“I will never have anything said against that man!” Eric Goulden, aka Wreckless Eric, is waxing lyrical about a fellow traveller in the English rock’n’roll and pop scene.
You’d be forgiven for thinking Eric might be talking about the late Ian Dury, the iconoclastic poet-cum-musician who provided a rough template for Eric’s own career, or maybe one of the sundry punk rockers who attached themselves to Stiff Records around the same time Eric bounced into popular consciousness with the now classic "Whole World World". Maybe even Joe Strummer? Pete Shelley?
For me, the best band to come out of the so-called garage revival of the late ‘90s and early ‘00s was New Zealand’s The Datsuns. Mainly because while they had a garage sound, they actually managed to be their own thing and not sound like some lame retro rip-off band.
While it’s been a long time coming, their latest release “Eye to Eye” is the band’s first record since 2016 and finds them in full flight. It’s also possibly their best release yet. Frontman and guitarist RUDOLF "DOLF" de BORST spoke to MATT RYAN about all things Datsuns, as well as his membewrship of Nicke Andersson's bands the Hellacopters and Imperial State Electric.
Some of you know who Cradle of Filth is. Some don't. They're an extreme metal band from England. Well, they're a lot more than that, which is why I'm excited.
Think Slayer. Venom. The theatrical, symphonic show, the theatrics, the make-up. Like Venom, "they're big, but also mysterious". They started in the black metal area in 1991. And developed, taking on some of the different metal subgenres.
A lot of you guys have got me dead wrong. I don’t actually want to write reviews tearing bloody strips from your flesh. I don’t want to kick you in the balls. I don’t want to take your daydreams of fame, glory and love and cruelly crush them. But sometimes a man has got to do what a man has got to do.
I’d like to say that it wasn’t your fault and it was mine. But I’d be lying. It’s all these crap records you keep making. And you know you’re doing it.
You keep including self-written third person press releases announcing your godhood. You present me with expectational cheques your butt can’t make good on. The general idea is, you have to convince someone else to write something nice about you in the third person. If you write about yourself in the third person, you’re asking to be slapped down. So, find someone else to sing your praises. But that’s not going to be me.
Founding member of The Sex Pistols and Rich Kids and writer of hits “Pretty Vacant” and “God Save The Queen”, Glen Matlock is a musical legend and raconteur extraordinaire.
You'll see for yourself when he and his band hit Australasian shores in November, celebrating the 40th anniversary of “Never Mind The Bollocks”.
Matlock will be conducting exclusive Q&A's and playing Pistols classics and choice cuts of his own.
Matlock departed the Pistols as they hit their peak, leaving the way open for Sid Vicious to join. His next band, the Rich Kids, put out an influential album of the late ‘70s, “Ghosts Of Princes In Towers”.
The touring news just keeps coming. Atlanta’s Nashville Pussy is set to blaze a trail through Australia and New Zealand in May 2017.
Defying any fixed genre, Nashville Pussy are a cowpunk, hard rock and psychobilly monster smeared with whisky soaked sleaze. The band's lyrical themes mostly revolve around sex, drugs, drinking, fighting, and rock 'n' roll.
It might just be the ultimate baby boomer pop experience. The rumours are true. The Monkees are bringing their 50th anniversary tour to Australasia.
Assembled in Los Angeles in 1965 by Bob Rafelson and Bert Schneider for the television series The Monkees, the quartet of Micky Dolenz, Michael Nesmith, Peter Tork, and the late Davy Jones brought a singular mix of pop, rock, psychedelica, Broadway, and country to their music.
The show itself paid tribute not only to The Beatles, but also to the comedy stylings of The Marx Brothers and Laurel and Hardy as well as the pop-art sensibilities of Warhol and the emerging San Francisco psychedelic scene.
The Monkees’ first single, “Last Train to Clarksville,” was released in August 1966, hitting #1 and serving as advance publicity for their series, which debuted on September 12. When the group’s self-titled debut album arrived in stores a month later, it quickly headed for the top spot of the Billboard charts, where it would ultimately sit for 13 of the 78 weeks it remained in the Top 200.
