mick medew - The I-94 Bar
Backstage at the Festival of Sue with (from left) BILLY POMMER JR, CLYDE BRAMLEY and ROB YOUNGER. EMMY ETIE photo.
GUADALUPE PLATA (Donostia, Basque Country)
GUADALUPE PLATA are an innovative 3 piece comprising (1) vocals and guitar (2) washtub bass/guitar and (3) drums. The play an eclectic and exotic mix of rock, blues, jazz and rockabilly. I saw them perform live after my solo show in Donostia, Basque Country this year. Pedro’s guitar playing reminded me of my own, at times, demented approach to guitar playing.
KELLEY STOLZ, (Bottom of the Hill, San Francisco).
KELLEY STOLZ is a singer, songwriter, musician from the USA. His music has been compared to that of BRIAN WILSON, VELVET UNDERGROUND, NICK DRAKE and LEONARD COHEN. He played an awesome show with SARAH BETHE NELSON as support. Kelley is an all- rounder – a singer, musician and song writer. The real deal.
“A FESTIVAL OF SUE: THE JDS ARE ON YOU” (The Factory Theatre, Marrickville, Sydney)
Friends of SUE TELFER banded together to pay tribute to this much-loved Sydney lady with proceeds going to Support Act. A line-up that included myself (with special guest BILLY POMMER JNR on drums), X, the NEW CHRISTS, THE JOHNNYS, KIM SALMON, THE CRUEL SEA (instrumental), FRONT END LOADER, THE MIS-MADE, THE HOLY SOUL, & THE ON AND ONS. Having BILLY POMMER JNR on drums certainly gave me a run for my money. Highlights for me included the NEW CHRISTS, THE CRUEL SEA, THE JOHNNYS and X. Unfortunately, I did not get to see all the acts. Too busy chatting with my friends. It was such a great turn out from Sydney folks! After my trip into the city, seeing so many old buildings torn down (which caused me a lot of distress), it was great to see that Sydney folks still have a heart – a very big heart!
Open Season - Mick Medew and The Mesmerisers
Firstly declaring an extreme bias and a conflict of interest with this one, Mick’s second offering from the Mesmerisers is even better than the last. The addition of ex-Tribesmen tub thumper Michael Charles has added muscularity to the band and they go from strength to strength. Some Sydney and Newcastle Birdman supports really won them some new fans. Brian Mann created a stunning sounding record. My fave album of the year.
Address to the Nation - Chris Masuak and the Viveiro Wave Riders
Again, another declaration as I’ve worked closely with Chris over the past thirty years. My second fave of the year… beaten by a short nose. Chris writes killer songs… plays guitar better than any player I have worked with and has a band so tight I couldn’t slide a fag paper between it. A great album, and it gave us a few wry smiles.
The Festival of Sue (X, New Christs et al)
The shock of Sue Telfer’s passing pulled together a stellar line up talent who delivered on an emotional night. There were some killer performances but my top two were the New Christs, whose emotion tinged performance left no doubt that they are a top echelon act… but man of the match for mine was Steve Lucas and X. It was a blinding performance, Steve sang and played better than I have heard the band in years, Kim Volkman & Geof Holmes snarled and snorted like a beast. The Barman and Tiffany Palmer did a great job getting it all together, and we raised a great sum of cash for Support Act. I’d like to think Sue would’ve approved.
Releases and Gigs
1 “Open Season” – Mick Medew and the Mesmerisers
This abum is a must for any Screaming Tribesmen or Mesmerisers fan. Full of catchy tunes. My number-one easily.
2 Hits live
Hits played Collingwood/Melbourne. Never a dull moment when drinking beer with Dick (Rich) Richards
3 “Ann Arbor Revival Meeting” - Scott Morgan’s Powertrane
After having a shitty bootleg for years it’s great that this has finally been re-released on LP and CD.
4 Radio Birdman, The Stems, Los Chicos - The Croxton Band Room, Melbourne
What a line up of talent! The Stems’ sound was amazing, Best bit of the night thoughg was meeting legendary X singer Steve Lucas (pictured at right - hatless) and his lovely wife Joey.
5 The Johnnys – Memo, St Kilda.
The Johnnys are still the Cow Punk Kings of The World,
TOP TEN GIGS 2019
Ashley King photo
It is always hard to cut it down to ten but here goes.
Ice Cream Hands supported by Bryan Estapa Band- Factory Floor, Sydney
A great night of cleverly and carefully crafted power pop from Ice Cream Hands as Charles Jenkins and co bewitched us again with their sublime sounds. Support act Bryan Estapa Band were also a delight with their songs that owe a bit of a nod to high quality 70s AM radio sounds.
