happy hate me nots - The I-94 Bar
"In The Flesh" with
+ Paul Berwick
The MoshPit, St Peters, NSW
October 11, 2020
I attended a very special show from the delightful Joeys Coop. Must have been something in the stars or numbers - as on 10/10/20 we were part of something special. In these Covid days where we have been starved of live music, the hip MoshPit played host to 20 fans and close associates of the band AND it was live-streamed by Zenn Stream.
I felt hugely privileged being there and in the company of my music bestie after a wonderful Greek taverna feed nearby, and felt obligated to share my thoughts.
For those who need an intro, JC is a supergroup of sorts with the critically acclaimed Brett Myers (Died Pretty) on guitar, Mark Roxburgh (Decline of The Reptiles/ME262) on lead vocals, the engine room of Lloyd Gyi on percussion/vocals (Perry Keyes/ Sicarios et al) and Marc Lynch (Glide), they are a tight and sophisticated outfit who play smart Rock from the heart.
Revived Sydney record label Method Records and Music is crowd-funding a collection of unreleased and rare recordings by some seminal Australian artists.
“Sound of Sydney Volume 4” reprises the compilation series the label issued in the 1980s and so far includes tracks from Ups and Downs, Deniz Tek, the Hard-Ons, Happy Hate Me Nots, Even As We Speak and Fast Cars.
“The purpose of this crowdfunding is essentially a pre-sale for the latest volume of the Sound of Sydney,” says label owner Fabian Byrne, also part of Fast Cars.
“We want to press on vinyl as well as CD and print a really cool T-Shirt based on the album design which will feature one of legendary artist Peter O’Doherty’s brilliant paintings of Sydney."
The On and Ons streaming from Sydney venue The Moshpit.
The COVID-19 pandemic has devastated the music industry globally. As if the digital disruption of music sales in the post CD era wasn’t enough, the closure of venues has killed the oldest revenue stream known to musicians, the live gig.
As the first industry to close and most likely the last to re-open, the meagre incomes of musicians have collapsed and the outlet for their creativity has disappeared. But being resilient and creative thinking beasts, the music industry and has turned its hand to live streaming as a way out of this abyss.