One of Melbourne's best acts, James McCann and The New Vindictives, will play their first show in Sydney, as support to the New Christs, at Marrickville Bowling Club on July 15. Tickets for the gig are here.
They'll bring with them the CD version of their their new album "Gotta Lotta Move - Boom!" (Beast Records for vinyl, Off The Hip for CD). This is "Sheena Says", the second video single from it.
Backstage at the Festival of Sue with (from left) BILLY POMMER JR, CLYDE BRAMLEY and ROB YOUNGER. EMMY ETIE photo.
GUADALUPE PLATA (Donostia, Basque Country) GUADALUPE PLATA are an innovative 3 piece comprising (1) vocals and guitar (2) washtub bass/guitar and (3) drums. The play an eclectic and exotic mix of rock, blues, jazz and rockabilly. I saw them perform live after my solo show in Donostia, Basque Country this year. Pedro’s guitar playing reminded me of my own, at times, demented approach to guitar playing.
KELLEY STOLZ, (Bottom of the Hill, San Francisco). KELLEY STOLZ is a singer, songwriter, musician from the USA. His music has been compared to that of BRIAN WILSON, VELVET UNDERGROUND, NICK DRAKE and LEONARD COHEN. He played an awesome show with SARAH BETHE NELSON as support. Kelley is an all- rounder – a singer, musician and song writer. The real deal.
“A FESTIVAL OF SUE: THE JDS ARE ON YOU” (The Factory Theatre, Marrickville, Sydney) Friends of SUE TELFER banded together to pay tribute to this much-loved Sydney lady with proceeds going to Support Act. A line-up that included myself (with special guest BILLY POMMER JNR on drums), X, the NEW CHRISTS, THE JOHNNYS, KIM SALMON, THE CRUEL SEA (instrumental), FRONT END LOADER, THE MIS-MADE, THE HOLY SOUL, & THE ON AND ONS. Having BILLY POMMER JNR on drums certainly gave me a run for my money. Highlights for me included the NEW CHRISTS, THE CRUEL SEA, THE JOHNNYS and X. Unfortunately, I did not get to see all the acts. Too busy chatting with my friends. It was such a great turn out from Sydney folks! After my trip into the city, seeing so many old buildings torn down (which caused me a lot of distress), it was great to see that Sydney folks still have a heart – a very big heart!
Open Season - Mick Medew and The Mesmerisers Firstly declaring an extreme bias and a conflict of interest with this one, Mick’s second offering from the Mesmerisers is even better than the last. The addition of ex-Tribesmen tub thumper Michael Charles has added muscularity to the band and they go from strength to strength. Some Sydney and Newcastle Birdman supports really won them some new fans. Brian Mann created a stunning sounding record. My fave album of the year.
Address to the Nation - Chris Masuak and the Viveiro Wave Riders Again, another declaration as I’ve worked closely with Chris over the past thirty years. My second fave of the year… beaten by a short nose. Chris writes killer songs… plays guitar better than any player I have worked with and has a band so tight I couldn’t slide a fag paper between it. A great album, and it gave us a few wry smiles.
The Festival of Sue (X, New Christs et al) The shock of Sue Telfer’s passing pulled together a stellar line up talent who delivered on an emotional night. There were some killer performances but my top two were the New Christs, whose emotion tinged performance left no doubt that they are a top echelon act… but man of the match for mine was Steve Lucas and X. It was a blinding performance, Steve sang and played better than I have heard the band in years, Kim Volkman & Geof Holmes snarled and snorted like a beast. The Barman and Tiffany Palmer did a great job getting it all together, and we raised a great sum of cash for Support Act. I’d like to think Sue would’ve approved.
As another year draws to a close, your friend and mine, Mr. Craig T. Barman has requested I compile my top ten list for 2018 to be published on the esteemed I-94 Bar.
So, I turned my mind to the events of the year – and there have been as many standouts as low points – however, I think a lot of those have already been covered in a very heartfelt way by some of my compatriots here.
