waterfront - The I-94 Bar
Raining Treasure 2: More Australian Indie Gold Covers – John Kennedy’s 68 Comeback Special (MGM/Foghorn)
Tribute bands are mostly a blot on the musical ecosystem, right?. OK, they provide a fertile spawning pond for young players and pay bills for the oldsters, but most cover acts faithfully mimic role models just to milk money from morons.
This isn’t about the odd cover thrown into a set of originals because the drummer and the rhythm guitarist like the song or the band jammed out a loose approximation of a chart hit at rehearsal two nights earlier and wants to be ironic.
No, this is a gripe about hacks making money by mindlessly sating the appetites of dim RSL club masses who don’t know what they like but sure do like what they know. These people dance when they should know better or clap hopelessly out of time in the way that only middle-aged white people can.
Which is not territory into which “Raining Treasure 2” ventures on this eclectic collection of songs by Aussie bands of the ‘70s and ‘80s .
It's such an obvious idea that it's a wonder no-one issued this before. Thumbs up to Aztec for giving Wollongong's finest "the treatment" with a lavish double CD set covering all their early singles and EPs, along with their self-titled debut LP and the "Daddy Long Legs" CD single. It coincides with the band's reformation and return to bursts of gigging so it's all the more timely.
This lavish double CD package closes the lid on the first life of the Hard-Ons, nicely. Not in the literal sense of the term. Far from it. It's like a skateboard ride down a very rough track, a mix of disparate hardcore and metal songs that sits at odds with much of what came before.
When the original album came out in mid-1993, nobody knew (but band members could sense) that it was the last recording by the Hard-Ons with their original line-up. That's the context and it now makes sense.
It’s funny how records released in the past evoke specific memories when revisited years later. For me, this one doesn’t throw up much. I think I bought it well after it came out. It seems lots of fans shared that indifference.
No Limit: Collected Works 1985-89 – Love Minus Zero (Method Records and Music)
From the Never Quite Made It Department comes this collection of gems.
Love Minus Zero was a Sydney pop-rock band that was around in the mid-‘80s who managed to release some tracks on Waterfront label compilation and a self-titled EP on Citadel spin-off Green Fez before packing their tent.
“No Limit” is a pubic service of sorts, not the least reason being that it serves as a reminder of the embarrassment of riches that was the Sydney music scene 35 years ago.