Rock n Roll CPR v Nostalgia Neuralgia TheDean’s 2019 - 10 things you should know
1) D is for Dickhead Hey you! Yeah you sitting on your lounge watching TV. You sitting on your lounge, watching people sitting on their lounge, watching TV. If you’re a fan of that show no worries. I can live with that but if I have to listen to you talk to your mate Thommo about it the next day, way too loudly on the phone in a crowded carriage and your follow up sentence is “all music these days is shit” and that there hasn’t been a decent Aussie Rock Band since the Screaming Jets, you my friend; are a Dickhead.
2) A is for Australian Dirty, Fast & Built to last. The Australian Kingswood Factory album Bloodshot and Shakin’. Get on it. Buy Australian & buy it now! Cow Punk, Punk-a-billy, punk, punk rock, rock punk or just plain old dirty rock n roll? Not sure how to pigeon hole these guys but I do know they are pretty much everything I ever liked in a band back in the day. If you don’t check ‘em out next chance you get, that’s just plain Unaustralian.
It is always hard to cut it down to ten but here goes.
Ice Cream Hands supported by Bryan Estapa Band- Factory Floor, Sydney A great night of cleverly and carefully crafted power pop from Ice Cream Hands as Charles Jenkins and co bewitched us again with their sublime sounds. Support act Bryan Estapa Band were also a delight with their songs that owe a bit of a nod to high quality 70s AM radio sounds.
Charlotte and The Harlots/COFFIN/Turbobelco/Generation Landslide/Hy Test/Neptune Power Federation – Marrickville Bowling Club, Sydney All killer no filler as this mighty bill saw each band up the ante and be better than the one before them. COFFIN and Neptune Power Federation were especially outstanding.
Thee Marshmallow Overcoat – The Caravan Club, Oakleigh, Melbourne. Ashley Naylor, Davey Lane and Brett Wolfie playing two sets of their favourites from the 60s and 70s. Do I need to say more?
Ice Cream Hands – The Caravan Club, Oakleigh, Melbourne. Oh yes, the night after Thee Marshmallow Overcoat, at the same venue. Bliss, heaven on a stick and a more sympathetic mix than was apparent at the Factory Floor show.
The Dark Clouds/Mick Medew and The Mesmerisers/Radio Birdman – Factory Theatre The Dark Clouds showed why they are one of the best hard rock bands around but it was Mick Medew and The Mesmerisers who wowed the crowd with their set. Peppered with tracks from the Open Season album and select gems from Mick’s back catalogue they were the stars of the night. Radio Birdman also delivered a fine set and it was probably Rob Younger’s best vocal performance with RB for some time.
CHRIS KLONDIKE MASUAK’S TOP SEVERAL OF 2020 Guitarist, Viveiro Wave Riders Ex-Radio Birdmnan, Hitmen, Screaming Tribesmen, New Christs Viveiro, Galicia, Spain
We were having fun at the start of 2020.
The Viveiro Wave Riders had already been hither and yon … around the country and up to Breizh (“Yec’hed mad!” with the emphasis on “mad”) when it all came to a shuddering halt.
Life abruptly became somewhat more complicated, confusing, and occasionally alarming, but that’s not to say it stopped being entertaining.
COVIDOUCHERY We jumped on protocols pretty quick-smart over here in Spain, even as our hospitals became alarmingly overwhelmed and morgues literally over spilled.
We were heartened, encouraged, and edified by the sage advice that flooded social media from other apparently more civilised and informed countries.
We hardly even scratched our heads in wonder at their oblivious dawdling procrastination and general goldbricking, or as they gathered in teeming proliferation to demonstrate in support of their “rights” even as their “leaders” unequivocally let them know Just What The Priorities Actually Were.
KEVIN "BIG DADDY K" CHERRY 2RRR-FM host of "Sydney Sounds" Sydney, Australia
I'm sure that everyone agrees that 2020 has been a shitty year. The worst I can remember in my 60 years on this planet. I'm not generally into reminiscing and my bad short term memory usually prevents me participating in these types of lists. Living on the Northern Beaches area of Sydney and being in lockdown for the second time, however, I've decided to attempt to give my impression of the year's music events.
The last band that I saw before the first lockdown in March (which resulted in all the gigs I had planned to go to in the following weeks collapsing before my eyes like a stack of dominoes) was THE MEZCALTONESat The Orient Hotel in Sydney’s The Rocks district.
THE MEZCALTONES are a fantastic Mewxican Hillbilly Surf band from the Northern Beaches fronted by COL “PADRE” PORTER, his guitar-slinging wife NERALYN and whip-twirling, go-go dancing, singing percussionist, MISS MIMI, as well as the three other members. They always put on an entertaining performance of original songs and crowd pleasing covers and obscurities. They attract an audience that loves to get up and dance.
I also saw them at a socially distanced performance at The Marrickville Bowlo, which was a different atmosphere due to the restrictions, which meant that none of the audience could get up and dance or even stand with a drink in their hand.