Needless to say, the loss of so many great musicians this past year – and the stellar support lent to those in dire need of it – has exemplified the way the “rock n roll community”, both performers and punters alike, pull together and lend of themselves a little bit more for who and what they love when the going gets tough. It’s been both saddening and heartening in one.
Now onto the list: I was reading a recent post on the social medias about a study that posited most people ceased seeking out new music around the age of 28-years-old. “What bollocks!”, I exclaimed to the socials.
Well, this may be true of a lot of people – but not the kind of people I know (and I’m sure not you, kind reader, being a lurker on the I-94). These are the ones who are forever curious; always hungry for the new; always the ones with the gleam in their eye when they are telling you about some new band or artist “you’ve just gotta hear!”; the ones who never declare “rock is dead!” or “there is nothing new that’s any good!”
I thank all of those people for keeping me in the loop of what’s going on because I too crave and thrive on new music; whether it’s all new or undiscovered (for me) gems from bygone eras.
James McCann leading The New Vindictives in Europe. JUXE photo.
1) The Damned @ 170 Russell St, Melbourne I’ve always loved The Damned: the rush of energy of their first few singles and albums. My wife is a big fan and she educated me on all things Damned. I missed them last time around so I was pumped to see them finally, to say the least.
I didn’t want to be disappointed so I did my homework and watched recent live shows on YouTube and read recent reviews. By all accounts the band was on fire , so I was ready for it and they didn’t disappoint.
They are still Punk Rock weirdos at heart and it was side splitting when Captain Sensible talked about Kurt Vile playing before them at Golden Plains: “It used to be Phil Collins and Paul Weller , but I’ve found a new one KURT Fucking Vile , what a fucking tosser “ It's true so much contemporary underground music is middle of the road , like Bread in the 70’s or LRB , this shit is still the enemy, even though I’m sure Kurt Vile is a lovely guy.
I thought I’d take a unique approach to this year’s Top 10 by actually listing my top music highlights of the year which didn’t involve myself.
So you won’t be reading about my killer gig with the mighty Buffalo “Revisited” at the Bald Faced Stag in Sydney, where we performed the astoundingly cool Buffalo album "Volcanic Rock" from top to toe to celebrate the record's 40 years in existence.
You also won’t be reading about the one and only show by The Four Stooges at the Marrickville Bowlo that was in a word “devastating“.
Also you won’t be hearing about The Cool Chambers who struggled against a few odds in finishing recording and mixing our super duper originals for a planned release in 2019...nope...no...none of that rubbish.
But you will read my Top 10...that has in fact become an explosive hits Top 20 (not in order):
1) Pink Floyd The Piper At The Gates Of Dawn, Record Store Day Mono re-issue. This sounds as great as I’d always suspected (having never heard a proper mono mix). It’s punchy and dynamic! Psychedelic being invented for many.
2) Amyl and the Sniffers LP Big Attraction/ Giddy Up - real punky rock - see my review on I94bar somewhere and go and see them play a show...the kids are alright
3) Mark Taylor 2 x 7”. If only more records were like this. Lipstick Killers, Psycho Surgeons guitar destroyer steps out front with a really brilliant double 7” with insane packaging, great songs and playing.
4) New Christs at the Marrickville Bowlo. Great band, great sound. Still explosive.
5) Bikini Kill - The Singles LP. Finally out on vinyl. The later day BK 7”s on one record...real punky rock #2!
6) John Foy book - Snaps Crack Pop. John is a true rock and roll dude be it his artworks, music fandom or his time challenging the biz with his Redeye label, his book tells his tale with words and pictures. Keep well John.
I couldn’t find a clear winner for Gig of the Year for 2018. Here are 10 that were special.
TODD RUNDGREN – Oxford Art Factory. His Toddness, the runt ,the hermit of Milk Hollow. Backed by a cracking band Davey Lane’s Drunken Blue Roosters, Todd took us from The Nazz, through his AM hits and on a detour to play many songs he admitted to not having played live for some time, if at all.
