corben (drums) are joined by Ripley Hood (Mushroom Planet) on vocals to deliver a potent parade of hard rock and ‘60s punk gems.
Some 37 years after they last strode a Sydney stage, ME-262 are reforming to play this one show.
Comprising teenagers Mark Roxburgh, Andy Newman, Tony Gibson (one of the best guitarists of the era) and drummer Alan Marr, ME-262 (also known as Trans 262 and not to be confused with MEO-245) could be seen regularly around inner-city Sydney in the post-Radio Birdman years of 1979-82.
Heavily influenced by Birdman and The Visitors they played support spots to Sunnyboys, New Race and dozens of others. issuing an EP before fading away to form, or join, other bands like Decline of the Reptiles, Chris Masuak’s North 40, the Visitors and the Deniz Tek Group.
This show will draw from the band’s posthumous 2017 compilation "Original 7” Tracks/Demos" on boutique label Buttercup, which comprised their EP tracks and other songs drawn from a recording session with Rob Younger.
Th Green Spiders and ME-262 will be joined by a mystery band drawn form a range of bands from the Sydney underground of the late '80s and '90s. Tickets are on sale hereat a special early bird price.
Top 10 not in any order:
1) White Stripes –Vault #33 Icky Thump X
Third Man Records Vault only release, 10 year anniversary edition. Includes a wacko coloured vinyl re-press of the double album plus two bonus albums containing all the non-album b-sides and the full demos housed in a way out box. The demos are furious ! Only released for a few months via Third Man Records.
2) Shy Impostors CD (maxi EP/mini album CD)
Unleashed by those God-loving folks at Citadel Records. Seven demos recorded 1980 and now finally after a loving re-mix by Jason Blackwell sound truly fab. The songs, vocals and rough as guts musicianship by these proto legends are gold. Melodic and dirty.
3) Buffalo Revisited gig at Brewtality Festival in Melbourne
Is it truly an honour for me after being a Buffalo fan since 1974 to be playing with their mighty vocalist Dave Tice with some fellow Buffalo maniacs (Troy and Marcus). And to be playing those great songs (a mind melt to learn btw). We hit our cosmic groove at the Brewtality Festival in Melbourne; more to come for sure.
The Celebrity Roadie informs The Barman that he can't go out in public like that. As usual, he's ignored. Kyleigh Pitcher photo.
This is a Top Ten of two parts. First, live gigs, and second, albums. You know. Second part, different from the first.The rule of not reviewing my own gigs goes right out the door from the get-go. Got an issue with that? See you in the carpark...
Chris Masuak and the Sydney City Wave Riders:
This was a sensational run of shows- a mini-tour in and around Sydney because that’s all that time allowed - by Klondike and his crack band of Tony Bambach (bass) and Stuart Wilson (drums). Great players, top blokes. Armed with a killer setlist drawing on most of Chris’s back catalogue, the guys fired from the get go. Many of the versions surpassed the originals with Maz playing two guitar parts, as few people can. The shows blew away much of the skullduggery and malakarey involved with certain ghosts from the recent past.
HITS at Marrickville Bowlo
You can’t keep playing the same old songs or you’ll get staid and there’s no sign of HITS doing that just yet. Members are now scattered the length of the East Coast so it can’t be easy getting together…or maybe that’s a blessing in disguise because it keeps things fresh. They continue to be THE Aussie band to follow.
Most serious musicians would have an aneurysm if someone wanted to release recordings from their callow youth. They’ll tell you they’ve been hidden in a sock drawer for 40 years for good reason, and that demo recordings are just that.
Of course, people with OCD, completists and the truly curious and/or obsessed - and any or all of these descriptors could apply to most of us - vehemently disagree. This release from the amazing Buttercup Records label in Melbourne satisfies our shared jones.