By the time the group’s TV series aired its final new episode on March 25, 1968, The Monkees had seen three further albums top the charts – “More of the Monkees”, “Headquarters”, and “Pisces, Aquarius, Capricorn & Jones, Ltd.”, all released in 1967.
If you subscribe to the popular notion that post-punk started in 1976, Gang of Four are to blame. Established in Leeds in England's north, Gang of Four - or Go4 - are widely recognised as originators of the genre with their potent political lyrics and stripped-down blend of funk, punk, dance and dub.
Originally singer Jon King, guitarist Andy Gill, bassist Dave Allen and drummer Hugo Burnham, there have been many G04 line-ups down the years. Founding member Gill is the only one remaining and he'll bring the band to Australia and New Zealand in November, marking the 40th anniversary of the debut album "entertainment!"
While we don't want to encourage you to read it these days, Rolling Stone magazine rated their debut album "entertainment!" as the fifth greatest punk album of all time. Pitchfork (it's a hipster bible but don't hold that against Go4) ranks it the eighth-greatest album of all time.
Go4 will play "entertainment!" In full plus selected songs from the band's other nine studio albums.
Our resident post-punk devotee ROBERT BROKENMOUTH is a dyed-in-the-wool Go4 fan. He spoke to Andy Gill about the band's history, recent output and what makes its music tick.
They formed in 2009 but it's in the last few years that San Diego’s Schizophonics have convincingly cemented their reputation as one of the world’s hardest-working and most dynamic bands.
Gymnastically-inclined singer-guitarist Pat Beers, drummer (and his wife) Lety Beers, plus a series of bass players, have been wowing audiences around the world with their unique brand of explosive garage rock. They’re poised to pay Australia and New Zealand their second visit in a year in February and March, before hitting Japan for the first time.
The Schizophonics have been likened to a cross between James Brown and the MC5. Local bands have been lining up to join them on bills. Aussie all-female combo, The Fangin’ Felines, are lucky enough to be joining them for two support spots - in their own hometown Wollongong (Lalalas, March 12) and Sydney (Marrickville Bowlo, March 13).
Strong females are integral to both bands, so it made perfect sense for the I-94 Bar to host a pre-tour conversation between Lety Beers and Fangin’ Feline singer Carrie Phillis. The ladies spoke over Skype earlier this week. Pat Beers joined them and uber fan Russell Hopkinson (You Am I, ex-Radio Birdman) made the whole thing happen.
Explosive trio The Schizophonics are inflicting their unique rock and roll show on audiences in Australia and New Zeraland for a second time in 2020 as well as Japan.
The San Diego band - essentailly singer-guitarist Pat Beers and drummer wife Lety - have both a new album, "People in The Sky",and a new bass player, Kiwi Takumi McIntyre (formerly of the Cavemen), in tow and made a huge impression on their 2019 tour of Australia and New Zealand. .
Antipodean audiences had seldom (if at all) witnessed the likes of levitational front man Pat , whose sweaty splits , 720 degree spins (all before completion of the first song!) had local audiences gagging!! The Schizophonics combine the swagger of James Brown breakdancing to the Stooges, with the sonic attack of Hendrix and the MC5 in their hooky garage pop.
I-94 Bar will co-present the Sydney gig at Marrickville Bowling Club (shifted from the Hideaway Bar) on March 12. The Facebook event is here and tickets for that show are on sale here.