Great songs, top musicianship and Todd really seemed to be enjoying himself.
The Celebrity Roadie informs The Barman that he can't go out in public like that. As usual, he's ignored. Kyleigh Pitcher photo.
This is a Top Ten of two parts. First, live gigs, and second, albums. You know. Second part, different from the first.The rule of not reviewing my own gigs goes right out the door from the get-go. Got an issue with that? See you in the carpark...
Chris Masuak and the Sydney City Wave Riders: This was a sensational run of shows- a mini-tour in and around Sydney because that’s all that time allowed - by Klondike and his crack band of Tony Bambach (bass) and Stuart Wilson (drums). Great players, top blokes. Armed with a killer setlist drawing on most of Chris’s back catalogue, the guys fired from the get go. Many of the versions surpassed the originals with Maz playing two guitar parts, as few people can. The shows blew away much of the skullduggery and malakarey involved with certain ghosts from the recent past.
HITS at Marrickville Bowlo You can’t keep playing the same old songs or you’ll get staid and there’s no sign of HITS doing that just yet. Members are now scattered the length of the East Coast so it can’t be easy getting together…or maybe that’s a blessing in disguise because it keeps things fresh. They continue to be THE Aussie band to follow.
To celebrate the release of their new album "Incantations" and their pending European tour, here's Bob Short's take on some songs the New Christs have played, taught us, reminded us of or otherwise desecrated. In a nice way.
Catch Chris Masuak (ex-Radio Birdman, Hitmen, Screaming Tribesmen and the New Christs among others) on Monday Evening Gunk at 7:30pm Sydney time on November 2 on the MoshPit Facebook. Klondike will be interviewed by Bob Short (Filth, Dead Rabids) and Tiffany Palmer (Sydney Rock and Roll Markets) before ripping into a live set with his band The Viveiro Wave Riders.
He mighr be embarassed by it being said, but Jim Dixon is the Grand Old Bass Man of Sydney’s rock and roll scene.
Since dropping in as a member of raw Brisbane band The Survivors at the tail end of the ‘70s to relocating and driving the bottom end for The Passengers and many more, he’s been as much a fixture as cold beer and sticky carpets.
Active duty in London with the Barracudas and then back home to play with the likes of Louis Tillett, Penny Ikinger, the New Christs, the Deniz Tek Group and Radio Birdman, Gentleman Jim is omnipresent as both player and punter. Along the way he’s supplemented his music by working in a record store, running his own curry kitchen and, more lately, bussing tourists around Greater Sydney’s natural wonders.
All roads lead to Sydney's Factory Theatre on Sunday for the Sue Telfer Tribute concert aka Festival of Sue. The Ons and Ons open procedings at 2pm and X will close it at 10pm. In-between you can catch the New Christs, The Johnnys, Kim Salmon, The Cruel Sea (instrumental), Front End Loader, The Mis-Made, Penny Ikinger and The Holy Soul. MCs are Terry Serio, Bill Gibson and Tony Townsend. Ten bands over two stages with proceeds going to Support Act, the fund for music industry people in need of support. It's tracking to being a sell-out but you can buy pre-sale tickets here.
Dave Kettley and Rob Younger marshalling the New Christs at Marrickville Bowlo on Saturday night..
Sydney, you’re such a contrary beast with this live music thing. And you fucking know it.
A year ago, this same bill of the New Christs and Melbourne’s James McCann and The New Vindictives pulled close to a full room at Marrickville Bowlo. This Saturday night, the place isn’t empty by any means but the head count is much lower.
Was it the cold weather? HTFU! It’s winter. Maybe a spot of fatigue with great rock and roll shows seemingly happening weekly? For sure, we’ve been spoilt. It was also the third New Christs appearance in these parts in as many months. if you were one of the waverers that stayed home, it really was your loss.
Vibrations, yours and mine - Johnny Casino (La Vila Nova/Beluga Records/Golden Robot)
With the world turning to shit in every sense of the term, what's a poor boy to do other than play in a rock and roll band? The answer, in strange times of social distancing, is to record an album solo and pare the songs right back to resemble what they were like when first written.