Charlotte and The Harlots/COFFIN/Turbobelco/Generation Landslide/Hy Test/Neptune Power Federation – Marrickville Bowling Club, Sydney
All killer no filler as this mighty bill saw each band up the ante and be better than the one before them. COFFIN and Neptune Power Federation were especially outstanding.
Thee Marshmallow Overcoat – The Caravan Club, Oakleigh, Melbourne.
Ashley Naylor, Davey Lane and Brett Wolfie playing two sets of their favourites from the 60s and 70s. Do I need to say more?
Ice Cream Hands – The Caravan Club, Oakleigh, Melbourne.
Oh yes, the night after Thee Marshmallow Overcoat, at the same venue. Bliss, heaven on a stick and a more sympathetic mix than was apparent at the Factory Floor show.
The Dark Clouds/Mick Medew and The Mesmerisers/Radio Birdman – Factory Theatre
The Dark Clouds showed why they are one of the best hard rock bands around but it was Mick Medew and The Mesmerisers who wowed the crowd with their set. Peppered with tracks from the Open Season album and select gems from Mick’s back catalogue they were the stars of the night. Radio Birdman also delivered a fine set and it was probably Rob Younger’s best vocal performance with RB for some time.
CHRIS KLONDIKE MASUAK’S TOP SEVERAL OF 2020
Guitarist, Viveiro Wave Riders
Ex-Radio Birdmnan, Hitmen, Screaming Tribesmen, New Christs
Viveiro, Galicia, Spain
We were having fun at the start of 2020.
The Viveiro Wave Riders had already been hither and yon … around the country and up to Breizh (“Yec’hed mad!” with the emphasis on “mad”) when it all came to a shuddering halt.
Life abruptly became somewhat more complicated, confusing, and occasionally alarming, but that’s not to say it stopped being entertaining.
We jumped on protocols pretty quick-smart over here in Spain, even as our hospitals became alarmingly overwhelmed and morgues literally over spilled.
We were heartened, encouraged, and edified by the sage advice that flooded social media from other apparently more civilised and informed countries.
We hardly even scratched our heads in wonder at their oblivious dawdling procrastination and general goldbricking, or as they gathered in teeming proliferation to demonstrate in support of their “rights” even as their “leaders” unequivocally let them know Just What The Priorities Actually Were.
Vive Le Rock magazine writer and Mule Freedom PR publicist
TOP TEN TRACKS FROM 2020
Like going deaf or blind, a lack of gigs seems to have sharpened my other music-loving senses, so I’ve been digging more sounds than ever this year. This is just the tip of a very big, and very loud, iceberg. Working as a PR, I’ve taken the flaming liberty of including some of my own wares in here – can you spot ‘em? But I make no excuses: I’m incredibly lucky and privileged to get to work with people whose stuff I love. I hope after reading this, you’ll love it too. - Gerry x
PS - The Celibate Rifles' "Extract From The Fungus" would’ve been No.1 if I’d heard it yet.
10.) James Williamson & Deniz Tek – "Jet Pack Nightmare"
They may be getting on – ain’t we all? – but Ann Arbor’s finest can still cut the Stories For Boys action rock! A venomous boogie riff to kick off "Two To One", the album that was bound to happen one day.
9.) Blue Öyster Cult – "The Alchemist"
It’s taken them nine years to come up with a new studio album and when they do, it’s recorded in lockdown conditions. And it’s still the best thing the boys from Stony Brook have done in donkeys’ years. Fourteen newly minted and totally Cultish songs, "The Symbol Remains" is conspicuously low on epics, but this six-minuter – with its "Flaming Telepaths" dink-dink-dink – hits the spot.
KEVIN "BIG DADDY K" CHERRY
2RRR-FM host of "Sydney Sounds"
I'm sure that everyone agrees that 2020 has been a shitty year. The worst I can remember in my 60 years on this planet. I'm not generally into reminiscing and my bad short term memory usually prevents me participating in these types of lists. Living on the Northern Beaches area of Sydney and being in lockdown for the second time, however, I've decided to attempt to give my impression of the year's music events.
The last band that I saw before the first lockdown in March (which resulted in all the gigs I had planned to go to in the following weeks collapsing before my eyes like a stack of dominoes) was THE MEZCALTONESat The Orient Hotel in Sydney’s The Rocks district.
