Simple songs simply done is a time-honoured formula often born out of necessity rather than choice. So it was in the beginning for The Fiction, a Melbourne punk band that sprang up 40 years ago, burned briefly and fell apart before spawning International Exiles and Little Murders.
Only around for a year, The Fiction was fuelled by the nascent songwriting talents of frontman and expat Englishman, Rob Griffiths, and guitarist Rob Wellington.
Their influences were what was coming out of the UK punk scene in the ‘70s, as much as Melbourne visitors Radio Birdman and the Saints. The important point-of-difference between the UK and Australia back then was that the local standard of living made it hard to get too angry at anything much, relatively speaking.
It could have been called “Short Lives Of The Poor and Obscure”.
Like Reals, Negatives, Young Charlatans and News/Babeez, The Fiction is but a footnote in Melbourne punk’s earliest days, briefly existing from 1978-79. They released a posthumous EP under the name Little Murders, kickstarting that enduring brand and the career of its leader, Rob Griffiths. They also enjoyed the patronage of the rightly-lauded Melbourne punk mover and shaker Bruce Milne and Pulp, the zine he ran with Clinton Walker.
The Fiction had a loose affiliation with those glam-sheep- in-punk-wolves clothing, La Femme, sharing a practice space and a manager. Musically, The Fiction seems to have been drawing more from bands like The Who and the Small Faces, although there’s undoubtedly a bit of Bowie in there, too.