meatbeaters - The I-94 Bar
I don't follow hardly anything new anymore. I turned 30 this year so my opinion probably isn't as relevant as it used to be. But here we go anyway. Until next year, your friend, James S. Doyle.
10. Hall and Oates- “Timeless Classics” (compilation)
Where should we start? The Dune Rats? Violent Soho? Clowns? No, lets just skip the popular upper-middle class bro-rock of 2017 and go straight to the heart of rock n roll. Re-packaged compilations that come out just in time for Christmas $10 bins.
If you are looking for a starting point for your Hall and Oates collection, this may as well be it. “Maneater” “You Make My dreams” “Rich Girl”.. they are all here, plus deeper cuts such as “She’s Gone” and “Sara Smile”. A must for fans of Philly Grindcore.
9. The Afghan Whigs- In Spades (album)
I nearly forgot about this one. One of the rare cases of a band that goes away for a long time then somehow comes back better than they used to be. I would describe this album as "sad, yet gangsta AF" The internet says that this album has "generally favourble reviews" and I tend to agree with that also.
My top 10 albums for 2017 - and a cheeky top 5 EPs chucked in there, too.
Control Freaks - "Mindless Entertainment"
Powerline Sneakers - "Disasterpiece"
Hana & Jessie Lee’s Bad Habits - "Southlands"
Meatbeaters - "Wrong Side Of Yesterday"
Sheer Mag - "Need To Feel Your Love"
Cyanide Pills - "Sliced & Diced"
The Hormones - "Legendary Junk"
Stiff Richards - "S/T"
The Molting Vultures - "Crowd Surfing With The Molting Vultures"
The Uglies - "Keeping Up With The Uglies"
Control Freaks - "Don’t Mess With Jessica"
Les Lullies - "Don’t Look Twice"
The Cavemen - "Dog On A Chain"
Control Freaks - "No Action"
The Fadeaways - "Kicks & Chicks"
Juliette Seizure & The Tremor Dolls on Facebook
The Top 10 People I Love In RocknRoll That Make Me Love People In RocknRoll (2017 Edition)
1. Shannon Cannon
Shannon is an A1 World Class Top Shelf Human. She is somehow simultaneously all ticker, all smarts, all love, all staunchness, all practicality and logic yet all compassion and instinct. That kinda mix just don't happen often.
From her borderline illegal and harmful practical jokes on idiots she works with to her endless efforts and love to rehabilitate her dear daschund Bruce to walk again against all odds and massive financial hurdles, she is a wave crossing the full spectrum of traits of inspiring people.
Shannon takes this all into her music, I've seen it get pummelled outta her on stage playing bass like a war machine, I've seen it in the drive and focus with which she has forged Juliette Seizure and the Tremor Dolls (incidentally the majority of which are honourable mentions for this top 10), and I've seen it in the difficult, taxing and uncomfortable work she does/has done to earn money to fund music. I've seen it in the minimal twitch of her eye in place of a fist to the cock that she chose to use to respond to a dear and misguided friend of mine's amazement at her wearing a Dictators shirt ("a chick! Wearing a Dictators shirt!"). Shannon is the real deal whatever the hell that means to any of us.
Honourable Mention: Tremor Doll Graeme Cole (happiest man in rocknroll) and of course Bruce.
Paying attention? This album by a band from local serial killer capital Adelaide that hardly anyone outside Australia will have heard of celebrates obscene volume, filthy guitar sounds and a blaring bottom end. For these reasons alone, you should love it.
Clocking in at eight songs, it's a mini-album or an EP, but the brevity of "Crusty Seamen" won't be a problem if you play it back to back a few times. It might be the best 30 minutes you've spent since you pushed Aunt Maude into the pool and sat on the side with your foot on her head. Meatbeaters take a piece of four-by-two to rock's flabby arse on "Crusty Seamen" and smack it into next week.
Northern New South Wales’s favorite little all-day rock-fest MAZSTOCK will be returning.
This year's show goes back to the Lismore Italo Club on Saturday, May 16, and will showcase some of the best local and interstate rock and punk bands.
The day will be headlined by Sydney rockers Front End Loader, whose rare Lismore appearance will surely make this a Mazstock to remember.
Also making the trip north will be Australia’s favourite pair of pisshead-yob rockers, Adelaide’s The Meatbeaters and Canberra’s The Vee Bees. Joining the the shenanigans will be Wollongong’s BRUCE! and Sydney’s The Dunhill Blues.
The Gov, Adelaide. Friday, April 12 2019
Photos by Somnambulist Dillinger
The morning after the night before I'm trying to make sense of it. My ears are still hissing like a grumpy king brown, so I guess it's time I used earplugs at gigs.
Here's a question for you. What does Angry Anderson, rough'n'tough rock'n'roller, taste like?
I'll come back to this.
Hey, this kicks ass, these guys are really stoopid and really good. There's a fuckin' excellent balance here; they have TONS of Australian attitude (a la Cosmic Psychos, Onyas), mainly in the lyrics. And, musically, they run right over Motorhead - but in their own car (they're not just copycats).
This marriage of the Kings of Aussie Grog Rock fits like a proctologist’s finger in your bum. The Vee Bees serve up four high-speed hammerings of dubious lyrical content like “Never Miss The Bowl”, while The Meatbeaters come up with two slabs of particular intensity characterised by stinging guitar.
It’s not just the ripper cover of “Bomber” that summons up a Motorhead comparison but more on that later. This is Album Number Four for Adelaide’s Meatbeaters and it’s their best to date.
Meatbeaters are in a cohort of Aussie bands that you can classify as Yob Rock. Cosmic Psychos, the VeeBees, The Onyas and Shrewms all play it fast and aggressively with no concession to multiple chords or lyrical niceties. They also share a gutter-level sense of humour.