The Schizophonics NZ-Australia-Japan Tour FEB NZ 21 - Leigh at Leigh Saw Mill 22 - Tauranga at Woodcock (Not) - ask Austin 24 - Wellington at Valhalla 25 - Takaka at Mussell Inn 26 - Blenheim at The Plant 27 - Christchurch at Space Academy 28 - Dunedin at The Cook 29 - Raglan at The Yot Club MAR 1 - Whangarei at The Whangarei Club 4-- Auckland at Neck Of The Woods 6 - Napier at Paisley Stage 7 - Upper Hutt at Obey The Spliff AUS 8 - Hobart @ The Brisbane 10 - Brisbane @ Netherworld Arcade - FREE SHOW 11 - Newcastle @ The Badger's Lair 12 - Sydney @ Hideaway Bar 13- Wolllongong @ La La La's 14 -Melbourne @ The Tote 15th - Melbourne @ TBA JPN 19 -Shimokitazawa Three, Tokyo 20 - Namba Mele, Osaka 21 - Higashikoenji UFOclub, Tokyo 22 - Club Heavysick, Tokyo
Shayne Carter first emerged on the New Zealand rock scene in the ’80s with his high school punk band Bored Games and their “Who Colonel Mustard “ EP, which was one of the first releases on Flying Nun Records.
Part of the original “Dunedin Sound" scene, Carter went on to become a major player in the Flying Nun independent rock story as the singer-songwriter and guitarist in outfits such as Straitjacket Fits, Doublehappys and Dimmer.
Carter is Melbourne-bound for three shows in February - hist first since 2016 when he and his band played a searing three-night residency at the Yarra.
Regarded as one of New Zealand’s greatest alternative rock figures, Carter has carved out a distinctive and innovative body of work that places him in the top pantheon of that country’s best songwriters.
His band Straitjacket Fits - a group that became well known to Australian audiences in the ‘90s - produced a blend of rock dissonance and melody that became hugely influential; predating both the shoe gazer movement and the angular rock of bands like Radiohead and others of a similar ilk that followed in Straitjacket Fits' wake.
As far as The Stranglers go, he's the man who wrote the hits, sang the hits and played guitar on the hits. Hugh Cornwell was an integral member of the band until 1990, before carving out his own solo career.
Cornwell will grace Australasian audiences with his presence in May with a tour playing music from The Stranglers and his latest solo album "Monster".
Expect "Golden Brown", "No More Heroes", "Strange Little Girl", "Always The Sun", "Nice And Sleazy", "(Get A) Grip (On Yourself)" and "Peaches" – the great songs that established the legend of The Stranglers - after a set of his own material with his crack UK band.
MAY 1 - Christchurch – Churchills 2- Wellington – San Fran Bath House 3 - Auckland – Powerstation with The Murder Chord 4 - Brisbane – Triffid 5 - Adelaide – Gov 8 - Canberra – Basement 9 – Manning Bar with Little Murders 10 - Melbourne – Max Watts 11 - Perth – Rosemount with The Painkillers Tickets on sale here
Kiwi comeback kings The Datsunsare making a noise with the second single from their new album "Eye to Eye". Part of the so-called New Garage movement of the '00s, The Datsuns disappeared off the map for seven years and as the video for "Dehumanise" shows they're still capable of cooking up a fuzz-spattered aural shitstorm.
Is it really a surprise in 2015 to hear rocking garage soul that has its origins in the UK played better than almost anyone else around by a band that comes from Auckland in New Zealand? Meet Thee Rum Coves.
These guys (and girl) should be the toast of the summer festival circuit in Europe. They deserve to fill the vacuum left by the demise of The Jim Jones Revue. Thee Rum Coves have everything going for them for a shot at success in Europe…except geography. Not that this should matter.
One of the UK's most important musical exports, The Stranglers, have announced their return to Australia and New Zealand in 2018 with their biggest tour in 30 years, "The Classic Collection".
Taking 20 of their most popular tracks from their revered album classics, chart successes and fan favourites from across their 40-year history, The Stranglers will prove their longevity and impact with a set made of of tracks including "Golden Brown", "Always the Sun", "Peaches", "Strange Little Girl", "5 Minutes", "No More Heroes" and many more.
Talk about Wreckless Eric and what immediately comes to mind is his enduring hit "Whole Wide World" – covered in stadiums and sheds from Aberdeen to Alabama – but there’s a whole lot more to the story than just that.
With more than 40 years of recording and touring behind him he shuns the dictates of nostalgia and doesn’t do comebacks for the simple reason that he never went away. Except maybe where the Antipodes are concerned and where he'll be touring for the first time in 28 years in November.