THE MEZCALTONES are a fantastic Mewxican Hillbilly Surf band from the Northern Beaches fronted by COL “PADRE” PORTER, his guitar-slinging wife NERALYN and whip-twirling, go-go dancing, singing percussionist, MISS MIMI, as well as the three other members. They always put on an entertaining performance of original songs and crowd pleasing covers and obscurities. They attract an audience that loves to get up and dance.
I also saw them at a socially distanced performance at The Marrickville Bowlo, which was a different atmosphere due to the restrictions, which meant that none of the audience could get up and dance or even stand with a drink in their hand.
Mick Medew & The Mesmerisers, Mick & Ursula, solo artist, Mick Medeww & The Rumour, Screaming Tribesmen, The 31st
1. OVERSEAS SHOW OF THE YEAR
Nick Lowe and Los Straitjackets @ The Tivoli theatre Brisbane on February 19.
2. COMMUNITY RADIO
Community Radio saves the day again , they save the day for musicians and fans alike as well as shining a light on the injustices that occur in our communities and beyond
3. DAVE GRANEY AND CLARE MOORE "Stage it" Live streaming shows
Thursday nights have never sounded better
In no special order:
1. The Damned at The Triffid, Brisbane, March 15
A school night: Wednesday. The Mesmerisers go on at 7.30pm to a packed house. We carve, the crowd makes us feel like they are there to see us. The Damned 's tour manager remarks that he has never encountered a support band being granted a bottle of Gordon's gin as part of their drink rider: another milestone ticked.
The Damned play for two-and-a-half hours - brilliantly. They are a big hit with the audience - and with Captain Sensible back in the band, they could hardly miss.
2. Perfect Match
Now I do know where she comes from: Banyo. I’ve got a Date with a Banyo girl, tonight.
3. Died Pretty, Radio Birdman and The Mesmerisers at The Tivoli Theatre, Brisbane, June 23
The crowd have all turned up early and turn on to us straight away. Died Pretty get better every time I see them. They always were a fantastic band.
4. Perfect Purchase
My Zoom H5 portable recording device does everything i wanted it to.
5. Gap Farmers Markets, Brisbane, June 25
Andrew Ross and Co sure know how to put on a festival . We go on before dusk. I wear my sunglasses for half the set. Michael again chooses the right shirt for the occasion.
It's almost 2019… and the world seems to be going mad. But the big question I ask myself… is rock dead?
I see alternate styles of music like rap, hip-hop and commercial pop dominating youth culture. I wouldn’t recognise Drake or Flume if they dropped their USB sticks in front of me. In closeted rock’n’roll enclaves such as the I-94 Bar dirty rock’n’roll seems to be thriving, but one by one icons are dropping off the perch. How much longer can it survive?
The benchmark I’ve been looking at is guitar sales. Electric guitar sales have slipped 22.7 percent since 2008… the price of guitars is rocketing, yet it appears that the acoustic market is on the up… Something like a 15 percent increase over the same period. Although insipid, whiny vocal sounds have probably been tied to the same trend.
The trend that parallels the increase of Ed Sheeran wannabes is the rise of vinyl sales. I’d guess that pot smoking hippies, listening on their Technics SL1200 to Bob Dylan re-masters trying figure out how to play protest songs while avoiding the dreaded F chord are to blame.
Despite my sense of foreboding I did manage to catch some quality rock’n’roll but I put that down to confirmation bias. My personal faves:
Radio Birdman is playing just two Australian shows this year - June 21 at The Factory Theatre in Sydney and June 22 at the Cambridge Hotel in Newcastle - and Mick Medew and The Mesmerisers are joining them for both.
East Coast Low complete the bill in Newcastle and The Dark Clouds join the Sydney line-up.
The support spots will be part of a busy year for Mick Medew and his band with their forthcoming album expected to be out in time for the shows.
Both gigs will sell out with tickets available from both venue websites.
Crticial acclaim for their recent run of solo shows together in Melbourne has prompted Penny Ikinger (ex-Wet Taxis, Sacred Cowboys) and Mick Medew (ex-Screaming Tribesmen, Mick Medew and the Rumours and currently in Mick Medew and the Mesmerisers) to do it all again in Brisbane with a one-off show at The Junk Bar.
Mick and Penny will play the Sunday Night Dream Card show on January 12. They'll play sets of their own material - and music of bands they have been in - and duet on some slected tunes.
The Junk Bar has limitd capacity so pre-sale tickets are the only way of guaranteing a spot and they can be bought here.