New York City-based band Phantom Fifth (pictured right) has announced that Chris “Klondike” Masuak will be joining them for shows in California and New York in July.
Phantom Fifth is from New York City and is comprised of expatriate Australian bassist Greg Delves (ex-Inner Sleeves, Radio Luxembourg), Irishman Colin McCarthy (drums) and US-born Paul Stinson (guitar, vocals.)
Formed in 2015, the band bio says it "embraces the sonic sound and dark energy of Nick Cave, Joy Division, The Strokes and The Stooges. The Phantoms' sound is built around dark melodies, shimmering guitars, and propulsive bass lines, with lyrics about wolves, ghosts, murderous paramours, Italian discos, and other manifestations of love and madness".
Originally from California, where he co-founded the "punk Americana" band The Stripminers with members of X and The Donnas, Paul Stinson moved to Brooklyn in 2014 and quickly met up with power pop guru Delves and McCarthy (formerly of Amsterdam-based Belsonic Sound).
The trio immediately began writing, recording and performing in and around NYC and have plans in the works for tours of both the UK and Australia. The band's debut EP is due out in the US Summer of 2016.
July 20 – Brick & Mortar Music Hall, San Francisco, CA July 22 – The Uptown Nightclub, Oakland, CA July 24 – The Viper Room, Hollywood, CA July 29 – The Bowery Electric, NYC
Hello from the Dimboola farmhouse folks and has it been rocking here! The reason is that Chris “Klondike” Masuak and the Viveiro Wave Riders have released a rocking good album. Their second long player, “Address to the Nation”, is the follow-up to 2016’s “Brujita” and is pure guitar driven tracks from start to finish.
Myself, I think it’s a lot stronger than the first album - there is less pop and more grunt.
Well, let’s start with any folks who are not savy to Klondike’s cv: RADIO BIRDMAN, HITMEN , THE NEW CHRISTS, JUKE SAVAGES, NORTH 40 and the wonderful SCREAMING TRIBESMEN. To name a few.
Flaming Hands have announced their line-up, six weeks out from their Sedition Festival show at Paddington RSL on August 31, and it’s an all-star cast.
Founders Julie Mostyn-Gilbert (vocals) and Jeff Sullivan (acoustic guitar) will be joined by Cub Calloway (guitarist with the Saints, New Christs and Ed Kuepper and The Yard Goes On Forever), bassist Warwick Gilbert (Radio Birdman, Hitmen, The Rats), Barton Price (The Models) on drums, John Hoey (Died Pretty, New Christsw) on keys and Phil Hall (Sardine v, Drop Bears and Lime Spiders) on sax.
Coinciding with this news, a rare 35-year-old Flaming Hands clip for single “The Edge” has resurfaced online.
The American college town of Ann Arbor - A2 to the locals - has a lot to answer for. This re-issue of a long out-of-print live recording of some of its famous sons makes it apparent.
Originally released on CD only by Philadelphia's Real O-Mind Records in 2002, it's on vinyl as well as shiny silver disc this time around, and marks the return of David Laing's Grown Up Wrong label.
Everything about this show smokes. Powertane were the vehicle for A2 legend Scott Morgan, a soul prodigy (The Rationals) who made up a quarter of one of the greatest guitar rock and roll bands to ever go MIA in the mists of musical legend status, Sonics Rendezvous Band.
1. Definitely at the top of the heap that was 2017, Jonathan Sequeira risked life, limb, and genuine sanity to bring us “Descent Into The Maelstrom”, a fiercely objective, no holds barred documentary about the shit storm that was Radio Birdman.
How he managed to convince that particular sack of snakes to agree to anything in the first place is a testimony to his considerable appreciation of the band’s legend, his heroic patience, and his nutsack-clenching resolve. A minor miracle, more so because it certainly wasn’t the puff piece that some characters clearly expected in their “imagining” of the bands tumultuous and antagonistic history!
Vindication for some, the trashing of decades of carefully cultivated bullshit for others, replete with many a “Holy crap!” moment.
A rollicking good story about a special band, time, and place in history!
1) White Stripes –Vault #33 Icky Thump X Third Man Records Vault only release, 10 year anniversary edition. Includes a wacko coloured vinyl re-press of the double album plus two bonus albums containing all the non-album b-sides and the full demos housed in a way out box. The demos are furious ! Only released for a few months via Third Man Records.
2) Shy Impostors CD (maxi EP/mini album CD) Unleashed by those God-loving folks at Citadel Records. Seven demos recorded 1980 and now finally after a loving re-mix by Jason Blackwell sound truly fab. The songs, vocals and rough as guts musicianship by these proto legends are gold. Melodic and dirty.
