Not really a vinyl 7"but CD-singles are so rare these days that it had to find a home in the Singles Bar. This hard-edged Brisbane guitar band with a psychedelic edge kicks serious arse.
new - The I-94 Bar
Say what? There's another garage band with fuzz and Hammond B3 on the shelves? West Australiab band The New Invincibles aren't so much new - they've been around since Dirk Hartog was in training clogs - but they manage to sound fresh. And there's the rub, boys and ghouls.
Tags are annoying to most musicians but even James McCann must acknowledge he gets to wear the ‘veteran’ badge when he arrives at the company Xmas party by now. There at the earliest days of The Drones and Nunchukka Superfly, he’s been one of those “best kept secret” solo artists Australia seems to bury for more than a decade, making a name for himself in his adopted home of Melbourne (and in France) but deserving much wider attention.
“James McCann and The New Vindictives” was a couple of years in gestation with French label Beast Records taking its time to squeeze it into their schedule. Contrastingly, the band and the recording came together with spontaneity very much the name of the game.
You thought "the New Invincibles" was a tag invented for the Aussie cricket team? Think again (especially after the Ashes loss). It’s the dying days of 2005 and this debut album from a Perth, Western Australia, four-piece - which came out a few months previously - almost slipped through the cracks. Almost. Thank the punk rock gods and pass the ammunition.
And so the return, and rise, of the Sunnyboys continues. If you said they could top this one, you’d need to back it up.
They billed themselves as Kids in Dust when they stepped back onto a stage for the first time in 21 years at the Dig It Up festival in Sydney on April 24, 2012. The nom de plume was supposedly to avoid performance anxiety or to ramp down expectations, maybe both. It didn’t matter; any tentativeness was swamped by a roomful of love.
Nor were there any misgivings in evidence at the same packed venue, the Enmore Theatre, last Saturday night. Just an irresistible king-tide of energy and good spirit.
A compilation of 17 of the most bent, raucous and screwed up lo-fi musical artists from New Zealand? Sounds like a concept worth bottling and who better than Switzerland’s Voodoo Rhythm to bring it on?