Look out honey, we're using technology: Episode 35 of "Drunk and Disorderly" is live. Play it through your browser, through the Mixclud app, share it, whatever. Spread the Rock Action!
Psychopharmacologist - Mick Medew (I-94 Bar Records)
Issued by this website's very own head honcho, The Barman, who is responsible for organising many, many gigs which you've all thoroughly enjoyed. The kind of punter who decides he wants to see bands, and figures you will, too, so he puts them on.
This LP rates 5 bottles, and that's not because I know Barman and he's slipped me a brown envelope behind the cistern at Central Station, but because “Psychopharmacologist” is bloody lovely, and you absolutely need it in your collection. The press release explains that this is “Mick Medew’s first true solo album and his most surprising musical adventure yet with its broad stylistic sweep and kaleidoscopic use of sound”, and that's a fair comment.
Leader of the Mesmerisers and ex-Screaming Tribesmen and Rumours guitar icon, Mick Medew, is undertaking a short run of solo electric shows in Melbourne in November. Three gigs will be with Penny Ikinger and Claire Birchall is on the bill for the other.
Solo & Electric Melbourne Tour
1 – The Espy, St Kilda w/ Penny Ikinger
3 – The Welcome Swallow, Brunswick w/ Claire Birchall
8 – Acland Street Folk Club, St Kilda w/ Penny Ikinger
10 - The Welcome Swallow, Brunswick w/ Penny Ikinger
I-94 Bar Records is proud to announce the impending arrival of “Psychopharmacologist”, Brisbane musician Mick Medew’s first true solo album and his most surprising musical adventure yet.
It will be out on CD and digital on October 2 and pre-orders here will receive an early release track, "When The Wood Is Brown (Full Return)", via download.
Medew has shown with his current band, Mick Medew and the Mesmerisers, and past units, the Screaming Tribesmen and Mick Medew and the Rumours, that he's a master of guitar pop-rock. “Psychopharmacologist” puts him in a different place with nine songs that make optimum use of the studio and bring wildly varied influences to bear.
The I-94 Bar's Top Tens are about to roll-out and you'd be surprised if both this year's releases on I-94 Bar Records didn't make the grade for The Barman's picks.
A couple of months ago, we posted a track-by-trackby Chris Masuak of "Address to the Nation" by Chris Masuak and the Viveiro Wave Riders. Now it's Mick Medew's turn to walk you through "Open Season", the long-player from Mick Medew and the Mesmerisers.
It's a killer album of pop, power and melody and if you don't believe us, check out the reviews here.
The words below belong to Mick Medew, the photos are by Jeff Ram.
* * * * *
This song was principally written by our guitar player, Brian Mann. He wrote the lyrics to the first verse and I found it easy to run with his theme.
I grew up in inner city Brisbane in the 1960's and ‘70s where there was plenty of exploring to be done and no security guards in sight. I have one Sister (11 years older than me ) so i was effectively an only child for a lot of the time. At least it felt like that.
I needed to apply my imagination; necessity being the mother of invention.
While his band The Mesmerisers are preparing for a run of Melbourne shows to promote their brand spankin' new album, Mick Medew is playing a rare solo electric show at Brisbane's Junk Bar on August 13.
Tickets are on sale via Oztix. Support is Defo Mofo and expect a run through the bulging Medew back cataolgue, with some surprise covers.
Hello from the Dimboola Farmhouse, I-94 Bar barflies. Mick Medew is a legend, a Queensland Music hall of famer and Australian pub rock icon, and he absolutely nails it with his new album “Open Season” with his band the Mesmerisers.
The Mesmerisers? We have Lois Andrews bringing the bass and her beautiful backing vocals, and she is amazing. Michael Charles is on drums. Yes, that Michael Charles, drummer on Mick’s most famous Screaming Tribesmen EP, “Date with a Vampire”. The pair just nails it and make a fabulous rhythm section.
Rounding things out on lead guitar is Brian Mann, also ex-Screaming Tribesmen and a gifted player who also doubles behind the recording board. He produced this album and it was mastered by Don Bartley. These gentlemen know how to get the sound down.
The On and Ons streaming from Sydney venue The Moshpit.
The COVID-19 pandemic has devastated the music industry globally. As if the digital disruption of music sales in the post CD era wasn’t enough, the closure of venues has killed the oldest revenue stream known to musicians, the live gig.
As the first industry to close and most likely the last to re-open, the meagre incomes of musicians have collapsed and the outlet for their creativity has disappeared. But being resilient and creative thinking beasts, the music industry and has turned its hand to live streaming as a way out of this abyss.