owen pengilis - The I-94 Bar
Drone and fuzz are the base ingredients in this psychedelic stew from Sydney four-piece Gridning Eyes. The sound is thunderous and heavy in the mid-range, with no compromise to melody. Delicate harmonies are in short supply.
Grinding Eyes have been around for three years and have two singles on prodigious boutique Brisbane label Tym Records. This is their long player debut (on CD through Off The Hip) and it’s an exacting but rewarding trip
Recorded by Owen Pengilis (Straight Arrows), and mixed (in France) and mastered (in Detroit) by sonic wizard Jim Diamond, these are nine songs of dark, relentless assault.
Tote Hotel, Melbourne
Friday, 22 March 2019
I’m not a big fan of the rose-coloured 1960s discourse. Sure, the music’s great, the anti-establishment political rhetoric is inspiring and the fashion iconic. But the 1960s gave the world Nixon and the first incarnation of Reagan the politician, Engelbert Humperdink outsold Hendrix and it was mainly rich white kids (especially men) who had the socio-economic stability to drop out – because they could drop back in again anytime they wanted to.
The 1960s is a mythical idea, not a corroborated historical construct. We want to believe what it was like, because it’s not like that now. Revisionism. Nostalgia. Self-deluded idealism. There was good shit going on, but there’s good stuff going on now. There was plenty of bad, square and nasty stuff going on then, too. More so than the good stuff.
Banangun sounded like they’d crawled straight out of a '60s documentary. Maybe a Nuggets Acid Rock compilation. I hadn’t heard of them before tonight, though later on it was pointed out to me that their main man is Nick from The Frowning Clouds, and then everything made sense.