3) Buffalo Revisited gig at Brewtality Festival in Melbourne Is it truly an honour for me after being a Buffalo fan since 1974 to be playing with their mighty vocalist Dave Tice with some fellow Buffalo maniacs (Troy and Marcus). And to be playing those great songs (a mind melt to learn btw). We hit our cosmic groove at the Brewtality Festival in Melbourne; more to come for sure.
This year was returning to my childhood and gromit years - teenage times as well as inner-city music, alternative and garage rock, beer-soaked pubs and the alternative. Namely the Beatles, Midnight Oil and Patti Smith.
Patti Smith and Paul McCartney get the guernsey for the best gigs of the year. And for the same reasons. Both artists are incredible live and these final tours were a massive thank you to the fans…
1 Macca at Suncorp Brisbane Sir Paul delivered on all fronts. With the most thoughtful visual show and a hit every minute over those three hours and ten minutes, it ranged from pure, four-on-the-floor garage rock with guitars sonically attacking to more mellow stuff.
From “I Want To Be Your Lover” which would have made the Stones sound like a get-together at a nursing home to “Helter Skelter”, to the bombastic, “Live And Let Die” which inflamed the stadium, the cheesy “Mull of Kintyre” with a 25-piece pipe band, to the solo acoustic moments with “Blackbird”, this was gold. Macca’s voice, his insights, wit and humility, and his guitar playing were magnificent; 42 songs played. I won’t forget it a hurry.
1 Patti Smith at the State Theatre and spoken word at Sydney Opera House Another pair of gigs where Patti gave 300 percent. Patti engaged us with insights, stories and, as with Macca, showed a great deal of humility. The band, led by Lenny Kaye, at times still had the intensity of 1975 CBGBs Patti, yet with overtones of a grandmother and an earth mother.
I suppose my prevailing sentiment has been one of simmering frustration and anger at a world more out of control and stupid than I can remember. Perhaps it’s always been this way and I’m only noticing it in my dotage.
Whatever the reason, I’m noticing that personal selfishness and cultural callousness are the new black and that I just haven’t been able to continue being my usual conciliatory self.
Italian journalist and occasional I-94 Bar correspondent Roberto Calabro has had a Radio Birdman book published.
It's called "Radio Birdman. Il rito del suono selvaggio" (that would be “Radio Birdman: the ritual of the wild sound" for non-Italian speakers) and it’s published through Tuttle Edizioni.
Not just a historical recounting, it covers the whole story of the legendary Sydney band from the early days up to now with chapters about The Visitors, the New Christs and the work of individual members.
It’s only in Italian right now but Roberto is keen to have it translated and published in English. You can order a copy here. Comprendere?
Yeah Hup! The Radio Birdman documentary public screening dates have been announced. You can indulge in post-screening Q&As at a handful of them. Book your own "Descent Into the Maelstrom" at these cinemas via the links after the MORE link.
The soundtrack (pictured above) is now available for pre-order on LP and CD. Go here to grab a copy.
Miss out on the Radio Birdman box set? After unveiling vinyl versions of the re-issues, Citadel has now announced individual double-CD packs, including one for the killer and highly sought-after “Live at Paddington Town Hall” album.
Each package is loaded with the extras that came in the box set. Go to Citadel Mail Order and get clicking in time for Xmas.
Radio Birdman is embarking on a short, sharp Australian tour with Citadel label-mates The Stems in tow. The five-date run will include Spanish band Los Chicos as guests on three gigs.
Tickets are on sale via venue websites.
Radio Birdman + The Stems OCT 25 – Factory Theatre, Sydney + The LangLangs 26 – The Gov, Adelaide + Sunday Reeds NOV 1 – The Triffid, Brisbane + Los Chicos 2 – Coolangatta Hotel + Los Chicos 4 – Croxton Ballroom, Melbourne + Los Chicos
Radio Birdman's 2015 European tour made enough successful noise for them to gain spots this coming June on several European festivals, most notably Spain's Azkena Rock Festival and Belgium's Sjock Festival.
The impact of their sold-out London show was such that they have been invited back to the UK with Manchester and Leeds added onto the itinerary and several other shows being slated.
The good news for Australian fans is that prior to their return to Europe, the band will play a limited number of local shows over the first two weekends of June. These are expected to be the band's only Australian shows for 2016.
Tickets go on sale Monday, 1st February from 12PM AEDT:
It’s difficult to believe that Chris Masuak is only in the second half of his 50’s when you examine his output. It’s been a diverse and solid career, spanning almost four decades.
He was in his late teens when he joined Radio Birdman. He was half of the sound of the “twin-guitar attack” that assaulted Sydney with its array of proto-punk influences, to forever stake Birdman a claim as one of the most influential bands the city has produced.
Then there were the post-Birdman bands. The Hitmen never had the songs, in my opinion, but they always delivered as a live act. Masuak’s guitar playing was the stand-out. Chris was still in his early 20’s and still forging his own style. It lay somewhere between the technical brilliance of Mountain and the pop-rock sensibility of The Dictators.