Plenty will testify that going naked in front of a microphone is harder than it sounds - even with very few people watching. Johnny Casino's "Vibrations, yours and mine" was recorded in a modest Spanish studio in four hours, with some pedal steel and backing vocals overdubbed later courtesy of Hendrik Rover (Los Deltonos).
It was done pre-COVID but serves as a good template for how to go about things - which is with loads of emotional investment, a good deal of spontaneity and, importantly, heart.
Forget the clichés about French rock and roll bands being full of pale and inspid breadstick-chewers who can barely rock and are lamentably unable to roll. This Paris trio can do both as well as almost anyone you can name, and might just be the best band you’ve never heard.
3 Headed Dog are Brenko (guitar), Vinz (bass) and Manga (drums.) All have been members of anarchic noisemeisters, Dimi Dero Inc, and the late Holy Curse, who for mine were the best rock and roll outfit in 20 years to have crawled from under the lid the establishment keeps firmly on France’s underground music scene.
Let’s get the clichés out of the way; the show business myths that promise that the cream rises. That living fast and dying young will ensure immortality. It’s all bullshit. Too many artists fall through a crack in the Earth whilst laurels crown the insipid and the banal.
How many great albums and films have vanished to land fill? How many books are lost because libraries can’t afford the storage on their back catalogues? How much blood, sweat and tears has evaporated into the ether? Forgotten whilst the over culture lets us eat dog food. Here is your chance to right that wrong.
The New Christs have a long history running through possibly the most convoluted list of line-up changes any band has endured and still retained a moniker. This has meant new albums have held a certain fear factor. What will they sound like this time? Can anything they do compare to the towering peak of “Distemper”? Let’s face it. If that’s your five-star album, you have a lot to live up to.
“Incantation”, the first New Christs studio album in five years, hits the shelves on June 6. Recorded by Jim Moginie (Midnight Oil) in his Sydney studio and mixed at the famed Alberts Studios by award winning engineer Wayne Connolly, you can see the cover artwork at right and can hear the first single, "Waves Form", by clicking More (if you're on the front page) or by scrolling down (if you landed direct.)
The hard-to-find New Christs live album - previously available only as a CD and sold mainly at shows on their last European tour - is looming on vinyl. French label Pitshark is issuing the imagnitively titled "Live" in an edition of 500 copies only.
The gig was recorded in 2011 at the final night of Sydney's Excelsior Hotel and rocks royally. Rob Younger and guitarist-keyboardist Brent Williams re-mixed 11 tracks especially for vinyl.
Sometimes you get all philosophical. The penny dropped on Saturday night, after a succession of $14 jugs of beer with a mate, that the New Christs are probably the band that I’ve experienced live for the longest number of years.
Of course there have been so many line-ups that a statement like that becomes very elastic. But the wrist stamps don’t lie...
And they go right back to 1984 when a loose and limber Rob Younger bounded onto the stage of Sydney’s Capital Theatre, fronting the band’s first live incarnation, in support of Iggy Pop.
That line-up of Chris Masuak, Tony Robertson, Mark Kingsmill and Kent Steedman (the Rifle later to be subbed by a Spider, Richard Jakimyszyn) might have been equalled by the “Distemper” one (Charlie Owen, Jim Dickson and Louis Burdett/Nick Fisher) but never bettered. The former had a brutal edge, the latter a bluesier, expansive feel with jazzy inflections.
The current configuration of Dickson, Paul Larsen, Dave Kettley and Brent Williams measures up nicely in the history of the New Christs, probably sitting at level-pegging with the late-‘90s line-ups. They’ve all served up differing sounds and brought something different to the stage, with the one constant being Younger’s undeniable presence and bitter-sour song-writing.
“Emotional Jihad” and “Word Salad” are terms that others have used down the years to describe Younger’s lyrical vision. You can’t do much better than that.